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Linda Hamilton will be making an appearance in the upcoming Stranger Things, which poetically takes place in the era when she catapulted to fame thanks to The Terminator. Her defining performance as Sarah Connor sealed her in pop culture as one of the best sci-fi characters of all time. However, even though she would make a return to the series with the sequel Terminator: Dark Fate, Hamilton has definitively stated that she is no longer interested in reprising her iconic character.

The Beauty and the Beast TV show star recently sat down with The Hollywood Reporter to talk about her projects. It was inevitably asked if she would come back for another round with the cybernetic organism when they inquired what was more likely: an AI-written Terminator sequel or her reprising the role of Sarah Connor. Hamilton answered, “AI writing the next Terminator movie. And they kill me off before we start.

Good Grief marks Dan Levy's directorial debut and takes a darker approach compared to his comedic roles. The movie follows a widower's journey of self-discovery and explores themes of grief, friendship, and adulthood. The cast includes notable stars Luke Evans, Ruth Negga, and Himesh Patel, who bring depth to their characters' relationships with the central character, Marc.

Good Grief marks Dan Levy's directorial debut for a movie, but the actor is also starring in the Netflix title alongside a group of other notable stars. While best known for portraying David Rose in the award-winning sitcom Schitt's Creek, Levy is often connected to comedies, but his latest movie takes a darker approach. Like Schitt's Creek, Levy is serving as a jack-of-all-trades with Good Grief, serving as the release's creator, director, producer, and star. Despite not relying on the laughs, Levy's new movie will undoubtedly take viewers on an emotional journey.

Belle's father, Maurice, from Disney's Beauty and the Beast is reimagined as a hardcore raver in a creative video edit shared on Instagram. The video edits a scene from the original film in which Gaston pays Monsieur D'Arque to detain Maurice so that he won't object to his planned marriage to Belle. While the 1950s and '60s are often considered Disney's "Golden Era," 1991's Beauty and the Beast came during a time when the company was churning out some underrated movies, including The Fox and the Hound and The Great Mouse Detective.

A scene from Disney's Beauty and the Beast gets totally reimagined in a new video, putting Belle's father into the middle of a rave. Released in 1991, Beauty and the Beast remains one of Disney's most beloved and acclaimed animated movies. The story follows a prince cursed to live out the rest of his days as a hideous...

Luke Evans may not be a favorable children’s character in The Beauty and the Beast, but in real life, he’s supporting organizations to help make children’s wishes come true.

On Monday night, Evans attended the Art of Wishes Gala and sat with Family Fortunes host Vernon Kay in London. The gala is held each year to fundraise for Make-a-Wish UK and, according to their website, has raised £9 million since it started.

Evans, who has made a name for himself onscreen, will be performing on the stages of London’s Duke of York’s Theatre on October 27. He will be playing Billy in Marcelo Dos Santos‘ play Backstairs Billy. Alongside Evans, Downton Abbey’s Penelope Wilton will play the Queen Mother.

“When I read the script, it made me giggle out loud so hard,” Evans told The Guardian. “It’s just so entertaining and such a joyous story...

The cast of the Harry Potter movies have had successful acting careers since the franchise ended, with Daniel Radcliffe taking on unconventional roles and Emma Watson focusing on activism. Veteran actors like Ralph Fiennes and Maggie Smith have continued to make waves in the film industry with memorable roles. Tragic losses have been felt in the Harry Potter cast, such as the passing of Alan Rickman in 2016 and Robbie Coltrane in 2022

The cast of Warner Bros' Harry Potter movies are the ones who first brought these beloved characters to life, but what have they been up to since then? Many of these stars were young children with minimal acting experience when they first signed on for Harry Potter and the Philosopher's Stone, and by the time the film franchise wrapped up with Harry Potter and the Deathly Hallows - Part 2, they were fully fledged actors with bright careers ahead of them.

Another late 80s classic is ready to make its way back to the screen. The Honey, I Shrunk the Kids franchise is getting a new movie, although it might take a little longer than expected to make it happen.

The first movie from the successful franchise released in 1989, being the directorial debut of Joe Johnston, who would later helme some other popular titles such as The Rocketeer, Jumanji, Jurassic Park III and Captain America: The First Avenger. The film was a massive hit, so Disney and Buena Vista didn't hesitate on giving the green light for a sequel.

The second part came out in 1992, titles Honey, I Blew Up the Kid. It was followed by Honey, We Shrunk Ourselves in 1997 and a tv series with a different cast that premiered in 1997 too. It lasted for three seasons with a total of 66 episodes.

Back in 2018, as a part of a long...

A strong debut in the domestic North America market and a weaker one internationally is the verdict on ’The Little Mermaid’ remake.

Worldwide box office May 26-28 RankFilm (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l)Territories 1. The Little Mermaid (Disney) $163.8m $163.8m $68.3m $68.3m 52 2. Fast X (Universal) $110.2m $507.2m $87.2m $399.3m 85 3. Guardians Of The Galaxy Vol. 3 (Disney) $45m $731m $25.1m $431.6m 53 4. The Super Mario Bros. Movie (Universal) $19.3m $1.2bn $13.1m $717.8m 82 5. Godspeed (various) $6.8m $146.6m $6.8m $146.6m 7 6. The Machine (Sony) $4.9m $4.9m - - 1 7. About My Father (Lionsgate) $4.5m $4.5m $0.3m $0.3m 16 8. Sword Art Online: Progressive -...

Don’t be fooled by the direct to Disney+ of it all: David Lowery’s lush and transportive “Peter Pan & Wendy” is neither a creatively bankrupt “live-action remake” in the vein of 2017’s soulless “The Beauty and the Beast,” nor a similarly hollow “live-action” remake in the “style” of 2019’s CGI “The Lion King.”

For one thing, Lowery’s update doesn’t look horrible — quite the opposite, in fact. For another, it doesn’t cynically adhere to the stale narrative beats that audiences have been conditioned to expect. That’s partially because “remake” isn’t the right word for Lowery’s film, but also because the animated “Peter Pan” that Disney adapted from J.M. Barrie’s novel in 1953 doesn’t have quite the same stranglehold over the collective imagination as some of the Mouse House’s more beloved movies.

None of this will come as much of a surprise...

A crowded February is being followed by an even denser March. Around this time a year ago, the box office was primarily carried by “The Batman” and residual receipts for February release “Uncharted,” but sequels from four popular franchises–as well as Paramount’s effort to launch a new one–suggest we’ll see a larger and more varied group of top earners.

Will any of them beat 2017’s “The Beauty and the Beast” as March’s highest grosser and help the box office surpass the month’s 2022 cume? Fans of sci-fi thrillers, indie romcoms, true crime, “Dungeons & Dragons,” slasher movies and Willem Dafoe all have something to look forward to, while heavyweights like the fourth “John Wick” installment and (no pun intended) “Creed III” are likely to command broad commercial appeal.

Between a Morgan Freeman vehicle and a Sundance jury pick about an impoverished single mother trying to...

A crowded February is being followed by an even denser March. Around this time a year ago, the box office was primarily carried by “The Batman” and residual receipts for February release “Uncharted,” but sequels from four popular franchises–as well as Paramount’s effort to launch a new one–suggest we’ll see a larger and more varied group of top earners.

Will any of them beat 2017’s “The Beauty and the Beast” as March’s highest grosser and help the box office surpass the month’s 2022 cume? Fans of sci-fi thrillers, indie romcoms, true crime, “Dungeons & Dragons,” slasher movies and Willem Dafoe all have something to look forward to, while heavyweights like the fourth “John Wick” installment and (no pun intended) “Creed III” are likely to command broad commercial appeal.

Between a Morgan Freeman vehicle and a Sundance jury pick about an impoverished single mother trying to...

Legendary Disney animator Burny Mattinson has passed away at age 87 after a more than 70-year career. Mattinson began working in uncredited roles during Disney's Silver Age of animation, with his first job being an inbetweener on Lady and the Tramp six months after graduating from high school. Mattinson would go on to work on some of the biggest animated Disney films of all-time, including Aladdin, The Beauty and the Beast, Mulan, and dozens of others.

In a press release from The Walt Disney Company, it was confirmed that Mattinson passed away on February 27 at Canyon Oaks Nursing and Rehabilitation Center in Canoga Park, California.

View this post on Instagram A post shared by Walt Disney Animation Studios (@disneyanimation)

Mattinson was 87, and died following a battle with a short illness. Disney honors Mattinson as being the longest-serving animator at the company, and was due to receive Disney's first-ever 70th anniversary service...

“Puss in Boots: The Last Wish” landed in theaters this past December with minimal pre-release fanfare, but the “Shrek” franchise’s sixth entry, besides collecting an Academy Award nomination for Best Animated Feature and nearly $400 million at the global box office, has turned out to be one of 2022’s most visually arresting and critically acclaimed animated efforts. The Oscar contender conspicuously blends analog and 3D-rendered animation, employing a hybrid style popularized by “Spider-Man: Into the Spider-Verse.”

The technique isn’t new, as films have been combining formats to one degree or another since at least 1991. However, the difference between “The Beauty and the Beast,” “The Iron Giant” and “Tarzan,” which used 2D backdrops to provide 3D objects a sense of depth, and more recent examples, like “Into the Spider-Verse,” “The Bad Guys” and “Puss in Boots: The Last Wish,” is the integration of “hand-drawn” and CGI elements in the foreground...