IMDb RATING
5.7/10
6.2K
YOUR RATING
A young Asian-American martial artist is forced to participate in a brutal formal street-fighting competition.A young Asian-American martial artist is forced to participate in a brutal formal street-fighting competition.A young Asian-American martial artist is forced to participate in a brutal formal street-fighting competition.
- Awards
- 1 nomination total
Kristine DeBell
- Nancy
- (as Kristine De Bell)
Pat E. Johnson
- Carl
- (as Pat Johnson)
Chao Li Chi
- Kwan
- (as Chao-Li Chi)
Peter Marc Jacobson
- Jug
- (as Peter Marc)
Marcus K. Mukai
- Robert
- (as Marcus Mukai)
Gene LeBell
- Stroke
- (as Gene La Bell)
Featured reviews
The Big Brawl and The Protector are two of my favorite Jackie Chan films. They are both fun to watch, although in the Big Brawl Jackie gets to show his comedic side which adds quite a bit to the enjoyment factor. I have low quality VHS copies of both of these films and I am currently searching for new first generation copies in English. I would advise anyone to give these films a look. Of course I like any film with Jackie Chan, and I hope he will continue to team up with American filmmakers, as in Rushour, to give us more laughs and wild action.
It's the 1930s (or possibly the '50s, going by the typography on a banner in the film's roller skating scene, or maybe even the '70s judging from the garish skating outfits, the afros on display, and Lalo Schifrin's cool and funky score): a group of gangsters want martial arts expert Jerry (Jackie Chan) to compete in the Texas Battle Creek Brawl and will resort to any underhanded means in order to get him to co-operate
Robert Clouse might not be the greatest action director in the business, but he has made two of my favourite cult movies ever: Bruce Lee's martial arts classic Enter The Dragon, and post-apocalyptic flick The Ultimate Warrior, starring Yul Brynner. With Jackie Chan as his star, he had the potential to deliver yet another classic for fans to treasure; unfortunately, Battle Creek Brawl, the director's 1980 attempt at emulating his success with Enter The Dragon, isn't as much fun as one might imagine, failing to capitalise on its star's amazing martial arts skills.
With a series of unsuitable opponents (mostly American wrestlers and muscle-men), Chan is unable to make the most of his incredible speed and timing, his fights looking rather slow and laboured in comparison to the action in his Hong Kong films, where he is pitted against other martial artists; poor choreography and sloppy editing also serve to weaken any impact the action scenes might have had, something that is particularly noticeable during the film's major non-martial arts sequence, the roller skating race that is about as adrenaline pumping as a knitting competition (knit one, pearl one Jackie—what a rush!).
The non-fighting members of the supporting cast do what they can to help, with José Ferrer lending proceedings an air of class as ruthless gangster Dominici, ex-adult movie star Kristine DeBell putting in a winning turn as Jerry's girlfriend Nancy, and an enthusiastic early performance from Larry 'Dr.Giggles' Drake, but it's the action that fans have come to see and in that department Battle Creek Brawl simply doesn't deliver the goods.
Robert Clouse might not be the greatest action director in the business, but he has made two of my favourite cult movies ever: Bruce Lee's martial arts classic Enter The Dragon, and post-apocalyptic flick The Ultimate Warrior, starring Yul Brynner. With Jackie Chan as his star, he had the potential to deliver yet another classic for fans to treasure; unfortunately, Battle Creek Brawl, the director's 1980 attempt at emulating his success with Enter The Dragon, isn't as much fun as one might imagine, failing to capitalise on its star's amazing martial arts skills.
With a series of unsuitable opponents (mostly American wrestlers and muscle-men), Chan is unable to make the most of his incredible speed and timing, his fights looking rather slow and laboured in comparison to the action in his Hong Kong films, where he is pitted against other martial artists; poor choreography and sloppy editing also serve to weaken any impact the action scenes might have had, something that is particularly noticeable during the film's major non-martial arts sequence, the roller skating race that is about as adrenaline pumping as a knitting competition (knit one, pearl one Jackie—what a rush!).
The non-fighting members of the supporting cast do what they can to help, with José Ferrer lending proceedings an air of class as ruthless gangster Dominici, ex-adult movie star Kristine DeBell putting in a winning turn as Jerry's girlfriend Nancy, and an enthusiastic early performance from Larry 'Dr.Giggles' Drake, but it's the action that fans have come to see and in that department Battle Creek Brawl simply doesn't deliver the goods.
Jackie plays Jerry Kwan, a Chinese living in 1930s America. His father is forced to pay the Mafia protection, and Jerry won't stand for it, picking a fight with some Mafia-goons. The Mafia see Jerry's potential as a fighter, and kidnap his brother's fiancé, forcing Jerry to fight for them in the Battle Creek Brawl: an anything goes, winner-takes-all, fighting competition.
That's pretty much it plot wise, but in a Jackie Chan movie, the faster we get the plot out of the way, the happier we are (although, another pointed out the depiction of openly racist, 1930s America, I did think that was somewhat interesting). The fights and stunts are decent, but not up to Jackie's usual standards - he was forced to work with pro-wrestlers, etc unworthy to work with the Chan-man, and the stunt-coordinator was only a first time stunt-director, and had only performed stunts in three other movies. The fights during the Battle Creek Brawl really highlight the difference between Jackie and his much-larger, slower opponents - while Jackie impresses us with his speed and skill, the other guys are trying impress with sheer-power, and it doesn't work very well.
As his first American movie, its not too bad, and definitely better than his second attempt in America with "The Protector", but I would expect a lot more from Jackie, and the director Robert Clouse (who also directed Enter the Dragon).
6/10
That's pretty much it plot wise, but in a Jackie Chan movie, the faster we get the plot out of the way, the happier we are (although, another pointed out the depiction of openly racist, 1930s America, I did think that was somewhat interesting). The fights and stunts are decent, but not up to Jackie's usual standards - he was forced to work with pro-wrestlers, etc unworthy to work with the Chan-man, and the stunt-coordinator was only a first time stunt-director, and had only performed stunts in three other movies. The fights during the Battle Creek Brawl really highlight the difference between Jackie and his much-larger, slower opponents - while Jackie impresses us with his speed and skill, the other guys are trying impress with sheer-power, and it doesn't work very well.
As his first American movie, its not too bad, and definitely better than his second attempt in America with "The Protector", but I would expect a lot more from Jackie, and the director Robert Clouse (who also directed Enter the Dragon).
6/10
This Jackie Chan vehicle,his first attempt to break into the American market,generally has a bad reputation. Jackie himself hated myself the film,one of the reasons being that he had little to no control over the action. It was also a box office flop,despite it regrouping some of the team that made Enter The Dragon.
However,The Big Brawl is not all that bad. Indeed at first it seems that it does not at all deserve it's critics. Lalo Schifrin's main theme is exceptionally groovy,the 1030s Chicage setting is reasonably well evoked and there is one early fight scene,in which Jackie defeats three baddies seemingly by accident,that,although a little slow,does come across as being classic Jackie,combining fighting and slapstick typically well. As the film goes on it loses interest somewhat,especially as the final third is just Jackie fighting a bunch of wrestler types in the Big Brawl of the title. Nonetheless, if you don't expect much and/or have not seen many other of Chan's movie fights,they are fairly entertaining,as he defeats his opponents with his skill and agility, and despite the slow choreography,he does perform a few great moves and dangerous moments.
Elsewhere Mako is great fun as Jackie's uncle/teacher and his training scenes with Jackie are fun. It's also interesting to see Jackie in a supposedly sexual relationship with his girlfriend {something he normally shied away from}and here are also a few good laughs involving some inept gangsters. The Big Brawl is seriously flawed,but it really isn't bad. It's certainly better than The Protector!
However,The Big Brawl is not all that bad. Indeed at first it seems that it does not at all deserve it's critics. Lalo Schifrin's main theme is exceptionally groovy,the 1030s Chicage setting is reasonably well evoked and there is one early fight scene,in which Jackie defeats three baddies seemingly by accident,that,although a little slow,does come across as being classic Jackie,combining fighting and slapstick typically well. As the film goes on it loses interest somewhat,especially as the final third is just Jackie fighting a bunch of wrestler types in the Big Brawl of the title. Nonetheless, if you don't expect much and/or have not seen many other of Chan's movie fights,they are fairly entertaining,as he defeats his opponents with his skill and agility, and despite the slow choreography,he does perform a few great moves and dangerous moments.
Elsewhere Mako is great fun as Jackie's uncle/teacher and his training scenes with Jackie are fun. It's also interesting to see Jackie in a supposedly sexual relationship with his girlfriend {something he normally shied away from}and here are also a few good laughs involving some inept gangsters. The Big Brawl is seriously flawed,but it really isn't bad. It's certainly better than The Protector!
Jackie's first staring role in an American made movie, Robert Clouse (Enter the Dragon) directs but this never really hits the high notes of say Project A or Armour of God. The problem being that Jackie is lumbered with ex-pro wrestlers and the like with which to produce fight choreography and not his own JC stunt team so the timing and trust was just not there to produce truly stunning fights.
Only once does Jackie get to work his true magic and this is with two members of his own team in a fight that easily surpasses anything on show in the rest of the movie. If they had let Jackie choreograph the entire movie this would have been a much better film as lets face it the fights are what we here for in a movie like this.
Overall it's entertaining in places but for Chan enthusiasts only, if you've never seen a J.C film before your better of starting with Project A, Police Story or for the older more traditional style kung fu flick Drunken Master.
Entertaining for Chan fans only - 5/10
Only once does Jackie get to work his true magic and this is with two members of his own team in a fight that easily surpasses anything on show in the rest of the movie. If they had let Jackie choreograph the entire movie this would have been a much better film as lets face it the fights are what we here for in a movie like this.
Overall it's entertaining in places but for Chan enthusiasts only, if you've never seen a J.C film before your better of starting with Project A, Police Story or for the older more traditional style kung fu flick Drunken Master.
Entertaining for Chan fans only - 5/10
Did you know
- TriviaThe first time that the authentic voice of Jackie Chan was heard in a movie. All of Chan's prior Hong Kong movies had featured traditional dubbing of his voice for Cantonese and Mandarin releases. As a matter of fact, he wouldn't dub his own voice in a Hong Kong movie before Police Story 3: Supercop (1992).
- GoofsThough the film is set in the 1930's, modern railroad freight cars not introduced until the 1970's are seen behind Jackie early into the film.
- Alternate versionsFor its original UK theatrical release the film was cut by the BBFC for a 'AA' certificate to remove groin kicks, a neck break and a double ear clap. The video and all later releases including the DVD (retitled "Battle Creek Brawl") have replicated the cut to the ear clap.
- ConnectionsFeatured in Tiswas: Episode #7.6 (1980)
Details
Box office
- Gross US & Canada
- $8,527,743
- Opening weekend US & Canada
- $1,108,025
- Sep 1, 1980
- Gross worldwide
- $8,527,743
- Runtime1 hour 35 minutes
- Sound mix
- Aspect ratio
- 2.39 : 1
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