IMDb RATING
4.0/10
847
YOUR RATING
A teen girl, possessed by her slain mother's lustful spirit, unleashes chaos. The story descends into a whirlwind of perversion, moral decay, and evil.A teen girl, possessed by her slain mother's lustful spirit, unleashes chaos. The story descends into a whirlwind of perversion, moral decay, and evil.A teen girl, possessed by her slain mother's lustful spirit, unleashes chaos. The story descends into a whirlwind of perversion, moral decay, and evil.
Mariangela Giordano
- Sol
- (as Mariangela Giordan)
Aldo Sambrell
- Antonio Aguilar
- (as Aldo Sanbrell)
Giuseppe Carbone
- Isidro
- (as Joe Davers)
Marina Hedman
- Maria Aguilar
- (as Marina Hedmann)
Featured reviews
"Satan's Baby Doll" is a true cinematic oddity, as it is such an extreme mix of good, and awful. The creators of this film had everything that they needed to make a true classic; access to a lavish castle on a cliff, decorated for royalty, a memorable music score, and a beautiful young actress in the central role. There is even a fairly interesting story here, of an angry mother who possesses the body of her daughter from beyond the grave, to exact revenge on the inhabitants of the castle. Seriously, the sets need to be seen to be appreciated. Italian director Luchino Visconti would have filmed one of his masterpieces in this opulent setting! Unfortunately the people behind the scenes were lacking in some regards. Beautiful images sit awkwardly next to very ugly scenes, of ugly old men biting the heads off of chickens and writhing around on the floor making guttural, vomiting sounds for long stretches of time. Unappealing scenes of actors past their prime, getting naked and having very graphic sex. To make matters worse, the director decided to film actual hardcore scenes for this film. This is the version I saw, and I can attest to the fact that they add nothing to this film. Said scenes include a woman in her late 40's/early 50's giving on-screen oral sex to a rather unattractive man in a wheelchair, and another scene of the same tired old whore performing oral sex on a completely disgusting old man, and there is a short insert of his penis entering her old-lady vagina. The young girl Jaqueline Dupre is of course involved with none of these tasteless scenes, (luckily for her!) Anyway, this awkward mix of artistic art-house beauty and ugly pornography don't really work. and it's a shame because much of the film really is gorgeous to look at, atmospheric and sad. In more capable hands, "Satan's Baby Doll" could have been a true cult classic. what we have instead is a result of a film maker who could not seem to make up his mind, whether he wanted to create art, or garbage. Strangely the end result is artistic garbage. i don't think i have ever seen any film as uneven as this; did it have two directors?
Mario Bianchi's A Girl for Satan is apparently a remake of Andrea Bianchi's Malabimba, and although I can't compare the two having not yet seen Malabimba; this remake is stylish and sexy enough to at least be considered half decent. I've read that Malabimba is a rather more hardcore affair; and it would seem that the director here tried to cut that out, and while this film does feature a fair amount of nudity; there's no hardcore sex scenes, but this does actually benefit the film as it certainly seems a lot more erotic than it would have been were it padded out with a load of sex scenes. The plot is mostly nonsensical but has something to do with demonic possession and some horny naked woman coming back from the dead. Our lead character is a young girl who gets possessed by the spirit of her dead mother; who was murdered by her husband. The mother uses the girl in order to get revenge on a whole range of people that had something to do with it; including the family doctor and her husband's crippled brother.
As is always the case with cheap Italian trash, the script here leaves a lot to be desired and there's far too many scenes in which the characters say 'that's impossible!'. In fact, it happens just about every five minutes or so and naturally it's not long at all before it starts to get very tiresome. The film's main assets belong to Jacqueline Dupré, who is simply stunning and doesn't seem to mind getting her kit off at every given opportunity; and that's no bad thing. The film does look fairly cheap; but some of the set design is nice to look and the lighting is also marginally impressive - which does help the atmosphere of the film. It does get a bit hard to follow at times because the plot line takes so many illogical steps; but the style and the leading lady do at least serve in keeping things mostly interesting. At just seventy minutes, the film is rather short so it doesn't really have to become too boring. Of course, it all turns out to be a big waste of time in the end as the film never goes anywhere and doesn't really do anything; but even so, there's worse trash out there and this does at least have some redeeming elements.
As is always the case with cheap Italian trash, the script here leaves a lot to be desired and there's far too many scenes in which the characters say 'that's impossible!'. In fact, it happens just about every five minutes or so and naturally it's not long at all before it starts to get very tiresome. The film's main assets belong to Jacqueline Dupré, who is simply stunning and doesn't seem to mind getting her kit off at every given opportunity; and that's no bad thing. The film does look fairly cheap; but some of the set design is nice to look and the lighting is also marginally impressive - which does help the atmosphere of the film. It does get a bit hard to follow at times because the plot line takes so many illogical steps; but the style and the leading lady do at least serve in keeping things mostly interesting. At just seventy minutes, the film is rather short so it doesn't really have to become too boring. Of course, it all turns out to be a big waste of time in the end as the film never goes anywhere and doesn't really do anything; but even so, there's worse trash out there and this does at least have some redeeming elements.
Erotic Italian Gothic horror La bimba di Satana, from director Mario Bianchi, takes place in exactly the kind of imposing, brooding castle one would expect from the genre: sat atop a stormy hill, shrouded in shadows, with endless stone corridors and a dusty old crypt, it is inhabited by a collection of 'unique' individuals all hiding dark secrets. Clichéd though these elements might be, the film's narrative could never be described as predictable...
Aldo Sambrelli plays Antonio Aguilar, the recently widowed owner of the creepy castle whose hot teenage daughter Miria (the gorgeous Jacqueline Dupré) has been acting rather strange since her mother's death. Also living in the castle are sexy nun Sol (Mariangela Giordano), who is employed to take care of Antonio's paraplegic brother Ignazio (she gives very thorough bed bath), and a strange manservant named Isidro who conducts satanic rituals in the crypt.
Antonio spends much of his his time shooting up drugs and pestering Sol for sex; but the nun isn't having any of it, preferring to swan around in just her stockings, tempting poor immobile Ignazio. Meanwhile, Miria's fevered state worsens and eventually, she rises from her bed in a trance to kill...
Unfortunately, despite its unusual plot, copious nudity from its attractive female stars, and plenty of general perversion, including lesbianism, voyeurism, murder, possession and necrophilia, La bimba di Satana is a real bore for most of the time: Bianchi's lousy direction is torturously slow and the structure of the film makes matters more than a little confusing—at least until the film's final minutes, when some of the plot threads are thankfully finally pulled together (although I never did quite understand how the reanimated mouldy mummy fitted into proceedings!).
***EDIT*** The above review was for the softcore cut of the film, but having just seen the uncut version, which contains a couple of explicit sex scenes towards the end, my opinion of Satan's Baby Doll hasn't really changed that much: it's still boring.
Aldo Sambrelli plays Antonio Aguilar, the recently widowed owner of the creepy castle whose hot teenage daughter Miria (the gorgeous Jacqueline Dupré) has been acting rather strange since her mother's death. Also living in the castle are sexy nun Sol (Mariangela Giordano), who is employed to take care of Antonio's paraplegic brother Ignazio (she gives very thorough bed bath), and a strange manservant named Isidro who conducts satanic rituals in the crypt.
Antonio spends much of his his time shooting up drugs and pestering Sol for sex; but the nun isn't having any of it, preferring to swan around in just her stockings, tempting poor immobile Ignazio. Meanwhile, Miria's fevered state worsens and eventually, she rises from her bed in a trance to kill...
Unfortunately, despite its unusual plot, copious nudity from its attractive female stars, and plenty of general perversion, including lesbianism, voyeurism, murder, possession and necrophilia, La bimba di Satana is a real bore for most of the time: Bianchi's lousy direction is torturously slow and the structure of the film makes matters more than a little confusing—at least until the film's final minutes, when some of the plot threads are thankfully finally pulled together (although I never did quite understand how the reanimated mouldy mummy fitted into proceedings!).
***EDIT*** The above review was for the softcore cut of the film, but having just seen the uncut version, which contains a couple of explicit sex scenes towards the end, my opinion of Satan's Baby Doll hasn't really changed that much: it's still boring.
Some sources (including the afore-mentioned "Stracult") consider this to be a superior film to MALABIMBA THE MALICIOUS WHORE (1979), of which this is a revamp (and therefore sufficiently different not to qualify as a direct remake) but I certainly disagree. To begin with, there is only a fair amount of nudity but little sex in itself and none of the hardcore variety; in fact, it's rather heavier on horror content compared to the original, even going so far as to include a completely irrelevant (if reasonably eerie) marauding mummy scene!
On the whole, SATAN'S BABY DOLL is a much more somber film and, consequently, a good deal less entertaining than MALABIMBA itself (which, at least, had rampant nudity and campiness to compensate for its other deficiencies). Conversely, the later film is a more compact affair with not only less characters (7 in all) but a much shorter running time at only 74 minutes. Another good score is provided and I thought Mariangela Giordano (who, at 45, certainly looks great in the nude) was better here than she was in MALABIMBA. The lead, Jacqueline Dupre', is quite lovely as well (though I personally preferred Laennec) and, like her predecessor, this was her only movie to date.
Unfortunately, the cons greatly outnumber the pros in this case: the baffling butler characterization (and the resulting hideously hammy performance) is a definite eyesore, as is the sloppy editing (especially during the scene where the paraplegic uncle imagines Giordano writhing passionately in bed). Spaghetti Western regular Aldo Sambrell is curious casting for the unsympathetic vengeful head of the family and his sluttish wife (whose spirit possesses the teenage lead) is not all that attractive either (which did not prevent her from getting it on with the novice while still alive)!
When everything is said and done, I don't think SATAN'S BABY DOLL merited a DVD release of its own and would have been better served as a double-feature with MALABIMBA...not least because such a move would have decreased their collective purchase price and saved shelf space to prospective buyers! Curiously enough, there's no option to watch either film without English subtitles and I had to manually remove them during playback!
On the whole, SATAN'S BABY DOLL is a much more somber film and, consequently, a good deal less entertaining than MALABIMBA itself (which, at least, had rampant nudity and campiness to compensate for its other deficiencies). Conversely, the later film is a more compact affair with not only less characters (7 in all) but a much shorter running time at only 74 minutes. Another good score is provided and I thought Mariangela Giordano (who, at 45, certainly looks great in the nude) was better here than she was in MALABIMBA. The lead, Jacqueline Dupre', is quite lovely as well (though I personally preferred Laennec) and, like her predecessor, this was her only movie to date.
Unfortunately, the cons greatly outnumber the pros in this case: the baffling butler characterization (and the resulting hideously hammy performance) is a definite eyesore, as is the sloppy editing (especially during the scene where the paraplegic uncle imagines Giordano writhing passionately in bed). Spaghetti Western regular Aldo Sambrell is curious casting for the unsympathetic vengeful head of the family and his sluttish wife (whose spirit possesses the teenage lead) is not all that attractive either (which did not prevent her from getting it on with the novice while still alive)!
When everything is said and done, I don't think SATAN'S BABY DOLL merited a DVD release of its own and would have been better served as a double-feature with MALABIMBA...not least because such a move would have decreased their collective purchase price and saved shelf space to prospective buyers! Curiously enough, there's no option to watch either film without English subtitles and I had to manually remove them during playback!
Satan's Baby Doll (1982)
** (out of 4)
Remake of Malabimba, The Malicious Whore follows the same storyline pretty much and also cuts out the hardcore sex scenes. This time out it's Jacqueline Dupre playing the young girl who is being possessed and Mariangela Giordano reprises her role as the nun. This is a pretty straight forward remake so if you've seen the original movie then you're not going to have any twists or turns that you don't see coming. It's hard to say which movie is better as both have good and bad things going for them. I think this one works nicely without the hardcore scenes but at the same time this film here isn't nearly as sexy or erotic as the original. This film is also pretty straight forward and doesn't contain as many campy moments, which is the main reason I'd rewatch the original over this one. This one here does have some great cinematography and some nice eye candy in the form of the beautiful naked women but I wouldn't really call this film necessary.
** (out of 4)
Remake of Malabimba, The Malicious Whore follows the same storyline pretty much and also cuts out the hardcore sex scenes. This time out it's Jacqueline Dupre playing the young girl who is being possessed and Mariangela Giordano reprises her role as the nun. This is a pretty straight forward remake so if you've seen the original movie then you're not going to have any twists or turns that you don't see coming. It's hard to say which movie is better as both have good and bad things going for them. I think this one works nicely without the hardcore scenes but at the same time this film here isn't nearly as sexy or erotic as the original. This film is also pretty straight forward and doesn't contain as many campy moments, which is the main reason I'd rewatch the original over this one. This one here does have some great cinematography and some nice eye candy in the form of the beautiful naked women but I wouldn't really call this film necessary.
Did you know
- TriviaUnlike most of Gabriele Crisanti's earlier sex-horror hybrids, the target for Satan's baby doll (1982) was the hardcore porn market, which by then was in full bloom. The casting of Marina Hedman, then Italy's most famous porn star, was telling, as was the presence of Alfonso Gaita, a regular of early Italian hardcore. Also non adult actors as Aldo Sambrell and Mariangela Giordano, were asked to do some explicit scenes. Sambrell was involved in a unsimulated sex scene with Hedman, which he later recalled: "We had to shoot a love scene, Marina and I... Well, I was lying on the bed, waiting for her, and when she showed up we started making out; after a while I realized that she was doing it for real and I had to stop her and call Crisanti, the producer, because I could not work that way." Sambrell was replaced by Alfonso Gaita for the explicit close-ups. Even Giordano has explicit scenes. "Remaking Malabimba was a stupid move. I didn't want to do the sex scenes. I felt used, abused and exploited," she commented about this film which marked not only the end of the artistic collaboration with her then-partner Crisanti, but of her personal relationship with him as well.
- Alternate versionsGerman Import DVD contains Hardcore XXX version that runs 10 minutes longer.
- ConnectionsReferenced in The Exorcism of Baby Doll (2007)
- How long is Satan's Baby Doll?Powered by Alexa
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- Country of origin
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- Also known as
- Satan's Baby Doll
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 15 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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