Voight should have won the Oscar for that monologue alone
I remember watching this as a kid and thinking it was an incredibly powerful film, but i forgot how strong the performances are, particularly Voight's. Roberts is good, but he's basically playing second fiddle to Voight's hulking, frightening, feral, almost mythical Manny, a con so dangerous the warden has kept him in solitary confinement for three years straight.
Roberts is a younger convict who idolizes Manny and helps him escape from the Alaskan prison where they both reside. they end up on a train barrelling down the tracks at 90mph with no conductor and no way to stop it. The film is based on a screenplay by the legendary Akira Kurasawa.
Great action scenes. Muscular film-making. It just seems they don't make films like this anymore. Films that aren't trying to pander to a certain demographic. This is lean, mean action all the way.
And that "little biddy spot" monologue Voight has halfway through the film is really breathtaking. He should have won an Oscar for that alone.
Roberts is a younger convict who idolizes Manny and helps him escape from the Alaskan prison where they both reside. they end up on a train barrelling down the tracks at 90mph with no conductor and no way to stop it. The film is based on a screenplay by the legendary Akira Kurasawa.
Great action scenes. Muscular film-making. It just seems they don't make films like this anymore. Films that aren't trying to pander to a certain demographic. This is lean, mean action all the way.
And that "little biddy spot" monologue Voight has halfway through the film is really breathtaking. He should have won an Oscar for that alone.
- tbyrne4
- Dec 12, 2007