Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.
- Awards
- 1 win & 8 nominations total
Rainer Peets
- German Officer (segment "Time Out")
- (as Remus Peets)
William S. Taylor
- G.I. (segment "Time Out")
- (as William B. Taylor)
Featured review
After the opening prologue with DAN AKYROYD and ALBERT BROOKS, as bored drivers on a lonely country highway who like to play pranks, TWILIGHT ZONE: THE MOVIE offers four stories, supposedly in the vein of stories that Rod Serling wrote for the famous TV series. Not until the final segment, NIGHTMARE AT 20,000 FEET does it offer the kind of fright stuff worthy of being in this anthology.
And it's a minor gem of its kind with JOHN LITHGOW giving an amazingly deft performance as a man totally afraid of flying who should have taken tranquilizers before he peered out the window. What he saw on the wing of the plane would have frightened anyone out of their wits--and, of course, no one believes him.
It's this final episode that makes the film itself worth watching. None of the other segments have enough punch to keep the viewer awake, let alone entertained. VIC MORROW's unfortunate accident came about during filming of a Vietnam sequence which does not appear in this version of the film--but he does give a convincing portrait of a bigot who gets his comeuppance. Very ironic.
Summing up: All of these stories were told with more style and suspense on the old TV shows. Strictly second-rate.
And it's a minor gem of its kind with JOHN LITHGOW giving an amazingly deft performance as a man totally afraid of flying who should have taken tranquilizers before he peered out the window. What he saw on the wing of the plane would have frightened anyone out of their wits--and, of course, no one believes him.
It's this final episode that makes the film itself worth watching. None of the other segments have enough punch to keep the viewer awake, let alone entertained. VIC MORROW's unfortunate accident came about during filming of a Vietnam sequence which does not appear in this version of the film--but he does give a convincing portrait of a bigot who gets his comeuppance. Very ironic.
Summing up: All of these stories were told with more style and suspense on the old TV shows. Strictly second-rate.
Storyline
Did you know
- TriviaThe scene being shot at the time of Vic Morrow's fatal accident was added to the script late in the filming in an attempt to "soften" his bigoted character Bill Connor, and give him some redemption: while fleeing from an American helicopter attack on a deserted Vietnamese village, he sees two orphaned children. Bill decides to save them no matter what the cost, so he carries them under his arms and wades through the river to safety. He then finds himself back in Nazi-occupied France again, the two children having time-jumped with him. The two Nazi officers chasing Bill take the children away for execution, and take Bill to a train which ends the segment. Due to the helicopter accident that claimed the life of Morrow and child actors Renee Chen and My-ca Dinh Le, all scenes featuring the children were completely cut, and they do not appear in the film. Bill's original scripted ending was kept in, leaving Bill's character change largely unaddressed and his fate unknown.
- GoofsAn exterior shot of the airplane in Segment #4 shows the landing gear to be in the down position. The pilot later comments that the plane would be landing in twenty minutes, far too long for gear to be down prior to touchdown.
- Quotes
Car Passenger: Hey... you wanna see something really scary?
- Alternate versionsCBS edited 8 minutes from this film for its 1986 network television premiere.
- SoundtracksNights Are Forever
Performed by Jennifer Warnes
Music by Jerry Goldsmith
Lyrics by John Bettis
Produced by Bruce Botnick with James Newton Howard
[Segment #1: playing when William enters the bar]
Details
- Release date
- Country of origin
- Languages
- Also known as
- La quatrième dimension, le film
- Filming locations
- 15238 Victory Boulevard, Van Nuys, Los Angeles, California, USA(bar in segment #1; exterior & interior)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $29,450,919
- Opening weekend US & Canada
- $6,614,366
- Jun 26, 1983
- Gross worldwide
- $29,450,919
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
What is the Brazilian Portuguese language plot outline for La Quatrième Dimension (1983)?
Answer