Le Jour des morts-vivants

"Day of the Dead" is a film that is an unfortunate sufferer of the "Alien 3 Syndrome". And, no, I don't classify those that are affected by the syndrome to be disappointing final entries in a trilogy. To suffer from "Alien 3 Syndrome", you must follow two exceptional films, and the entry that has preceded you must be so exciting and action-packed that when you dare take a grimmer, more deliberately paced approach to your material, you will become universally reviled, with many people failing to notice that you have more than your fair share of merits on your own. In fact, "Day of the Dead" has a LOT of merits - even more than the film that its syndrome is based on. While it doesn't quite approach the greatness of "Dawn of the Dead", it is still an intelligent, first-rate horror effort and stands as one of the best genre films of the 80s.

In this final entry of George Romero's "Living Dead" trilogy, the walking dead supposedly outnumber the humans by a ratio of 400,000 to 1. Twelve people who have devoted themselves to studying and wiping out the zombies hole up together in an underground missile silo, and for all we know, these could be the last twelve living humans on the face of the planet. Most of these people don't capture our sympathy like the foursome who holed up in the shopping mall in "Dawn". Half of them are gung-ho soldiers who seem to take great pleasure in threatening the scientific team, and Romero spends much of the first half focusing on the bickering and intense conflicts between these people. In fact, for over an hour, the hordes of living dead get very little screen time, as the story focuses on the tension between the characters, and the efforts of an off-the-wall scientist to train a captured zombie named Bub to act human. Compared to its predecessors, this long section of the film may seem slow and talky, but it is always interesting and, for the most part, effectively performed by its unknown cast. Besides, it all eventually leads up to a corker of finale when the zombies finally invade the compound, and most of the humans become showcases for the brilliance of Tom Savini, who outdoes even himself in the gore F/X department.

While most of this material is very grim, "Day" ironically has the most hopeful, upbeat conclusion in the trilogy - which, alas, is its only major shortcoming. The quick transition to the final scene is so abrupt and unexpected that the audience feels cheated, leaving the impression that the production ran out of money before the whole climax could be filmed. Indeed, Romero has often expressed his unhappiness about being underfunded for this project, which prevented him from creating a truly definitive final chapter for the trilogy. But while "Day of the Dead" may not quite be the ultimate finish to one of the greatest trilogies of all time, it is still a very satisfying conclusion (at least until Romero gets funding for his long-rumoured "Twilight of the Dead"). It may not be popular among everyone, due to many unfair comparisons to its superior predecessors, but on its own, it is about as good as horror films get.

In 1985 this zombie movie virtually went by unnoticed except for many Romero fans. It was virtually dead a week or two after it hit the theaters. Many attribute its failings to the other many horror films released that year including "Re-Animator", "Fright Night", and "Return of the Living Dead". All these movies were R though and day was not. Romero stuck to his guns and made a very gory movie. Unfortunately, when dawn was released there were still many independent theaters, but by 1985 the chains had taken over and one thing chains do is not show movies like this. So it went by unnoticed and those that did notice it usually had nothing good to say about it other than the zombies looked really good. So suffice to say, I wasn't expecting much when I bought this movie except the zombies would look good. However, I am happy to report that I was very pleasantly surprised. Granted, Dawn was still a better film as it had more likable characters than the ones featured in this film. This would be the final Dead film George Romero would do until Land of the Dead was released, but I do not count that one as part of his original trilogy as they seem to belong together because Night showed us the humble beginnings of the zombie outbreak, Dawn showed us the zombies beginning to overrun us and this film shows us a bleak world where the zombies now outnumber the living 400,000 to one.

The story has a group at the beginning flying a helicopter in the hopes of finding some survivors. All they find is the dead and quite frankly, any survivors out there would be better off keeping their mouth shut as they do not want to go back to the facility this group belongs to. It is like a bunker and in it we have scientists who have no clue what they are doing, army people in a rush to leave said facility even though there is no indication there are any people left, two civilian guys just doing their jobs and Bub the most awesome zombie ever! Tensions are running high in the facility as the army people want to leave and there is a lot of arguing; however, things take a turn for the even worse and the zombies that are topside begin to lick their lips!

This film has great looking zombies and it does a good job with its setting. Originally, George wanted to do something much larger in scope, but could not get the funding so he had to scale back immensely which is why we sadly on get the one shot topside in the city and get to see how much the zombies have taken over. Everything in this film is rather good, except the characters! Seriously, Bub who is a zombie is the most likable character and then civilian guys. Everyone else just wants to yell and rant and this film is not a good one to watch when you have a headache! The good news is that this creates a finale where you really want to see a few of these guys eaten and suffer, unlike Dawn where you just kind of get a random motorcycle gang out of nowhere.

So this film is good, just not as good as Dawn as this one just does not have the action of that film and for a good portion of the film the only thing you have to look forward too in between the shouting matches between the scientists and evil Bono are the Bub scenes. It does help build up the finale and like I said, you really want to watch these guys get eaten, but it also tends to get annoying as no one really seems right. That is just the way it goes though, mankind is pretty much lost here and so why worry about trying to cure something that cannot be cured when you can just try and live out your life the best you can.

Day of the Dead is George A. Romero's third Zombie film and it's by far my favorite. It has a lot of great social commentary on how we view the people with power and how corrupt that system can get. I enjoy the characters and the practical effects are absolutely amazing. Bub is probably my favorite Zombie in a movie because the character is pulled off so well. The entire movie has a lot of building tension that leads into one of the best third acts in any Zombie film. And just like with Zack Snyder's Dawn of the Dead I really can't find anything I dislike about this movie.

I'm giving George A. Romero's Day of the Dead a 9.8/10.

The third film in George A. Romero's immensely popular "Living Dead" trilogy is by far the bleakest and most complex film the director has ever worked on. "Day of the Dead" received a lot of negative press upon its release in 1985 - people picked apart unsavory characters, OVER-acting from a no-name cast, and outlandishly gory special effects that only Tom Savini himself could be proud of.

But none of this makes it a bad experience really, does it? I don't think so. For the reason that I usually detest zombie flicks, I have worked up a fondness for the works of Romero and over the last two weeks have separately watched each film in his trilogy.

"Night of the Living Dead" (1968) virtually defined a new genre of horror movie-making and basically set the standards for the many zombie flicks that would follow in its footsteps. Next up to bat was the most praised film in the trilogy - "Dawn of the Dead" (1978) - which was more of an action film than a horror movie and was nothing short of epic. Then came "Day" in 1985, which got the tongue-lashing that I described earlier.

However those that did like it, praised the Savini effects, its complex, plot-driven characters, and satire. While "Day" is certainly a step down from "Night" and "Dawn," "Day" is more of a claustrophobic horror movie and that allows it to stand on its own as a fitting end to Romero's trilogy. It's more in sync with the tension of "Night" than it is with the adrenalin-laced action, zombie-slaughterfest that was "Dawn."

A team of civilian scientists and a loose army unit clash with each other's motives after they have taken shelter at an underground military base from the hordes of living dead that storm the surface above. The civilian scientists aren't seeking to eradicate the zombies like the soldiers are hell-bent on doing, but are instead trying to get to the bottom of what is causing them to be what they are.

In doing so, they need live zombie specimens, which are held captive in a maze of dark underground tunnels where they're corralled like cattle. We later get what is one of the most profound and moving experiences in the entire trilogy with "Day," when we see one zombie, nicknamed "Bub" by one particularly eccentric scientist, who eventually learns what it means to be "alive," so to speak.

"Day of the Dead" obviously isn't a perfect movie, but is more or less a fitting conclusion to one of the most daring film trilogies in the horror genre. It may be best to not watch "Day" thinking it'll be anything like "Dawn" just because it has military men blasting away mercilessly at the living dead. Zombie slaughter is few and far between and much of the first hour of the film is clashing dialogue between the characters.

The darkest day in the world - "Day of the Dead."

9/10

While not quite up to the levels of Night or Dawn, Day Of The Dead still packs a story line that is just as relevant to day as it was in 1985, and boasts performances that are better than it should be. I really loved Lori Cardille here, and I'm surprised she didn't do much, much more than this.

It has one of the best openings in horror movie history (and Dr. Tongue is likely the most impressive zombie in any of these films), but it does drag just a little bit in the middle. The antagonists (of which there are more than one), aren't your typical mustache twirlers, and Romero gave them some depth and nuances that actually made most of their actions completely believable.

The climax more than makes up for the middle drag, and I love how Romero injected his undead with both horror and humor. A must for not only Romero fans, not only zombie fans, but horror fans in general.