When You Comin' Back, Red Ryder

I think this is a great movie. I've watched it over and over and it still grips my attention. I have a CENSORED copy that I made when it showed on TV but I have been searching for years for an UNCENSORED copy. If anyone knows of where I can find one, please, leave a note. I have not seen it on any of the cable movie channels. If anyone has any idea of how to obtain a copy, please leave a message or an email address and I will contact you. Thanks! The movie is psychologically tense but there is also abundant humor. I especially love the line when asked by the border patrol if he had anything to declare he said something like "just a couple of bottles of wine and a considerable amount of cocaine in my sock". This was so astonishing because it was guaranteed to get him searched and he was indeed smuggling drugs across the border. He was just really off the wall nuts. If you ever get a chance to see this movie, do it, but first leave me a note so I can also watch it!

A greasy diner at the apex of a one-horse New Mexico town is the primary setting for one of the most unfairly critically savaged movies of the 1970s. Within this diner, a dangerously impetuous drifter reeling with post-'Nam hostilities(Marjoe Gortner)and his acquiescent, unassuming girlfriend(Candy Clark)subdue a number of people at gunpoint, and proceed to emotionally and physically terrorize them.

A raw and disconcerting rural American nightmare, RED RYDER was a target for much critical assault upon its initial theatrical release. While its certainly not without its peccadilloes(the supine staginess of its exposition, for instance), it does impart potent moments of nerve-rattling discomposure, and puts forth some penetrating and incisive character studies which are dramatically vitalized by an able cast.

All things considered, this is a blemished film which warrants reinvestigation, and deserves some long-withheld acknowledgments.

6/10.

Gortner's character is smarter and tougher than anyone else in the diner. In an experiment in depravity, he decides to see how far he can humiliate and bully people before they stand up to him--if they do at all. He uses his worldliness and intelligence to insult them in ways that they might not detect, or pretend not to notice. When he learns that a young man bears the nickname Red Ryder, he sets out to show the banality and hypocrisy of American culture.

It's an anti-Western: the antagonist, a Vietnam veteran, finds that America is not the home of the brave, that perhaps the free and heroic spirit embodied in the popular conception of the Old West has vanished--or has it?

While the character is reminiscent of *Blue Velvet*'s Frank Booth (played by Dennis Hopper), *Red Ryder* is the superior film. Its predator is more comprehensive, realistic, and transparent. Booth, like many of Lynch's characters, is ultimately a cipher, and therefore uninteresting.

I seen this movie years ago on television and remember thinking then that it was too violent for TV. I wish I had seen the theatrical version. This lost gem of a movie stuck in my mind. Sure, like any movie it has it's tedious parts but as it progresses it just gets better & better.

The end of William Peter Blatty's "The Nith Configuration" borrows from this movie. The ending in RR is one of the most intelligent best endings I have seen in any movie ever. I noticed on other reviews nobody explains or tells of the "SURPRISE ENDING". So, I will not either. I just know it has probably one of the best endings in film next to "Dirty Mary, Crazy Larry".

It's been over 20 years since I've seen this movie and it's every bit as good as I remember it. Marjoe Gortner is most convincing as a sociopath tormenting small town folks and passersby with a touching love story in the background. Great soundtrack too! When You Coming Back Red Ryder? deserves to be rereleased on DVD.