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Debbie Harry in Vidéodrome (1983)

Metacritic reviews

Vidéodrome

58

Metascore

6 reviews · Provided by Metacritic.com
  • 88
    TV Guide Magazine
    TV Guide Magazine
    A fascinating rumination on humanity, technology, entertainment, sex, and politics that is virtually incomprehensible on first viewing and needs to be seen several times before one can even begin to unlock its mysteries. (Review of Original Release)
  • 80
    The A.V. ClubScott Tobias
    The A.V. ClubScott Tobias
    Its dense mysteries remain more tantalizing than distancing: No other director integrates the creepy with the cerebral quite like Cronenberg. (Review of DVD 9/13/04)
  • 80
    Variety
    Variety
    Film is dotted with video jargon and ideology which proves more fascinating than distancing. And Cronenberg amplifies the freaky situation with a series of stunning visual effects. (Review of Original Release)
  • 70
    The New York TimesJanet Maslin
    The New York TimesJanet Maslin
    Though Videodrome finally grows grotesque and a little confused, it begins very well and sustains its cleverness for a long while.
  • 40
    Chicago ReaderDave Kehr
    Chicago ReaderDave Kehr
    Never coherent and frequently pretentious, the film remains an audacious attempt to place obsessive personal images before a popular audience--a kind of Kenneth Anger version of "Star Wars." (Review of Original Release)
  • 38
    Chicago Sun-TimesRoger Ebert
    Chicago Sun-TimesRoger Ebert
    The characters are bitter and hateful, the images are nauseating, and the ending is bleak enough that when the screen fades to black it's a relief.. Videodrome, whatever its qualities, has got to be one of the least entertaining films of all time.
  • See all 6 reviews on Metacritic.com
  • See all external reviews for Vidéodrome

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