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5.2/10
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Reduced to minding the counter at a crusty pawn shop, Weslake stumbles onto a scheme by some disgruntled misfit clients to rob the place. Rather than blow the whistle, however, he insinuates... Read allReduced to minding the counter at a crusty pawn shop, Weslake stumbles onto a scheme by some disgruntled misfit clients to rob the place. Rather than blow the whistle, however, he insinuates himself as the heist's mastermind.Reduced to minding the counter at a crusty pawn shop, Weslake stumbles onto a scheme by some disgruntled misfit clients to rob the place. Rather than blow the whistle, however, he insinuates himself as the heist's mastermind.
- Awards
- 2 nominations total
Charlayne Woodard
- Jasmine
- (as Charlaine Woodard)
Ed Call
- Officer Darney
- (as Edward Call)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Louis Malle is best known as one of the doyens of the French New Wave. After directing a number of movies in his native country, he came to the US and gave us "Atlantic City" and "My Dinner with Andre". One of his lesser known movies is 1984's "Crackers", about a group of down-and-out people plotting a heist. This is not at all the sort of movie that I'd expect from Malle, especially having seen "Au revour, les enfants" (set in Nazi-occupied France).
Anyway, it's an okay comedy; only a handful of scenes are laugh-out-loud funny. Donald Sutherland, Sean Penn, Wallace Shawn,* Jack Warden, Trinidad Silva, and Christine Baranski put on fine performances (not that I'd expect otherwise). That cast turns it into a link between the Hunger Games franchise, "Dead Man Walking", the Toy Story Franchise, a number of Woody Allen movies, "UHF" and "The Good Fight". Co-star Larry Riley died of AIDS resulting from promiscuity, while co-star Charmaine Woodard played Samuel L. Jackson's character's mom in "Glass".
*My parents met Wallace Shawn and Andre Gregory when "My Dinner with Andre" got released. The four of them met in a restaurant and had a philosophical conversation about the movie.
Anyway, it's an okay comedy; only a handful of scenes are laugh-out-loud funny. Donald Sutherland, Sean Penn, Wallace Shawn,* Jack Warden, Trinidad Silva, and Christine Baranski put on fine performances (not that I'd expect otherwise). That cast turns it into a link between the Hunger Games franchise, "Dead Man Walking", the Toy Story Franchise, a number of Woody Allen movies, "UHF" and "The Good Fight". Co-star Larry Riley died of AIDS resulting from promiscuity, while co-star Charmaine Woodard played Samuel L. Jackson's character's mom in "Glass".
*My parents met Wallace Shawn and Andre Gregory when "My Dinner with Andre" got released. The four of them met in a restaurant and had a philosophical conversation about the movie.
Not all his work is equal, but at this point I've seen almost all the films Louis Malle directed, and I've loved almost every last one. The problem with this one, unfortunately, is evident from the start, and the impression never meaningfully changes. For all the flits of cleverness it boasts throughout a runtime of ninety minutes, it takes more than half an hour to come close to eliciting a laugh, and longer still to actually do so. Other opportunities arise, but one can count the number that bear fruit; by my estimation, that's a total of three. I don't dislike 'Crackers,' mind you, and in fact there is much about it to appreciate to one degree or another. Sadly, however, the one thing a comedy requires to succeed is to be funny, and this picture makes far too little of an impression to meaningfully earn one's favor. It's enjoyable, but only in a rather passive way, providing a lot of smiles but too little of the desired reaction.
A strong cast was assembled, and I really do like them all; beyond the most significant stars, Tasia Valenza, Larry Riley, and Trinidad Silva are all pretty swell, and everyone performs admirably. The characters Jeffrey Fiskin wrote for them all are minor delights, given plentiful personality and quirks to lay the foundation for a mess of humor as they all play a part in the tableau. Similarly, the scene writing is filled with wit, a host of fun gags and bits that are plainly primed for greater things. And the narrative is fine soup for all these facets to swim in as the characters come together, a burglary is planned, and things go wrong. Meanwhile, there's nothing wrong with the comedic timing, such as it is, and it seems to me that Malle maintains the appropriate tone (light and a little wry) that should allow all these qualities to flourish. Every shot and scene is orchestrated with just the right touch that ensures everything looks and sounds good.
So what happened? Why does 'Crackers' fall so very flat as it does? Why did I laugh so little? I can only surmise that despite all its strengths, advantages, and potential, the material just didn't possess enough vitality to really take off. It's more blithely amusing than anything else, a feeling that's reinforced as the last several minutes rather shift the tone. I don't think this is "bad" by any means, and it's quite well made, really. In addition to Malle's reliable keen eye, and an able cast, the stunts and effects came off well. The sets, costume design, and hair and makeup are all fetching. And still the feature just kind of limps along, as there just doesn't seem to be enough life in Fiskin's screenplay to make it count. Or maybe no one in particular can be held responsible, and this is simply a rare concatenation of circumstances where all the various pieces fail to align in the exact right way. Whatever the case may be, the end result falls well short.
I won't say that the movie doesn't offer a good time, but it's a very mild one at that - baseline satisfactory and passable, the type of fare one can "watch" without actively engaging. I won't say to avoid it, but unless one stumbles upon it, there is definitely no reason to go out of your way for it. I'm glad for those who get more out of 'Crackers' than I do, but I'm sorry to say that despite everyone's efforts, this might actually be the low point of Malle's oeuvre. Oh well.
A strong cast was assembled, and I really do like them all; beyond the most significant stars, Tasia Valenza, Larry Riley, and Trinidad Silva are all pretty swell, and everyone performs admirably. The characters Jeffrey Fiskin wrote for them all are minor delights, given plentiful personality and quirks to lay the foundation for a mess of humor as they all play a part in the tableau. Similarly, the scene writing is filled with wit, a host of fun gags and bits that are plainly primed for greater things. And the narrative is fine soup for all these facets to swim in as the characters come together, a burglary is planned, and things go wrong. Meanwhile, there's nothing wrong with the comedic timing, such as it is, and it seems to me that Malle maintains the appropriate tone (light and a little wry) that should allow all these qualities to flourish. Every shot and scene is orchestrated with just the right touch that ensures everything looks and sounds good.
So what happened? Why does 'Crackers' fall so very flat as it does? Why did I laugh so little? I can only surmise that despite all its strengths, advantages, and potential, the material just didn't possess enough vitality to really take off. It's more blithely amusing than anything else, a feeling that's reinforced as the last several minutes rather shift the tone. I don't think this is "bad" by any means, and it's quite well made, really. In addition to Malle's reliable keen eye, and an able cast, the stunts and effects came off well. The sets, costume design, and hair and makeup are all fetching. And still the feature just kind of limps along, as there just doesn't seem to be enough life in Fiskin's screenplay to make it count. Or maybe no one in particular can be held responsible, and this is simply a rare concatenation of circumstances where all the various pieces fail to align in the exact right way. Whatever the case may be, the end result falls well short.
I won't say that the movie doesn't offer a good time, but it's a very mild one at that - baseline satisfactory and passable, the type of fare one can "watch" without actively engaging. I won't say to avoid it, but unless one stumbles upon it, there is definitely no reason to go out of your way for it. I'm glad for those who get more out of 'Crackers' than I do, but I'm sorry to say that despite everyone's efforts, this might actually be the low point of Malle's oeuvre. Oh well.
The Watergate break-in ran smoother than the operation executed in this flick. Of course, to get an inexperienced crew from all walks of street life (a family pimp, a musical hick and his vato, a hungry bum, and a chief conspirator with a fantasy-fulfilling meter maid girlfriend) to work together to get a pawn dealer's suspected lode from a locked safe and not have the police bust you is dicey if the musical hick had not built the store alarm with the skill level he had to operate nitroglycerin on a building beam as if he were lighting a Christmas tree. This is why his vato doesn't want him near his sister as well as it being his sister. It is somewhat more understandable than the family pimp falling for a maid who pursues a chance at prostitution and is dissuaded by the pimp. "Crackers" is a business sector misadventure set in a not-so-bustling city .
Louis Malle lived in the USA during the last part of his life. If there was anyone with enough talent to bring "Crackers" to the screen, it was him. Unfortunately, sometimes, even with the best intentions, no doubt, a great man produces a film that is well beneath himself. Of course, anyone is entitled to a mistake, but if there was anything wrong with this project it seems to be the Jeffrey Alan Fiskin's screen treatment of the classic Mario Monicelli film "Big Deal at Madonna Street".
The cast Mr. Malle assembled for the film is a first rate one, just by looking at the names in it. Donald Sutherland, Jack Warden, Sean Penn, Christine Baranski and the rest have enough experience to show much better than what comes out on the screen.
Let's just remember Mr. Malle for his greatness, and not by this misguided effort.
The cast Mr. Malle assembled for the film is a first rate one, just by looking at the names in it. Donald Sutherland, Jack Warden, Sean Penn, Christine Baranski and the rest have enough experience to show much better than what comes out on the screen.
Let's just remember Mr. Malle for his greatness, and not by this misguided effort.
The film is a very funny parody of classic heist movies. Whatever can go wrong will go wrong. There is a lot of humour coming from the differences between the rather goofy characters but also a lot of slapstick which I like. The cast shines. Sutherland gives a great performance of a character who is not quite as cool as he thinks he is. Jack Warden plays the grumpy pawn shop owner. The end is bitter sweet when Warden's character realizes that the only friends he has are the ones who wanted to rob him. I think it's a genuinely funny comedic jewel. I don't really get all the dislike for it. It is not Citizen Kane but as a comedy it works.
Did you know
- TriviaThis movie was the first remake of Mario Monicelli's "Big Deal on Madonna Street" (Le pigeon (1958)). The second would be Bienvenue à Collinwood (2002). Both American movies, that remake was set in Cleveland, Ohio, whereas this remake was set in San Francisco, California. The two remakes were made around eighteen years apart.
- ConnectionsEdited into The Green Fog (2017)
- SoundtracksWe Got More Than We Need
Words and Music by Michael McDonald and Ed Sanford
Performed by Michael McDonald (uncredited)
Courtesy of Warner Bros. Records, Inc.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Effraction avec préméditation
- Filming locations
- 2934 24th Street, San Francisco, California, USA(Produce market)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Gross US & Canada
- $129,268
- Opening weekend US & Canada
- $58,689
- Feb 20, 1984
- Gross worldwide
- $129,268
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