Metacritic reviews

In depicting the Johnson County War of 1892 (immigrants versus cattle barons), Michael Cimino delivers soaring ambition and scale, but always syringed with a deep sense of regret.

A grippingly violent parable, a touching, tragic romance and – thanks to legendary cinematographer Vilmos Zsigmond and an unprecedented attention to historical detail – quite simply one of the most beautiful, immersive films ever made.

It's a film of rare beauty and scope, a feast for the eyes and a harrowing, unflinching meditation on the cruelty of capitalism. It rivals William Friedkin's Sorceror in its bone-deep cynicism and eviscerating take on the free market's coal-black heart of darkness.

Cimino fashioned a deep, multi-textured screenplay rich with fully dimensional characters. His ensemble cast brought the story to vivid life. Kristofferson gave a career peak performance here as a man who seems perpetually out of his element.

To his credit, Cimino renders us helpless not before carnage or greed, but before his epic’s breadth of motivation and circumstance. It’s not the past’s ugliness that terrifies us in Heaven’s Gate, but its far more intimidating immensity.

This beautiful but notoriously disappointing film is one of the most overblown epic Westerns of any decade.

The first scenes of Heaven’s Gate are so energetic and beautiful that anyone who knows the saga of the $35 million epic might begin to think it was going to be worth every penny. Unfortunately the balance of director Michael Cimino’s film is so confusing, so overlong at three-and-a-half hours and so ponderous that it fails to work at almost every level.

This movie is a study in wretched excess. It is so smoky, so dusty, so foggy, so unfocused and so brownish yellow that you want to try Windex on the screen. A director is in deep trouble when we do not even enjoy the primary act of looking at his picture.

Well, it really is a stinker, a compendium of The Deer Hunter's weaknesses (of plotting, narration, dialogue, and character) with few of its lyrical strengths.

Nothing in the movie works properly. For all of the time and money that went into it, it's jerry-built, a ship that slides straight to the bottom at its christening. Heaven's Gate is something quite rare in movies these days - an unqualified disaster.