Fridays

Friday's wasn't always brilliantly written but, unlike SNL, it was consistently funny.

Friday's was what SNL used to be, high energy, edgy and hip. SNL had become tedious and chances are that if you thought the same about Friday's you were just too young to understand the comedic references. SNL had become a media institution at that point (like Rolling Stone, which used to be considered part of The Underground Press) and if you had a media product to peddle it was simply a base that had to be touched by the star or written into the sketches.

Friday's didn't care about any of that; From the announcer's screaming greeting "Liiiiiiiiiiiiiiiiiiive, from the Los Angeles basin!" to music by that day's hippest bands, Friday's showcased some of the most outrageous comedy to be found on TV. Most folks remember Darrow Igus's Rasta Gourmet - a one trick pony to be sure but a crowd pleaser every time - "Do we bake it?" "No no no no!" "Do we fry it?" "No no no no!" 'til finally "We SMOKE it!" "ya ya ya ya" exclaimed Igus' gourmet, whose only spice was Ganja.

Michael Richard's Battle Boy got sicker and sicker as he developed the character, finally taking his little Sister hostage, burying her in the ground and threatening to torture her Barbie. Most folks remember how he liked to set his Army men on fire, complete with simulated screams of agony.

I also liked Richard's hip biker record reviewer, wherein he sailed rejected albums (I usually agreed with him) into the crowd like so many Frisbees.

Mark Blankfield's DRUGS R US stoned out pharmacist made me exhausted watching it. He sailed back and forth on that ladder, popping the inventory and getting more crazed by the minute. Funniest bit was when two midgets walked into his store and he screamed MY GOD, I'VE GROWN!!! Bruce Mahler was brilliant in anything he touched, even his stupid dancing chickens was irresistible. He and Blankfiled excelled above the others in a skit called "Men mmmm Who mmmm Say mmmm 'MMMM' between mmmm Every mmmm Word." When they got going fast it was simply insane.

Another brilliant team bit that they repeated several times was The Transfibians, where three of them had "the operation" changing them into ManFishes. Their school-like movements were hysterical.

Chartoff, the show's cutie-pie, was also a brilliant performer. I don't recall any signature pieces of her's, beyond the News bit. I know she always held up her end of the log in skits - quite a feat among such an insane bunch. I do recall her doing a very edgy piece about a relative who was a molester (she played a little girl). SNL had a similar skit but Friday's took it farther.

I don't recall Larry David at all, I guess he didn't impress me. Rich Hall was there as well as on SNL.

Friday's was truncated right in the midst of it's comedic development. It was a long way from becoming stale like SNL and performers like Michael Richards had to finish the development of their characterizations elsewhere. In Richard's case his nervous tic ridden character begun on Friday's ended up giving birth to Seinfeld's Cramer.

When Friday's was canceled I was just leaving "The Biz," where I worked as an Accountant. Many insiders were mystified at the cancellation of a clearly superior show. Did somebody get a big wig's nose out of joint? Was Friday's deep-sixed for some manner of major faux pas ala Aresenio Hall? Surely the rise of Howdy Doody's big brother Ted Koppel and the creation of Nighline wasn't enough to bump a screamingly funny show like Fridays, was it? We probably will never know. I've seen Friday's reruns on some of the more obscure cable channels but I hope to see it on DVD one day, they'd fly off the shelves.

bB

"Fridays", which ran for two seasons on ABC, was a live sketch comedy show with a celebrity guest host & famous guest band. It aired at 11:30ET on, duh, Friday nights. So yes, it was ABC's version of Saturday Night Live. But more importantly, it was done from Los Angeles, so it was a West Coast version of SNL. And it showed.

Too many of the sketches were simple, 'one-joke' bits. The Rhasta-man for example, consisted of nothing more than the audience waiting for the jamaican guy to finally say, "ganja!" so they could hoot & holler (picture Married with Children's or Arsenio's audience). The same thing would happen during the Weekend Update-style newscast. Melanie Chartoff, who was the show's sex kitten, served as news anchor and the audience would howl at her thru most of the bit. Mark Blankfield's "I can handle it" pill-popping pharmacist was also little more than that, him acting whacked-out on speed and trying to deal with customers.

The show did have some bright spots:

Michael Richards 'Battle Boy' for instance. He was this psychotic kid who did terrible things to his army men (set them on fire & scream horribly). Plus he had a white trash mother who would just yell at him all the time. Richards also did a great 'Record Critic Guy' where he basically trashed everything (and early 80s music deserved some serious trashing!)

John Roarke was a very good impressionist, though his characters were too sterile and robotic. He had great technique but little flair for personal nuance.

Bruce Mahler not only did the memorable & weird 'dancing chickens' bit but also several good news skits opposite Chartoff such as having removed his brain and holding it in his hands still connected to his spine via a cable. And a simply yet funny bit with the two of them inhaling helium.

Also Rich Hall started out on this show (great trivia question: Who's the only person to be a regular cast member of both Fridays & SNL? Him!)

And I did indeed see the Kaufman show. And it was disappointing to find out the next day that the whole fight thing had been fake.

I also saw one of the last shows on March 5th, 1982 (John Belushi had died earlier that day).

Howard E. Rollins from the "In the Heat of the Night" TV series hosted and did a very funny bit about an insane morgue attendant who made the corpses act out little sketches with him.

And William Shatner, some 5 years before his infamous 'Get a life' bit on SNL, showed his gift for wacky comedy for the first time hosting Fridays.

Overall it was a funny show. Not groundbreaking in the least, and a complete ripoff of SNL, but still funny and worthy of more than just two seasons (I don't remember hearing about its cancellation, it just wasn't on anymore).

Friday's was ridiculed as a poor man's Saturday Night Live and I think that's an unfair assessment. The show had a wealth of talent with a brilliant Mark Blankfield, a very funny Melanie Chartoff and our first look at Michael "Cosmo Kramer" Richards. It displayed inventive, cutting edge comedy and simply awesome musical guests (among which was a must-be-seen-to-be-believed performance by British punkers The Clash and the shock theatrics of The Plasmatics). Unfortunately, Fridays never quite caught on with the masses and died a rather premature death. I'm sure everyone has heard about the brawl involving Andy Kaufman on one episode. Even though it was staged, the hype surrounding it was just as funny and a great stunt. Along with SNL and SCTV Network 90, Fridays gave America in the early 1980s a reason to stay home on weekends. Those of us who remember late night TV back then should consider ourselves very lucky to have had a show to watch of this calibre. I was very disappointed when it was canceled. I think there would be no Kids In The Hall or Mr. Show without the late night comedy TV shows of the late 70s/early 80s. Fridays is certainly on that list.

The late night sketch-comedy FRIDAYS began when SATURDAY NIGHT LIVE was transitioning from the original cast, and while not every skit is drop dead hilarious, and both were an Americanized MONTY PYTHON with far-out silliness pushed to deliberately insane, conceptual limits, it was a pretty cool show...

While SNL had become a kind of faded classic rock ashtray, FRIDAYS felt like one of those new wave/punk rock music store buttons with random shapes swimming in hip colors and brisk design...

Featuring Melanie Chartoff, the straight-woman liken to Jane Curtain only extremely sexy, and she could also play offbeat, wild-haired like Gilda Radner... not only terrific with improv but the primary newscaster, making the satirical stories all too real: a comedic performer and character-actress both...

But what made FRIDAYS really shine, other than Andy Kaufman's fake-yet-seemingly-convincing bout with future SEINFELD star Michael Richards, were those awesome live bands...

Ranging from THE CLASH to KISS with performances that sounded clearer, looser and more open/less constrained than SNL, the bands were even more important than sporadic celebrity hosts...

Making FRIDAYS a rare glimpse into that relatively neglected, limbo era when the 1970's had morphed into the 1980's before losing its sparse, exploitative edge and gaining that bright neon, arcade aesthetic... when The Clash fit best.

This show was always great! I wish it could be brought back as repeats! There are a few skits that come to mind. Mark Blankfield playing a Pharmacist with unusual events happening to him, and his famous line "I can handle it". Or, Michael Richards playing the little boy burning little green plastic army men out on the lawn turned into a dirt pit, making a loud ruckus, and his Mom (played by Maryedith Burrell) having her moments with him. Or, Bruce Mahler dressing up a dancing chicken and playing the piano. Or, Darrow Igus playing the Jamican Man showing what he can do with fish and other items. And Melanie Chartoff, the cutest comedian ever! And the show also had great musical guests, Boomtown rats, J Giels Band, John Cougar, Plasmatics, B52s, ACDC, and many others. A great show. If you have been lucky enough to experience the show, I hope the above comments brought back some great memories. :-)

A devoted Fridays fan