Sorceress

The evil sorcerer Traigon dies in the attempt to perform a sacrifice to his evil goddess. Not easily discouraged, he swears to return in 20 years and try again. His twin daughters have meanwhile grown into 2 skilled fighting ladies. Mira and Mara fight against Traigon with the aid of a barbarian red-beard, a little faun with a flute and a gambler turned swordsman.

'Sorceress' is a hilarious piece of 80s trash with a rare sense of humor. For example, when the sorcerer summons an army of zombies, they don't fight for him, but instead steal the temple virgins and run. "You know, they were buried for a thousand years", the barbarian explains. Among a wave of 'Conan' imitations I missed this one back in the day, but fortunately now got hold of the Blu-ray with interviews, from Roger Corman explaining the casting of 2 Playboy playmates ("they looked good in the nude scenes") to the special effects guy remembering how he spent even less money on masks than Corman expected, to the writer who was asked to "write a script by Monday". Low budget film-making, an adventure for itself.

In the fall of 1982 (which is the correct release date) I went with a friend to see this film simply because the poster looked so cheesy. For some odd reason this was the second half of a double bill with WITHOUT A TRACE, a serious film about child kidnapping! Including my friend and I there were about eight people in the theater when SORCERESS began to roll, and I dare say that the eight of us got at least $100 worth of laughs for our $3.50. This is one of the most inept films from the short-lived barbarian flick cycle, and that's really saying something! It appears that they lost the dialogue track and had to re-dub, giving the movie the look of a foreign film. I won't go into the plot since the previous review really nails it, but you simply haven't lived until you see the "epic" battle between gods Calgara (a giant Mexican woman's head with oatmeal on half of her face) and Vitaan (a seriously fake foam-rubber winged lion/man.goat?). As bad as this is, it is never boring, and is so crazily entertaining that I honestly rate it among my ten all-time favorite movies. VIVA SORCERESS!!!

Hmmmm, picture this if you will; a pair of sexy twin sisters who have a delightful tendency to bare their (perfectly formed) breasts at any given opportunity, barbarians, boobies, cruel torture routines, boobies, monsters, boobies and magic..... Yep, everything any self respecting, red blooded male could ever want for in a film in fact, feature in this highly enjoyable sword & sorcery outing brought to us by director Jack Hill.

The film never makes the mistake of taking itself at all seriously and is chock full of tongue in cheek moments and double entendres in addition to the requisite action goodies.

Highlights of special note include some particularly well rendered and creepy looking zombies, a cringe inducing scene where a main character narrowly avoids suffering a wickedly sharp spike up his back side(!) and a super hammy main villain.

Tremendously fun if you approach it in the correct frame of mind (and probably even better when one is drunk). Oh, did I happen to mention the beautiful boobies on display in this?

Sleazy sword-and-sorcery fantasy as only Roger Corman can produce it, "Sorceress" is good fun provided that you're not too demanding. It delivers a generous amount of amusement and fun, especially when it comes to the ridiculous dialogue, and its delivery. For the most part, it doesn't do that much to stand out from the pack of other, similar films during this time. But that all changes when it gets to the climax, a full-on assault of cheese and spectacle, complete with light shows and otherworldly creatures.

A large part of the charm, of course, lies in the casting of luscious twin sisters Leigh and Lynette Harris, playing warrior women Mira and Mara. It seems that one of them needs to be sacrificed by power-hungry villain Traigon (snarling and hammy Roberto Ballesteros). They take the fight to him, aided by such characters as the hunky young Erlick (Roberto Nelson) and the proud Valdar (Bruno Rey), a guy who wouldn't look out of place in a Lord of the Rings feature.

That's really all you need to know, so you can discover the silly pleasures of this lowbrow feature for yourself. John Carl Buechler handles the creature duties, creating a likable "goat man" sort of character as well as a variety of ape-like beasts. The music is liberally borrowed from the earlier New World productions "Battle Beyond the Stars" and "Humanoids from the Deep". The action scenes are basically decent. The Harris sisters aren't exactly very good actresses, but this viewer can't imagine many fans of this type of thing caring all that much.

The sad postscript is that this turned out to be the final directorial credit for exploitation master Jack Hill ("The Big Doll House", "Coffy", etc.), who had a falling out with Corman over the matter of the editing. In the end, Hill retained a producing credit under his name but the direction was credited to a pseudonymous "Brian Stuart" (the names of Cormans' sons).

If you like fantasy features to be on the cheesy, sleazy, low budget side, watching this will be a no-brainer.

Seven out of 10.

My review was written in February 1983 after a Times Square screening.

New World's lensed-in-Mexico "Sorceress" demonstrates that a "Conan"-type heroic fantasy film can be made on a modest scale, a point soon to be underscored by the dozens of Italian-made imitations poised to hit the market. The Jack Hill production directed by Brian Stuart emphasizes nudity and vulgar humor, with the resulting package likely to appeal to cable-tv viewers after completing its current theatrical run.

Okay story line by Jim Wynorski is set in an ancient time, deals with twin girls (Leigh and Lynette Harris) brought up as boys and hidden from their evil wizard father Traigon (Robert Ballesteros), who plans to sacrifice the first-born to the forces of darkness in return for increased supernatural powers. Traigon is allied with the beautiful princess Dellisia (Ana De Sade), while the twins are aided in their quest for revenge against their father (who killed their mother) by warrior Erlik (Bob Nelson) and Baldar (Bruno Rey) and friendly satyr Pando (David Millbern).

Punctuated by frequent (and unexciting) sword battles and even some martial arts fights this abbreviated adventure film is largely an excuse for the shapely Harris twins (previously featured in the "I, the Jury" remake) to bare their charms. Hero Bob Nelson provides equal time with nude beefcake scenes but his good ole boy accent (typical of the film's poor dubbing) is just one among many indicators that the filmmakers are spoofing the fantasy genre. In fact, the phony beards, tacky sets and silly jokes make "Sorceress" resemble the quaint softcore porn pageants (e.g., "The Lustful Turk") of the 1960s.

Title is a misnomer, as the well-executed optical effects done at New World's Venice facility are generally extraneous to the story. Fantasy content includes a meaningless and static finale battle between two opposing gods in the heavens, a silly fight with horny zombies in the catacombs (as Baldar says, they've been buried for a thousand years) and various cheap makeup creatures such as the red-brown haired monkey men (also horny).

The gimmick of the twins sharing their feelings and experiences at a distance provides a cute sex comedy scene of Mira reacting orgasmically when captured Mara miles away is deflowered by Erlik. Ultimately the oft-repeated "The two who are one" epithet for the twins is just an excuse for a sex joke at fadeout. They are briefly upstaged by the stunning-looking dark villainess, played by Latin actress Ana De Sade.