Melinda comes to Washington DC to visit her friend Debbie, and to find a job in government, where she hopes to do her part to make it better. She gets a lower echelon administrative position... Read allMelinda comes to Washington DC to visit her friend Debbie, and to find a job in government, where she hopes to do her part to make it better. She gets a lower echelon administrative position at the Pentagon, and finds things pretty slack. Her boss seems to be more interested in g... Read allMelinda comes to Washington DC to visit her friend Debbie, and to find a job in government, where she hopes to do her part to make it better. She gets a lower echelon administrative position at the Pentagon, and finds things pretty slack. Her boss seems to be more interested in getting into her pants than trying to find lost data on the Russians. Melinda resists his a... Read all
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If you enjoy "sex comedies" as a genre, this is probably right up your alley. I guess my point of concern is that it takes the cheap and easy road at almost all times. There are bits of cleverness here or there, a gag or a line that come off well, and I suppose writer Bernie Kahn deserves credit for finding ways to insert innuendo anywhere and everywhere. I appreciate the tongue-in-cheek core concept of idealistic Melinda being forced to change her tune to get anywhere with those ideals. At the same time, it's very easy to imagine how this could have been smarter, and more fun. For one thing, in some measure this is definitely intended as a parody or maybe a satire of the United States government, and specifically of its military management (think 'Canadian bacon,' or 'Stripes'). Such facets are pretty much only a vehicle for that very same sex comedy, however, so the intelligence that could have gone into witty mockery of the halls of power doesn't really go anywhere. Alternatively, the writing and even the set design - almost uniformly geared strictly toward those same raunchy ends - are so outrageous that the picture is a half-step away from being a parody of the sex comedy. I'm distinctly reminded to some extent of John Waters' imperfect yet underrated 2004 romp 'A dirty shame,' that embraced every most farcical notion and ran with it. 'Basic training,' however, earnestly wants to be that cheesy, sleazy sex comedy, and it never especially aims higher. Ah, what this could have been.
It's not outright bad. Even as someone who doesn't broadly care for sex comedies, I think this is entertaining on some baseline level, the sort of thing you put on when you just want to space out. I'll even go so far as to say that in the narrative and scene writing alike there are parts of this I genuinely like; were Kahn of a mind to approach his screenplay with more sincerity, well, there would probably be more praise in my words now. Andrew Sugerman seems like a perfectly capable director. As it stands, of course, the feature prioritizes All Things Sexual over anything else, so whatever other value one may discern basically ends up being an incidental bonus. This includes, for example, Walter Gotell playing a cheeky variation on General Gogol, the Soviet official he revisited multiple times in Eon Productions' James Bond franchise; on the other hand, the climax where we see Gotell the most is paired with a concurrent scene that just lingers too long, as is true of some others. All told I think 'Basic training' is a good time; only, one way or another, it's nothing super special, and not essential by any means. Save it for a lazy day, and let's just leave it at that.
A capable Dusenberry is the film's backbone in a straight-laced performance, which transforms into seductive empowerment. Where she goes on to sensationally manipulate the sexual advancements to her own advantage. As she dominates and teases her way to the top, as she knows what makes these men weak at the knees. She played a very similar role three years earlier in "National Lampoon's Movie Madness", but this one is a lot better. The playful cast features some salty beauties in the shape of Rhonda Shear and Angela Aames who played the raunchy, free and easy characters Debbie and Cheryl. Will Nye is enjoyable as the patriotic, but sex craved Lt. Cranston. Director Andrew Sugarman's basic point and shoot handling keeps it quirky and smutty by upping the sleazy nudity and steamy sex quota with an interesting backdrop to set-up in. The military defence really does become the butt of the jokes. Some instances borderline on embarrassing, especially when the mushy music broke out to accompany the scenes of Melinda actually falling in love with a guy she met on a plane. But even with certain lame moments, it stayed watchable.
Typical staples and clumsy execution can't knock that it remains a fun digestible low-budget sex comedy.
Did you know
- TriviaThe actor who played Russian Ambassador Nabokov, Walter Gotell, was popularly known at that time for his role in James Bond movies as the KGB Chief General Gogol. In real life, he is of German descent.
- Quotes
Captain Drysdale: It could be that she's a spy for the CIA, and the Russians have found that out, and they're holding her hostage for ransom, and they want to exchange her for one of the Russian spies that we're holding. We are holding Russian spies, aren't we?
General Strombs: Yes! But none with big tits.
- ConnectionsReferenced in Film Junk Podcast: Episode 176: Hellboy II and The Ruins (2008)
- SoundtracksMove On Up
Music and Lyrics by Michael Cruz, Linda Schreyer and Cappy Capossela
Performed by Beth Lawrence
Produced by Bob Esty and Michael Cruz
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