Supercopter

Airwolf, the movie that launched the hit TV series, is a fast-paced political thriller, set in the mid-80s when the Americans were at odds with the Libyans. Unlike the pilots for shows such as The A-Team and Knight Rider, this is quite a dark affair. The inventor of Airwolf, Dr. Charles Moffatt, is a psychopath. Despite being a genius, he is clearly unbalanced - just watch the scene where he tests out Airwolf's devastating weaponry on the control tower. He originally built the hi-tech, hi-speed bulletproof chopper for the FIRM, a CIA-type organization who specialize in cases involving national security, but after the control tower massacre, defected to the Libyans and started performing aerial missions for them. Michael Coldsmith Briggs III, codename Archangel, is a head of the FIRM and one of the few survivors of Moffatt's slaughter. He tries to persuade Stringfellow Hawke, Vietnam veteran and ace pilot, to go to Libya to retrieve Airwolf, but he will not do it, unless the FIRM try and find his brother, an MIA in 'nam. Eventually, String goes to Libya with his best friend Dominic Santini and his girlfriend, a FIRM agent, is also on the same mission.

Airwolf is a character piece. We get to know Stringfellow Hawke as a bitter young loner who likes attracting eagles with his cello playing. He has a tragic history as both his parents died when he was 12, his fiancee was killed in a car crash and his brother went missing in action. His friend Dominic is a very cheerful father figure, ready to help String whenever he can, but he can be a bit talkative. Archangel, on the other hand, seems a bit shifty. Later on as the series progressed, he was seen as a true blue good guy, but in this film, he is another typically shady government operative, determined to get the job done and willing to sacrifice the lives of those under his command. It's good to see Hawke punch him in one sequence, because he ate his dog's steak!

British actor David Hemmings is suitably creepy and cold-eyed as Moffatt, but of course, the main highlights are the scenes with Airwolf. When that classic Sylvester Levay tune plays, you know you're gonna have some action. The beginning demo sequence, when Dom and String steal the Wolf from the air base and the explosive desert battle / confrontation are top notch. This was a show that put the likes of Knight Rider in the shade, thanks to solid characters, terrific action and engaging stories.

What will probably surprise viewers who find the video of this pilot in video stores is the amount of foul language in something that was made for TV. Well, that's explained by the fact that what's on video is the edit that was released to theaters overseas, with the language a silly way to try and hide the made-for-TV origins.

I can see why this was released to theaters overseas; some of the production values are pretty high, and would fit pretty comfortably on a movie screen at the time. Still, I am sure that the people who did see this in a theater were pretty disappointed. Now, the opening sequence is great, flashy and action-filled. However, after that point there is hardly any action until the very end, and filled with talk talk talk. Strange thing is that despite all that talk, a number of plot points remain unclear, like why the two pilots decided to defect to Libya with Airwolf's designer. And while some production values are high, there are also some surprisingly shoddy moments. The island assault sequence, for example, is incompetently directed and edited. And some cost-saving measures like stock footage or reused footage come across like contempt for the viewer. Still, I must admit these cost-saving measures are nowhere as blatant and lazy as what was done for the ill-advised fourth season of the show!

The great thing about the Airwolf series is the super-cool hero, Stringfellow Hawk. He's an ace helicopter pilot who is a cello player, art collector, and an environmentalist. He doesn't eat red meat. He's genuinely cool without any fake macho bull-crap.

I also like the way he blows away villains who really need killing, but generally spares the lives of low-end flunkies. The fact that Stringfellow does not own a television is a big bonus.

Stringfellow is proud without being arrogant. He is a thinking man's hero. Airwolf is a must-see.

It is a shame that the actor (Jan Michael Vincent) fell short of the heroic ideal of the character he played. I recall that they re-launched the show without him after he cracked up. I saw one episode, but it wasn't the same.

Oh, my. When I was a kid I couldn't miss a week of this series, and this is the movie that started it all. It really has a decent plot, given the times it was made in. In 1984, the idea of a third world nation like Libya getting something nasty from a shadowy mercenary type was very real. In 1982, Israel had taken out an Iraqi nuclear reactor that Saddam Hussein had bought from contacts in Europe. In 1982, also, the Falklands war saw the British running into a lot of trouble with Exocet missiles hitting their destroyers.

In "Airwolf," one scene which took a lot of guts to do features an attack by the hijacked helicopter launched against a destroyer. The idea of nasty weapons getting to nations that might mean ill to people has only become more powerful. In 1987, three years after the television movie aired, a U.S. Frigate, the Stark, was "accidentally" hit for real by an Iraqi fighter in the Persian Gulf.

So, in that context, and with the height of the Cold War, the idea of powerful organizations like "The Firm" that Moffet was working for and which our two main pilot good guys get involved with, made for some powerful stuff. The performances only added to the power of it, especially for a kid like myself, with Jan-Michael Vincent doing a great job as the brooding, reluctant hero, and Ernest Borgnine (Who I had only seen doing comedy in reruns of "McHale's Navy" at the time) doing incredible work as well. This series really was a nice thing for him, and boy did he deserve the chance to do something like this. Finally, who could forget Alex Cord as Archangel, all in white except for the black lens in his glasses over his injured eye? White limousines, a white helicopter of his own, and beautiful female aides dressed in white, and the cane he walked with because of his injuries. Definitely a chilling figure in his own right. Man, this was an awesome show for a kid in 1984. Also, it makes points about the duties of people to what is right, the question of when the lines of the fight for good cross with the desire for power, and all the classic stuff. Bellisario came through with this and "Magnum, P.I." about the same time, I believe, which was quite good for him. Everyone associated with this project turned in good work - including the folks who designed the fold-out cannons on Airwolf's winglets, which were impressive in how they folded out and so forth. - Vincent was awesome in the melancholy and quiet scenes where he was just playing his cello by the lake or hanging out and thinking. The show topped this all off with one of the best scores of the 1980s. Definitely a winner. The toppings are all there, but underneath, with the writing, directing, and the performances, the substance is there in force. Great, great show.

Donald Bellisario the man who created Battlestar Galactica and Magnum PI, and later Quantum Leap, thought of this great action TV movie, which spawned a mega-hit show. The story runs that Dr. Moffet (David Hemmings) has created a super helicopter which with the help of thrusters can fly faster than a jet fighter, is equipped with twin machine guns, multiple rocket launchers, and Sunbursts to evade heat seeking missiles. Unfortunately he is a bit evil, and defects to the Libyans, taking his creation with him. Michael 'Archangel' Briggs (Alex Cord) the chief of a highly secretive organisation, the Firm, needs someone to go into Libya and bring back Airwolf. He turns To Stringfellow Hawke (Jan-Michael Vincent in the role which made him tv's highest paid actor), a former Vietnam pilot, who agrees after much negotiating. A top piece of TV entertainment, and the preface to one of the most successful shows of the 1980s.