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When a Stranger Calls boasts the scariest opening in film history. Wes Craven completely ripped this intro off in Scream. It's that good. Too bad the rest of the film isn't. It goes completely downhill after the beginning. It's so scary and has such a tense start that you can hardly watch it without holding your breathe. My girlfriend couldn't watch it period. She had to turn her head and keep asking me when it was over. It's very subtle, slow, and deliberate, and very frightening. The rest of the film can't live up to the energy generated by the beginning. But still, I recommend this because the beginning alone is better than most fright flicks in their entirety.

If you like to watch horror films to challenge your comfort zone and get some real chills running down your spine. When A Stranger Calls(1979) is a pretty good bet to do the job. This film builds its tension quite well, partly by using well chosen and well placed music to increase the creepiness. Rather than resorting to needlessly overdone gore; This film relies mostly on the old tried and tested power of suggestion to mount most of its suspense and scare factor. A much more effective method in my view, and there is strong evidence of this here.

Make no mistake, this film is no masterpiece. It has it's flaws. I found a couple of parts pretty unconvincing. Such as how easily John Clifford is able to convince Mrs.Mandrakis to let him in, and then help him. The execution of this part is a little weak. However that really doesn't take away from the films eerie feel and overall horror enjoyment. The film is pretty well paced, and kept leaving me wanting to see what was going to happen next; Where as many other horror films leave me not even caring what happens next. The acting here is pretty solid all the way around, and the direction is decent.

Usually I would rate a decent film like this, with a couple of somewhat unconvincing parts a 6 out of 10. However this film is definitely very effective in what it sets out to do. Which is of course to give the viewer some real creepy thrills. So I find it hard to give this any less than a 7. I got from it exactly what I had hoped. It could have been a little better in some areas, but all in all it's a pretty solid film. So as far as horror films go, this is in the upper echelon in my view.

Note: I only decided to watch this film based on an interview I saw with actress Jennifer Connelly on The Late Show with David Letterman. She basically said that this film scared the crap out of her. So being the film nut I am, I figured it was worth a look. And it was, so I owe thanks to her.

7/10

There really is something to that old adage that if you grip the audience right away and end up giving them a good, strong finish, you're golden. When A Stranger Calls takes this to heart and serves up two genuinely terrifying 20 minutes sequences that are held together by a slow, plodding 2nd act that waddles along without much zip or excitement. For a thriller, it's not very thrilling.

The film starts off with a babysitter (the excellent Carol Kane whose expressive eyes could tell an entire 90 minute story without dialogue) being tormented by an obscene phone caller telling her to check the children. Anyone over the age of 10 has probably heard the classic legend that this section is based on and the payoff is, more or less, the same. It's a brilliant, suspenseful sequence that shows director Fred Walton as a master of his craft.

After this, we end up following the detective on the case (Charles Durning) who is looking for the child killer. That's essentially the next 40/50 minutes and it's about as exciting and gripping as an episode of Columbo. Try as the actors might, it just never gets off the ground until the killer decides to go after Kane's character in the present day where she has two young children of her own. Once that section begins, the film hits its stride again and ends on a high, terrifying note.

When A Stranger Calls is pretty much two really effective short films with a dull police procedural shoved in between it.

Watch the first 20 minutes, grab a snack, walk your dog, take a shower, have a drink, and get back in time for the last 20 minutes. You won't miss much except Colleen Dewhurst as a barfly telling people to leave her alone. Actually, maybe you should stay and watch the middle part of this movie. It's growing on me. Carol Kane also gets to play someone fairly down to earth and not kooky for a change and she's really terrific.

A girl (Carol Kane) is babysitting one night. She keeps getting phone calls from a guy saying "Have you checked the children". (They're upstairs sleeping). The phone calls continue. She gets nervous (and never checks the children). She calls the police. They trace the calls--they're coming from INSIDE the house...

This was a big hit in 1979 with teenagers--despite the R rating kids were let into this one. It does have a great opening 20 minutes and a pretty scary ending--but the middle is dull dull dull. It involves the killer (well played by Tony Beckley) stalking an older woman (Colleen Dewhurst slumming) and a police detective (Charles Durning--also slumming) after him.

Good performances save the middle half from being totally unbearable, and there is good direction from Fred Walton. But all in all this is a mediocre thriller. Still, I'm giving it a 7 for the opening, the closing and the acting.