User reviews

Donnie Yen's breakout role comes at the tail end of the old school martial arts boom in Hong Kong. Under the direction of Yuen Woo Ping it could go one of two ways: A kung fu based movie in the vein of Drunken Master and Snake in Eagle's Shadow or an even sillier excursion like Miracle Fighters or Shaolin Drunkard. This lands somewhere in the middle. I won't go over the plot, you can find it on other reviews.

This is mainly a goofy comedy with the fighting for the most part played for laughs. Puppets, fireworks, break dancing, bicycles are used as gags through the fights with the last couple fights displaying more of traditional styles. So is it any good? Let's get one thing straight: there is no drunken tai chi. I'm guessing the title was chosen to cash in on the drunken boxing craze that was on its last leg at the time. There is some great Tai Chi on display here. The training sequences are fun and the application is great. Donnie Yen also has a couple scenes using the rope dart which are stand outs.

If you are a big fan of Donnie Yen or just very goofy comedies with the Yuen clan's usual weirdness this will be up your alley. If you are looking for something more packed with fights and less goofy comedy I'd recommend Magnificent Butcher, Knockabout, or Legend of a Fighter, all classic Hong Kong films directed by Mr. Yuen.

Look up 'Shameless ripoff' in the dictionary, and you'll find a picture of Donnie Yen practising tai chi. The startlingly original plot -- our hero gets beaten up and sees his family killed, forcing him to learn a new style of martial arts so he can defeat the evil killer -- is enhanced by... well, okay. Not enhanced. But there are a few slight variations from tradition in an effort to give this film some semblance of a plot, such as the evil baddie being a loving daddy. But let us gloss over such trivia as plot --as did the director -- in favour of the characters and the kung-fu, the two essential ingredients in any movie of this type. Plot? Pah!

Anyway, the Sam the Seed character is a drunken tai chi master (that's a master of tai chi who's drunken, not a master of drunken tai chi. If you you were expecting differently from the film's title, tough). There are no amusing styles, and the tai chi bears as much resemblance to the actual art as does real-life kung fu to its cinematic equivalent. Do I sound like I didn't like the film? I hope not, because I *did* enjoy it, while recognising that it hadn't a shred of originality or thought behind it. Most of the fight scenes were good fun, and the bits in between, while unfunny, weren't as painfully so as they usually are in this sort of film. Yuen Woo Ping's reputation was made by Drunken Master, and this film was his most obvious attempt to cash in. I'm inclined to blame the studio more than the director for this though; not that blame particularly needs to be apportioned. You won't come away from this film thinking it was a masterpiece, but you won't be grumbling and demanding your money back either.

One of donnie yens first. It is pretty funny, the obligatory training sequence is well done and the fight scenes are pretty decent. Its one of the last of the Shaw Brothers style films. No wire work and the like.

If you really need a reason to see this film check out the practice scene, set to 'Love is the drug' by Roxy music. Very funny.

A simple way of describing this uniquely odd old school kung fu movie -- which also marked among the last movies of its' kind during the rise of contemporary action movies of the 1980s -- is that it's a fresh mix of old-fashioned goofball/slapstick comedy and creative martial arts choreography that you can find any pretty much any previous Yuen Woo Ping-directed kung fu gem. The movie actually was only a moderate success which did not do much for the traditional kung fu genre -- that was already drying up, with countless of similarly themed movies resuming the milking of the success that was SNAKE IN THE EAGLE'S SHADOW and DRUNKEN MASTER -- and was just made to be different, and introducing some new blood.

The biggest revelation of the movie is, of course, the exposition of leading actor Donnie Yen debuting in his first movie, and only aged 19 when the movie began production in 1983. Donnie had previously just finished his training course at the Beijing Wushu Academy. From there he stopped by Hong Kong before flying back to the US and was discovered by Woo Ping, who was looking for the next big thing in MA action movies. As a testament to Woo Ping, Donnie had to work for him and his "Yuen Clan" on a movie before signing a movie contract. That movie was THE MIRACLE FIGHTERS where Donnie was doing stunt doubling duties for the Yuen brothers. The movie was a success, and Woo Ping ended up so impressed with Donnie's extraordinary MA skills and gave Donnie his approval. Donnie signed the contract, and off was his movie career which has gone forward less and more years later till this day.

For a debut movie, DRUNKEN TAI CHI does wonders for Donnie Yen as the main performer. It's nothing new though, and pretty much consists of the basic aesthetics of a Yuen Woo Ping movie. The goofy humor, the pacing, the violence (reasoning behind it); the overall message. Although I enjoy Yuen Woo Ping's kung fu movies very much, most of his output contain this type of content making me wishful that he could've done a lot more serious movies at the height of his career as a director. Movies such as LEGEND OF A FIGHTER, TIGER CAGE, IN THE LINE OF DUTY 4, and IRON MONKEY clearly shows that Woo Ping can helm action movies without heavy comedy elements present. That being said, Woo Ping does a good job of applying his movie style onto Donnie's action performance and in his limited acting skills without making things awkward. Donnie Yen is wonderfully supported by Yuen brothers Yuen Cheung Yan, Yuen Yat Choh and Yuen Shun Yi, the late Lydia Shum (RIP), recurring old school kung fu actors Don Wong Tao and Lee Kwan, and Donnie Yen's fellow Chinese-Bostonian friend Mandy Chan who also made his acting debut with this movie. As usual in Yuen Woo Ping movies the comedy is tailor-made for the Yuen brothers, with Yuen Cheung Yan getting most of it, and for the most part his moments are pretty funny despite going towards overdone slapstick level of comedy after a while. Lydia Shum -- who was known for using her overly loud voice and screaming in movies to great comical effect -- is probably the one who delivers the best comedy performance in the whole movie, which is nowhere near as slapstick-ish or exaggerated like Cheung Yan's. Yuen Shun Yi -- who started out playing villains in minor or supporting roles, and occasional heroes as the lead actor -- continues the villain route here playing a ruthless killer showcasing his physical skills along with a strong antagonistic onscreen presence marking this particular performance one of his best ever done. The rest of the cast also provide some decent stuff in between the comedy and the action scenes assuring that the story flows and progresses with enough captivation to hold viewers' attention.

A Yuen Woo Ping movie is of course all about the fight scenes, and they are numerous enough to not disappoint. The action choreography by Woo Ping and Yuen Clan are very fun to watch and features the usual routines of movements as well as fascinating training montages, and certain details that shows the fighting techniques effectively and compellingly. The best attribute of the action scenes though is the storytelling behind them. Somewhere along the story, the action scenes takes a big shift once Yuen Shun Yi enters the story proving to be an extreme adversary for everyone, with a hardened fighting style that is difficult to defeat. What is the opposite of hard? Soft. And what would be a perfect style to counter a hard one? Woo Ping has all the answers and pulls it off with conviction and to maximum effect. Donnie Yen -- at the time the movie went into production -- was just getting a hang of things in the Hong Kong movie industry, and wanted to prove himself. And to the point that he was so gung ho about it that he was willing to do most of his own stunts -- something he gave up on not long after the movie's release though. And his physicality is on full display doing all the fighting techniques and stunts. The way Donnie performs here is unique as he doesn't move like a typical taolu wushu practitioner or a Hong Kong martial artist-turned stuntman. It's like Donnie followed Woo Ping's instructions while putting a contemporary twist to the techniques creating a blend of old and new in his overall performance. This has always been Donnie's way of performing onscreen, and it's so attractive to watch. It's no wonder viewers over the years have come to appreciate his movies even to this day. Credits to the Yuen brothers, Don Wong Tao, and even Lydia Shum (and her stunt double) for being eye-catchy in their action performances too.

My verdict is that the movie makes good use of Donnie Yen's mere athleticism as a taolu wushu practitioner -- the same forms-based wushu discipline (opposed to sanda wushu, which is based on full contact combat) that Jet Li excels in -- as well as his true martial arts abilities and knowledge -- gained from learning and training actual practical fighting styles after migrating to the US in his late childhood. But Donnie's talents could've been utilized for a more serious and fitting movie, as it's apparent that Donnie looked uncomfortable in some comedy scenes -- Donnie has went on record stating that Woo Ping's comedy style isn't to his preference. Nevertheless, the movie is a strong contender in Donnie's filmography proving to be a decent debut for him as well.

First off let me say that most people that give reviews don't know what they are talking about. This movie is Donnie's first and is a very good one. He definitely did better on his first than Jackie Chan (Young Tiger) and Jet Li (Shaolin Temple). This movie is not about drunken tai chi, it's about a drunk teaching a young man tai chi. That's the difference when you get original titles vs American titles. Yen's action is remarkable as well as his acting skills, and the fact that the Yuen family backs him up more than proves his credit in the movie business is A+++.

In this movie you can't help but to feel sorry for Yen as he tries to make his brother feel just as special as he is vs his rotten greedy father. Only to wind up losing them both is when the heart break shows up, but back to the review Donnie more than proves that he is the man for the job once he gets his hands on the Killer Bird. If you want some good ole Asian action, then try this movie out. There are a lot of critics out there but let's see if they can recall America ever coming out with action this good.

DRUNKEN TAI CHI is FAR less funny than many (any?) of the Old School Kung Fu Comedies that preceded it. One can't just say "F--- physics" and call it Funny; STUPID is what it is. (And, yes, there IS a difference between Funny and Stupid; a sometimes subtle difference that apparently not a lot of Filmmakers understand...) In this one, it's a baby-faced Donnie Chen who dangles endlessly from the harnesses during some terminally interminable scenes. (It's nigh impossible to tell if Chen was ever really any good at the whole Kung Fu thing: he spent so much time swinging from wires and being "enhanced" by cg that an accurate assessment just isn't possible.) And loads of pyrotechnics don't help- not one bit. Take from the equation what makes these movies truly unique- the Human Element, honed to a razor's edge- and what's left isn't worth watching. Wireless was better.

I have to start off by saying that after seeing Iron Monkey, I went out and looked for every Donnie Yen movie I could find. And after all of that hard work, I realized that they all sucked! From his John Woo-like flop Ballistic Kiss to his numerous appearances (and subsequent deaths) in films like Highlander, Blade 2, and Shanghai Knights, on thing is apparent: Mr. Yen has got to get a new agent. His ability in martial arts is virtually unsurpassed, but the only other movie I've seen that challenges his abilities like in Iron Monkey was Drunken Tai Chi. With a goofy storyline of revenge (surprise!) and training to become stronger than the bad guy, Yuen Woo Ping has expertly melded comedy and action to create a fantastic party movie, something that anyone with a sense of humor can appriceate. Donnie is in top form, which is surprising given that this was his first starring role. He shows fantastic flexibility and a certain charisma that's hard to explain. I seriously hope that Donnie gets together with Yuen Woo Ping and creates another masterpiece soon, because getting killed in every film you're in is no way to make a legacy. (Ask Sean Bean.)

I loved Woo-ping's and Jackie Chan's Drunken Master, packed with some of the best fighting (especialy the drunken boxing) you will ever see on film. The only thing I didn't liked about that movie was the strange and simple humour. Well... Drunken Tai Chi is full of that! Stupid slapstick complete with the stupid sound effects that go along with that. Ok, there are some great fight scenes. Donnie Yen is one of the best kickers! But there is too many unapealing slapstick. And you will never forget the image of Donnie Yen dressed like a puppet BREAKDANCING!

And now for the biggest disapointment... THERE IS NO DRUNKEN BOXING! It's about a tai chi master that is drunk most of the time. If you want to see some drunken boxing see Drunken Master, Drunken Master 2!!! or even Jet Li's Last hero in China!

Donnie Yen does a pretty good job in this movie, both in acting and in the fight scenes. Theres some wire work here and there, which is expectable when you watch ANY martial arts movie anyway. The fight scenes are really well done(Donnie Yen is obviously really good at Tai Chi and a great kicker!)Theres also a lot of comedy in this movie(better than that in Drunken Master with Jackie Chan). People shouldnt compare this to Jackie Chan's Drunken Master, it has a different plot and theres not a focus on drunken boxing(theres pretty much none!). Some of the Yuen Brothers are also in this movie like the Tai Chi Master and Killer Bird. Overall a good fun kung fu film and one of Donnie Yen's best! Overall: 9/10

To Scott...

Yes, hard to believe Tai Chi can be a fighting system. Yes, it is. The problem with that is the image of Tai Chi that Americans or most people in the world is of the "soft", slow movements that are practiced in parks by elderly persons. Movements can be just a general term to describe a technique or a series of techniques in the martial arts. Basically in all martial arts, there are movements, whether they are an attack or a defense that can either be soft or hard in nature; Tai Chi is no different. Because of the health benefits of Tai Chi, instructors normally teach those movements. The hard movements, or shall I say the techniques that you would relate to the more "harder" styles of Kung Fu/Wushu are taught by emigrate Chinese instructors or instructors who have studied with such instructors or have trained in China. I guess it just comes to persons like you or die-hard martial arts enthusiasts who are interested in that aspect of Tai Chi.

All of movie fans know that there are few movies every year (or maybe every decade) that you can watch more that one time. but i think it's one of them.

this is the first movie that Donnie yen has played a major role. I am a huge fan of Donnie's and have seen almost all his movies. I can say that this is one of his bests.

The plot is a simple yet functional and interesting one. action scenes are really good and well choreographed. and comedy is also good. it's very difficult to use comedy that can make people with different cultures laugh. but this movie does it. I really laughed at many scenes.

If you are an action fan, martial arts fan, Donnie yen fan or even comedy, never miss this movie.

I give it 10 out of 10 because it's one of the best movies I've seen.

Donnie Yen's first movie with Yuen Wo Ping. RE: similarities between this film and DRUNKEN MASTER -- there is so much crossover between their casts and crews, and HK filmmaking in general was so homogenous at the time, I find any similarities not only forgivable, but forgettable.

Donnie wasn't much of an actor at the time, but his performance is bolstered by a supporting cast which includes two of Yuen Wo Ping's brothers: Sunny Yuen as the villain, Killer Bird, and Yuen Cheung Yan as the Master. I have a lot of affection for both actors. You might remember Yuen Cheung Yan as Jet Li's mentor in TAI CHI MASTER, or as police Captain Jie in FIST OF LEGEND. Sunny Yuen played a similar villain in DREADNAUGHT opposite Yuen Biao, the brave-but-bumbling Chief Fox in IRON MONKEY, the protagonist Shang in BUDDHIST FIST... and if you look closely you'll notice him getting clobbered by Hwang Jang Lee in the opening battle of DRUNKEN MASTER.

Anything Donnie lacked in the acting department was more than made up for by his martial arts skills. DRUNKEN TAI CHI is an enjoyable first look at a promising new action star.

this was an earlier movie donnie was in and the best that i had ever seen. well, the first i had ever seen with him in it...but the best and all the way comedy. so sad of brotherly love and at the end made a new friend along the way. no doubt to not miss this movie!!!

Apr 2021

One of the 4 amazing Yuen Clan comedy martial art films from the early 80s, that have to be seen to be believed. This time the Yuen Clan are joined by a young Donnie Yen as the lead role and we also get Lydia Sum to provide some extra comedy moments.

The scene on the bridge with Lydia Sum is worth the price of admission alone, i don't know how they come up with all these wonderful ideas.

Watch and enjoy.

10 out of 10.