IMDb RATING
6.4/10
15K
YOUR RATING
A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again.A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again.A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again.
- Awards
- 1 win & 1 nomination total
William Boyett
- Sgt. Sacker
- (as Bill Boyett)
Joseph Reale
- Bartender
- (as Joe Reale)
Carol Tillery Banks
- Mrs. Garber
- (as Carol O'Neal)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"When a Stranger Calls" is a somewhat entertaining horror-suspense-thriller that starts off great, loses steam in the middle, then comes back for a good finish. The beginning of this movie is outstanding, with babysitter Carol Kane receiving obscene phone calls from an unknown maniac. This is far and away the best part of the film. It's scary, creepy, and downright eerie. But it doesn't sustain that level through the entire film. The mid-portion of the movie is rather dull, featuring a few lazy supporting performances. But "When a Stranger Calls" redeems itself with a nail-biting climax, even though the conclusion doesn't top the film's opening in terms of scariness. Carol Kane and Charles Durning are good in the roles of the terrified babysitter and the private detective searching for the killer when he's on the loose. "When a Stranger Calls" is not a great horror movie but a good one. And its better than the cable-made sequel that came out fourteen years later, "When a Stranger Calls Back".
*** (out of four)
*** (out of four)
If you like to watch horror films to challenge your comfort zone and get some real chills running down your spine. When A Stranger Calls(1979) is a pretty good bet to do the job. This film builds its tension quite well, partly by using well chosen and well placed music to increase the creepiness. Rather than resorting to needlessly overdone gore; This film relies mostly on the old tried and tested power of suggestion to mount most of its suspense and scare factor. A much more effective method in my view, and there is strong evidence of this here.
Make no mistake, this film is no masterpiece. It has it's flaws. I found a couple of parts pretty unconvincing. Such as how easily John Clifford is able to convince Mrs.Mandrakis to let him in, and then help him. The execution of this part is a little weak. However that really doesn't take away from the films eerie feel and overall horror enjoyment. The film is pretty well paced, and kept leaving me wanting to see what was going to happen next; Where as many other horror films leave me not even caring what happens next. The acting here is pretty solid all the way around, and the direction is decent.
Usually I would rate a decent film like this, with a couple of somewhat unconvincing parts a 6 out of 10. However this film is definitely very effective in what it sets out to do. Which is of course to give the viewer some real creepy thrills. So I find it hard to give this any less than a 7. I got from it exactly what I had hoped. It could have been a little better in some areas, but all in all it's a pretty solid film. So as far as horror films go, this is in the upper echelon in my view.
Note: I only decided to watch this film based on an interview I saw with actress Jennifer Connelly on The Late Show with David Letterman. She basically said that this film scared the crap out of her. So being the film nut I am, I figured it was worth a look. And it was, so I owe thanks to her.
7/10
Make no mistake, this film is no masterpiece. It has it's flaws. I found a couple of parts pretty unconvincing. Such as how easily John Clifford is able to convince Mrs.Mandrakis to let him in, and then help him. The execution of this part is a little weak. However that really doesn't take away from the films eerie feel and overall horror enjoyment. The film is pretty well paced, and kept leaving me wanting to see what was going to happen next; Where as many other horror films leave me not even caring what happens next. The acting here is pretty solid all the way around, and the direction is decent.
Usually I would rate a decent film like this, with a couple of somewhat unconvincing parts a 6 out of 10. However this film is definitely very effective in what it sets out to do. Which is of course to give the viewer some real creepy thrills. So I find it hard to give this any less than a 7. I got from it exactly what I had hoped. It could have been a little better in some areas, but all in all it's a pretty solid film. So as far as horror films go, this is in the upper echelon in my view.
Note: I only decided to watch this film based on an interview I saw with actress Jennifer Connelly on The Late Show with David Letterman. She basically said that this film scared the crap out of her. So being the film nut I am, I figured it was worth a look. And it was, so I owe thanks to her.
7/10
There really is something to that old adage that if you grip the audience right away and end up giving them a good, strong finish, you're golden. When A Stranger Calls takes this to heart and serves up two genuinely terrifying 20 minutes sequences that are held together by a slow, plodding 2nd act that waddles along without much zip or excitement. For a thriller, it's not very thrilling.
The film starts off with a babysitter (the excellent Carol Kane whose expressive eyes could tell an entire 90 minute story without dialogue) being tormented by an obscene phone caller telling her to check the children. Anyone over the age of 10 has probably heard the classic legend that this section is based on and the payoff is, more or less, the same. It's a brilliant, suspenseful sequence that shows director Fred Walton as a master of his craft.
After this, we end up following the detective on the case (Charles Durning) who is looking for the child killer. That's essentially the next 40/50 minutes and it's about as exciting and gripping as an episode of Columbo. Try as the actors might, it just never gets off the ground until the killer decides to go after Kane's character in the present day where she has two young children of her own. Once that section begins, the film hits its stride again and ends on a high, terrifying note.
When A Stranger Calls is pretty much two really effective short films with a dull police procedural shoved in between it.
The film starts off with a babysitter (the excellent Carol Kane whose expressive eyes could tell an entire 90 minute story without dialogue) being tormented by an obscene phone caller telling her to check the children. Anyone over the age of 10 has probably heard the classic legend that this section is based on and the payoff is, more or less, the same. It's a brilliant, suspenseful sequence that shows director Fred Walton as a master of his craft.
After this, we end up following the detective on the case (Charles Durning) who is looking for the child killer. That's essentially the next 40/50 minutes and it's about as exciting and gripping as an episode of Columbo. Try as the actors might, it just never gets off the ground until the killer decides to go after Kane's character in the present day where she has two young children of her own. Once that section begins, the film hits its stride again and ends on a high, terrifying note.
When A Stranger Calls is pretty much two really effective short films with a dull police procedural shoved in between it.
"When a Stranger Calls" from 1979 is a cult chiller classic as the famous words "Have you checked the children" stand long in memory. And the start and ending of the film is best, the scenes and dark backgrounds make for some scary moments. It involves Carol Kane as Jill Johnson a teen babysitter who's terrorized by strange phone calls while baby sitting only then tragedy happens, then the film expands and slows down and goes over a period of seven years, then Jill later an adult again has a past haunt! The film ends well. Overall good classic horror chiller of tease, and tense psycho like fear.
When a Stranger Calls boasts the scariest opening in film history. Wes Craven completely ripped this intro off in Scream. It's that good. Too bad the rest of the film isn't. It goes completely downhill after the beginning. It's so scary and has such a tense start that you can hardly watch it without holding your breathe. My girlfriend couldn't watch it period. She had to turn her head and keep asking me when it was over. It's very subtle, slow, and deliberate, and very frightening. The rest of the film can't live up to the energy generated by the beginning. But still, I recommend this because the beginning alone is better than most fright flicks in their entirety.
Did you know
- TriviaThroughout the opening segment, director Fred Walton gradually increases the feeling of suspense by making each subsequent phone call ring a bit louder than the previous one. They escalate from eerie to jarring and finally infuriating.
- GoofsBased on the year the film took place, 1 minute would not be nearly long enough to trace Curt's call. Back when the movie was set, it would've taken 10-20 minutes for several switchboards and circuits to locate the origin of the call.
- Quotes
Jill Johnson: [thinking it's Curt again] Leave me alone!
Sgt. Sacker: Jill, this is Sergeant Sacker. Listen to me. We've traced the call... it's coming from inside the house. Now a squad car's coming over there right now, just get out of that house!
- Crazy creditsEven though Columbia Pictures distributed this film, the Columbia Pictures logo does not appear.
- SoundtracksSpace Race
Performed by Billy Preston
Written by Billy Preston (uncredited)
Engineer Thomas Vicari (uncredited)
Producer Billy Preston (uncredited)
Courtesy of A&M Records
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Details
- Release date
- Country of origin
- Language
- Also known as
- Cuando llama un extraño
- Filming locations
- Third Street Tunnel, Bunker Hill, Downtown, Los Angeles, California, USA(Clifford hunts the villain)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $21,411,158
- Gross worldwide
- $21,411,158
- Runtime1 hour 37 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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