Le retour de Godzilla

I would recommend that anyone who has only seen one version of this film make an effort to see whichever version you haven't seen. The changes that have been made between the Japanese/International version and the American version are very telling, in themselves.

Quite a few people criticize the suit design in this movie, but I think it's my favorite out of all the suits from 1954-1995. It looks the least like any 'real' reptile and more like a maddened, nuke-scorched monster. Or maybe just a big, green charcoal briquette with eyes. Anyway, it's feral and mindless, which is what Godzilla originally was. None of this superhero-friend-to-children-single-dad B.S. He's indestructible, he's angry, and he's going to destroy things. Why? Because.

I agree with the criticism of the FX. Even though we don't expect miracles from a Godzilla movie, this one had some rough spots that typically didn't appear in even the cheapest of the series' offerings. One scene in particular comes to mind: when Godzilla does a firesweep of the military equipment firing on him as he comes out of Tokyo bay, the angle of the animated firebreath doesn't match the aim of the monster's head.

I also agree that there isn't enough city-smashing. Some people prefer monster vs. monster battles, some prefer monster vs. military, I'm one of the group that likes to see major metropolitan areas levelled. Frankly, this movie didn't fully satisfy ANY of the three groups, as far as I can tell.

All that said, this is my second-favorite Godzilla film, after the original King of the Monsters and before Godzilla vs. King Kong. De gustibus non est disputandum.

Godzilla 1984 stands out as one of the best and most politically imbued Godzilla films ever made and deserves more credit for what it accomplished. Godzilla

1984 single-handedly revitalized the Godzilla franchise into the machine it is today and ushered in a new concept for what the monster could be; gone are

the kiddie children and the super-robots, the monster melees and monster

dancing - here is a return to what Godzilla truly is: and unstoppable force of nature. The original Japanese version is far superior to the butchered American cut and their political agenda is far more subtle than the American's tactless editing of the Russian nuclear launch sequence. Fans would do well to view

the original as it retains the history and dignity of the first Godzilla film.

This Godzilla (Gojira) film holds a special place in my heart, for it is the first Godzilla movie I've watched. When I was a little kid, I was a dinosaur fanatic. My mom used to rent a dinosaur cartoon movie (made by some unknown studio) and I would watch it all the time. However, when that movie was unavailable for rental, my mom introduced Gojira to me. The film was titled "Godzilla 1985" and understandably, as I didn't understand subtitles back then, it was the US version of the Japanese 1984 film (the one with Raymond Burr in it). Though I heard the original Japanese version contains numerous scenes that were cut from the US version, the US version is still pleasant to watch. I would never have thought that this movie would lead me into years of collecting Godzilla and other Toho sci-fi movies, and even soundtrack CDs. The video version of this movie I rented included the short "Bambi Meets Godzilla" cartoon. Poor Bambi!

I think Shuichi Nagahara wrote a nice screenplay, depicting suspense, humor, power, and politics. Koji Hashimoto did a good job directing(keeping the plot intact), and Teruyoshi Nakano did great on the special effects (probably his best work). Reijiro Koroku provided a terrific music score, creating what I think is one of the best non-Ifukube scores.

Even though this movie features Godzilla only, it remains one of my all-time favorites. The scenes of Godzilla rising out of Tokyo bay, rendering the military helpless, and causing a path of destruction in Tokyo as citizens run for their lives are powerful. The scene where Godzilla derails a train with people still in it is still appalling for me to watch. I used to fast-forward the sea louse scene, for it scared the heck out of me. Now, the scene it pretty tamed to watch. The part where Godzilla falls inside the volcano was sad to watch, and aroused my sympathy in the monster. When the character Professor Hayashida said that "when mankind falls into conflict with nature, monsters are born," I think it is a really moral message (thinking back that it was nuclear bombs that brought Godzilla's wrath). And, the part where Burr said at the climax of the film that hints Godzilla is a natural force better explains Godzilla's purpose.

Overall, a great way to revive the Godzilla series after a 9-year hiatus, and a great introduction to the Godzilla "Heisei" series, which ran from 1984-1995. Also, it is a great introduction for me into the world of Godzilla.

Grade A

Godzilla returns in a (somewhat) serious vehicle with a (somewhat) big budget. Americans yawned or laughed this off the screen, for the most part, but if you dig Godzilla you should dig this, his most respectable film since the 1954 original.

Yes, it's not that fast paced. No, Godzilla doesn't fight with other creatures. So what? After about twenty lurid, cheap movies that involved Godzilla in mortal combat with rubberized foes, it was nice to see him get back to menacing basics here.

While the special effects are not quite up to the Hollywood standard, they're still entertaining and reasonably convincing. American critics who slammed the film's look were being just a tad intolerant - all foreign films tend to be cheaper than ours, so inferior effects are a given. My bottom line for judging SFX is not, "are they realistic?" but "are they fun?", and the shots of Godzilla laying waste to Tokyo are indeed fun.

Godzilla fans often complain about the film's overtly political concerns and somber mood, but I have to disagree with them; I like a bit of realism, a bit of credibility. I do think that there are several better, faster-paced Godzilla films (Godzilla vs. King Ghidorah, GMK), but this is still a standout entry in the series.

Who knows when we'll get another solo vehicle for the big G? The upcoming Godzilla: Final Wars will apparently feature a total of ten monsters. At least in this movie, Godzilla had the spotlight all to himself.

Despite bringing back director Ishirô Honda and toning down the child-friendly antics that were plaguing the series, 1975's "Terror of Mechagodzilla" was a financial failure and the big guy was put on waivers for a decade. His triumphant return in 1984, his 16th outing, was a big-budget, one-monster show that was very much a return to the roots of the series (literally, as all of the intervening sequels were ignored as well as was the obvious death of the monster at the end of the original). As in the '54 version, the story opens with an attack on a ship, from which there is a single survivor, who claims to have seen a giant monster. People are generally disbelieving (which seems odd, as only 30 years have passed since Tokyo was first flattened by a giant monster), but come around when Godzilla wades ashore and destroys a nuclear power plant. Although nods are made to environmental concerns, the background issue in this film is the cold-war, as the Soviets and the Americans push to be allowed to use nuclear weapons against the monster. The Japanese prime minster is all quiet dignity, reason and principles while the Americans and the Russians blustering war-heads, which led to accusations of anti-Americanism in the Reagan-era U.S.A. (at one point in the discussion about using nuclear weapons near Tokyo, the American representative says "This is not time to be talking about principles", a line apparently changed in the American version of the film). Most of the special efforts are very good, with Godzilla back destroying cities rather than thrashing around on some inexpensive deserted island set, and although he's increased in height to 50 meters, he himself is dwarfed by Tokyo's towering (but apparently fragile) skyscrapers. Some of the back projection sequences are weak and the diminished scale of the city models limits the details that enhanced the realism of the sets in earlier films, but overall the film looks good. The Godzilla suit is excellent, very saurian and predatory looking, with internal mechanisms that allow for more facial expression than earlier versions and, in addition to the usual tanks and missiles, the JDF deploys laser cannon (nicely done) and the first of a series of improbable looking flying fortresses, the X1 - all of which is effective and exciting. The film's score, although not as good as Akira Ifukube's iconic original, is quite good, especially the ominous opening music. I watched a subtitled Japanese version of the film and parts of an English-dubbed version (but not the American release, which I've read has a number of alterations). The dubbing in the version I saw was not very good, with poor syncing and sometimes silly sounding voices (esp. the Russian ambassadors 'accent'). Remakes of classics are rarely classics themselves (1959's "Ben Hur" notwithstanding), and this incarnation of Godzilla is not as good as the 1954 original, but it is a watchable and entertaining film in its own right, both for fans and for the uninitiated.