Flashdance

As other users have said this film is very dated, but not necessarily bad. It was looked upon as a bit of fluff that was very successful in the box office. So now, it would come across as nostalgic (in the same vein as Dirty Dancing). But the thing I do like about it, is just that. Adrian Lyne perfectly captured the time, a post disco era when Break-dancing and Synth Pop were all the rage - Who could forget the FANTASTIC theme song, sung by Irene Cara (Fame) and composed by Synth Pop genius Giorgio Moroder (I feel love - Donna Summer among many others). So what if Jennifer Beals wasn't a great actress? So what if it wasn't her dancing? (Think one of them was a break dancer from "The Rock Steady Crew" - see? All about the era!) she was a good looking girl, and this was a harmless bit of fun at the time.

Jennifer Beals stars as Alex Owens a welder by day and a dancer by night, who dreams of going to a ballet school. She really wants to make her dreams reality but is to nervous to audition. With a little encouragement and help from her good friend Hannah Long (Lilia Skala.) and her boyfriend/boss, Nick Hurley. (Michael Nouri.) she finally does audition. And, what an audition it was. The dance sequence at the end was brilliant. Flashdance is a great film full of fun music, (Including Irene Cara's hit song, "Flashdance, What a feeling".) great dancing and just lots of fun. Flashdance is an instant classic. I give it a 10/10.

Flashdance is one of my Top Ten Films. I don't care that it has no twisting plot. I don't care that Jennifer Beals used a body double. I REALLY don't care that it's a chick flick. I love this movie!! Some people, after seeing Flashdance, choose to see a movie about exotic dancing. For one reason or another, I see a movie about chasing dreams, taking chances, and maximizing life.

Jennifer Beals' character Alex Owens's dream of attending a formal dance school and becoming a ballerina is the central theme of the film. Her friends Jeanie and Richie are aspiring figure skaters and stand-up comedians, respectively. However, Alex is the only dreamer receiving any encouragement. Her senior citizen friend Hannah, a former ballerina herself, gives Alex practical advice and unconditional faith. Jeanie's father openly criticizes Jeanie's dream as well as her beau, Richie. Richie, a cook at Mawby's Bar, is put down by his boss for wanting to go to Hollywood and being a comedian; "You're too short. They don't let short people into Hollywood."

The sub-plots facilitate Alex's dream to create a captivating story. To support herself (and possibly, to keep life interesting), Alex holds 2 jobs: a welder by day and a dancer at aforementioned Mawby's Bar during the night. Her welding boss Nick takes a liking to her and pursues her. Alex resists his charms but gives in eventually. Johnny C., the sleazy strip bar owner continually tries to lure Alex into dancing for him. As mentioned before, Alex's friends Jeanie and Richie have dreams of their own, and we see where their dreams take them.

The factor that made Flashdance a hit was the music, of course. "What a Feeling" took away an Oscar for Best Song. "I'll Be Here Where the Heart Is", sung by Kim Carnes ("Bette Davis Eyes") fits Alex's personal-crisis scene perfectly.

The first time I watched Flashdance was 4 years ago; I bought the video knowing I'd like it. After 20+ viewings, I still love it. Flashdance is for anyone who has a dream but not the courage to pursue it.

What makes a good film for me is that it is enjoyable, entertaining, gripping, likable and emotional. Flashdance without a doubt ticks all these five boxes. Flahdance is a very retro, cheesy entertaining film that is at no point boring and never drags, and is also a very clear symbol of the great 1980's and the night club exotic dancing scene of the time. Jennifer Beals puts down an amazing performance, as a dancer and as an actress. I guess the story comes down to the fact that reality bites, that life is tough, but if you push hard you just might make it.

All in all, Flashdance despite its few undeniable faults is a very decent and enjoyable film in my opinion. As it mostly meets all of my requirements I am happy to give it a positive review. This film is one of the quintessential 80's films, that works well as a symbolic artifact of its time. I highly recommend this film to anyone who loves 80's.

Overall rating: 7 out of 10.

In recent years there have been a number of British films based on the theme of working-class people who find fulfilment through their cultural activities; examples being Educating Rita (the first and most distinguished), Brassed Off, The Full Monty and Billy Elliott. Such films are frequently described as `quintessentially British' or `something that we can do and Hollywood can't', whereas the truth is that twenty years ago Hollywood was indeed making very similar films, mostly centred upon dancing, such as Saturday Night Fever, Dirty Dancing or Flashdance. Whereas these American films may not have had the covert (or, in the case of Brassed Off, highly overt) political message of their British counterparts, they nevertheless concentrated on differences in social class far more than Hollywood movies usually do.

The heroine of Flashdance, Alex, is a young woman who works as a welder and whose main joy in life is dancing. She moonlights as a dancer in a local nightclub, but her great ambition in life is to become a ballet dancer. The film tells the story of how she achieves that ambition, as well as the story of her romance with a wealthy middle-class divorcee, set against frequent dance sequences as Alex and her ice-skating friend Jeanie go through their paces. The climax comes with a scene in which she auditions for a place at a prestigious ballet academy and treats the judging committee to a bravura display of breakdancing. (Would a ballet school really be prepared to offer a place to a candidate whose dance skills owe more to the disco than to Swan Lake and who seems completely ignorant of balletic idiom?)

The film has its weak points. Although the plot is not as non-existent as some reviewers have felt, it nevertheless tends to take second place to the showpiece dance numbers; at times, it felt as if I were watching an extended series of pop videos. Potentially interesting themes are ignored; for example, Alex is a practising Catholic, but this seems to be a plot device to enable scenes set in the confessional to be used as soliloquies in which she can air her emotional problems. No attempt is made to explore the possible conflict between the demands of her religion and her sexually provocative dancing or her love for a divorcee.

The acting is undistinguished; Jennifer Beals makes an attractive and personable heroine, but it is clear why, despite the success of this film, she did not go on to become a major star. Her acting is too weak to enable her to carry a film; certainly I felt that she would be out of her depth in one that depends more upon plot and less upon song and dance. The other characters are little more than ciphers, with the exception of Hanna, the old lady who acts as Alex's mentor. I could certainly have done without the tasteless ethnic jokes told by Alex's comedian friend.

Yet, despite its faults, I enjoyed this film. Its redeeming feature is the zest and energy of its dance sequences, set to some well-chosen music such as Laura Branigan's Gloria or Irene Cara's title song. It may not be deep or significant, but it is an enjoyable, well-made piece of popular entertainment. 6/10.