User reviews

it is easy to have high expectations about the adaptation of a well known novel. and it is more easy to say a bitter verdict about it. but this film is real beautiful. and inspired option for a decent and seductive adaptation. the cast, the cinematography, the story as a veil, the landscapes , the performances. all admirable for a TV film. because it is the first fact who remains real important about "Camille" . it is a TV film, with each sin and virtue of the this category. and the work of Greta Scacchi, who gives an inspired Marguerite, sir John Gielgut, the so young Colin Firth as Armand are virtues of a film like a spring morning.

...but a comment on the one and only review for this movie...Camille was first done in 1936 with Greta Garbo and Robert Taylor, this is not a first rendition. So to refer to the fact that it was a shame that it "wasn't made in the age of cable, with more developed scripts and better production values." is just plain stupid. It was a t.v. movie, not a theater film as was the original. It was an attempt to revive a classic, not an attempt to be a blockbuster. The amount of effort put forth with the actors and actresses was wonderful given the hand they were dealt. No one can do a perfect justice to a wonderful story. Books don't alway's translate well to screen. And in my opinion, no one can beat the absolutely wonderful chemistry and passion between Garbo and Taylor either. So they made the remake their own, not a copycat picture. Do your research first, comment after.

I've really enjoyed this Hallmark Hall of Fame adaptation. The cast is excellent (OK, Ben Kingsley as the older M Duval may seem a but young); but otherwise a young Colin Firth and a luminous Greta Scacchi look and play the lovers very well. Production values are great since it was shot entirely in France. And most important of all, Marguerite's consumption was underplayed -- NOT bathetic; so it plays very well. The script is also excellent. All in all, I enjoyed it more than the very ARTIFICICAL Greta Garbo and Robert Taylor version.