Les débiles de l'espace

I remember when MORONS FROM OUTER SPACE it was criticised as being just about the worst British film ever made ! What you mean it`s worse than REMEMBER ME THIS WAY where Gary Glitter plays a tough macho sex god ? I don`t think so .

I will say this movie is very patchy mainly down to the small budget and a dual plot , something that`s not seen either very often or very successfully in film script structure . The scenes featuring Bernard are funny especially the " Are you male or female ? " scene but the ones set in England are slightly tedious and do lack a focus .

Yeah it`s hard to imagine that the director of this made both GET CARTER and FLASH GORDON but surely any self respecting IMDB addict can sit back and enjoy this movie due to the referrances . Let`s see now THE QUATERMASS EXPERIMENT , a line of dialogue snatched from BRIDGE OVER THE RIVER KWAI , oh what`s that movie with Jack Nicolson in a lunatic asylum ? ....

British big-screen comedies have always lagged behind in quality when compared to British TV-series, and it's a bit of a mystery why that is. After all, a script is a script, right? To say that British films are weaker than British shows is a major understatement. UK comedies are usually terrible, even the rare successful ones like that mid-90s male-strip film or "Four Weddings & Hugh Grant's Bloody Funeral" are average at best.

MOFOS isn't that bad, but there is a sense that it could have been much better, in spite of the overly simplistic and cretinous premise. A decent budget and a cast of well-knowns indicate that a measure of optimism existed about this project. However, it's once again the script that is to blame. I have no idea why certain people got excited over this script. Nevertheless, MOFOS is watchable, rarely dull, and even provides one or two chuckle-worthy moments...

I'm sure that had Ron Howard or Peter Bogdanovich made the same exact product, MOFOS would have been praised and praised until our collective ears bled away.

There's a few chuckles in this sci-fi comedy about earth's first alien visitors being essentially a bunch of uneducated space truckers. Mel Smith co-wrote and stars in the film and somehow managed to snag respected British director Mike Hodges to helm the film. The picture was also shot by ace cinematographer Phil Meheux, who's done everything from multiple James Bond pictures to "The Smurfs" to "The Long Good Friday". However, the concept likely would have worked better as a short film or SNL skit than a feature length film and the plot drags on far too long. Worth a look, but nothing special.

I first saw 'Morons From Outer Space' on cable television when I was 12 years old. (1986.) Recently I spotted it for sale on DVD, and what, with a price tag of only 10 dollars, thought I couldn't pass up owning this cinematic masterpiece.

So how does it look now that I am older and more sophisticated? (Or at least just older...)

Its 100 times funnier now. I actually GET the jokes I didn't when I was 12 because I have seen the other movies they reference (Cuckoo's Nest, etc.) I also have a better eye for subtly and timing. The other IMDB reviewer here was right-there is a lot more to this film than there appears to be at first viewing. Not to mention the nice part where the Aliens are brought 'down to earth,' metaphorically speaking.

If you have seen Monty Python and the Holy Grail 2000 times and are sick to death of it, well, go and watch it again. But after that, see Morons From Outer Space. Every scene in it is like a small sketch and will actually get funnier with repeated viewings, much like Python.

Favorite scenes: The 'therapy' at the psycho ward with the Iron Maiden record, and the sneeze inside the space helmet. Classic!

A typical and very British low budget sci-fi comedy from 1985; don't expect much in the way of FX or satire here, as this is more of a quirky character-led work. It marks one of the few cinematic forays for Mel Smith and Griff Rhys Jones, and both are funny, although members of a much larger ensemble cast. The actors are fine here and the situations memorably offbeat, although perhaps not as laugh-out-loud funny as something like CLOCKWISE. I think my favourite moment is the CLOSE ENCOUNTERS spoof.