Les Yeux de feu

This motion picture is perhaps the most bizarre film I have ever seen for such a low budget. The film itself brings out more horror than what you would think. The film is about a group of western pioneers set in the early American Frontier around 1750, who travel into an uncharted land and forest and are haunted by evil spirits living in the trees. Director Avery Crounse and his team of special effects rely on old fashion suspense, which is way better than some of the films we have today. Composer Brad Fiedel (who also created the score for James Cameron's The Terminator) conducts a fascinating Irish musical score. The all star cast including Dennis Lipscomb (WarGames), Guy Boyd (Jagged Edge), Will Hare (Back to the Future), Fran Ryan (The Sure Thing) and Emmy award winning actress Karlene Crockett all do a wonderful job at acting. It's a shame that this film isn't around anymore, it should be released to DVD and it's obvioius that films like The Blair Witch Project and Ravenous ripped off this film. Eyes of Fire is highly recommended for fans of early ghost stories.

Taking place during the early colonization of America, "Eyes of Fire" is a remarkable hybrid of horror and mysticism within a western setting. Will Smythe (Dennis Lipscomb) is a hypocritical, but charismatic preacher who is relatively new to the small settlement of Dalton's Ferry. Traveling with him is Leah, an odd girl, who seemingly possesses otherworldly powers. Her mother, suspected of being a witch, was burned alive. While residing in the settlement, Smythe beds a bevy of women, among them the wife of Marion Dalton (Guy Boyd), a trapper spending most of his time away from home. The townsfolk disapprove of Smythe's extracurricular activities and attempt to hang him, but he's rescued by both Leah and a small group of the settlers who see something in the man. They flee the township, hoping to find their own personal "promised land" in which to settle down. Eventually forced into a valley by marauding Indians, Smythe promptly declares it to be the sanctuary they've been seeking. As they begin to start a new life, little do they know that this place is already inhabited by a devil witch and her ghastly minions.

Filmed in the wilds of Missouri, Avery Crounse's wondrously offbeat gem is one of the most beautifully photographed horror films of the 80's, American or otherwise. The dense woodlands are naturally pleasing to the eye, but they become something else entirely when seen through the stunning direction of Crounse. His style combines the contemplative visual poetry of a Terrence Malick with truly nightmarish imagery and acidic color fades. He makes sure that, while lovely in appearance, these woods are deeply foreboding. There's an eeriness in the air, one that never quite goes away. Brad Fiedel's score adds to the unease of the situation and gives off an otherworldly vibe to match.

In spite of a low budget, the period setting feels authentic. You never once believe that these people aren't living in the colonial era. What a fascinating period that was, and I feel that more horror films should be set in and around that time. The all-encompassing isolation, the lack of modern weapons or technology and the endless amount of rich history are all elements which are positively ripe for tales of the macabre. Most of all, though, there are the superstitions and folklore which were so rampant back in those days. This continent was still a relatively unknown place then, none of the settlers really having a clue as to what they might encounter. I don't think there is anything more terrifying than the unknown, so what better time than the days of the unknown to tell a story of this nature? Crounse certainly realizes this, as he milks the period setting and the olden days mythology for all that they're worth.

I've seen many reviews deriding the special effects, which is absurd. They are not only perfectly believable, but quite well-done at that. The hideous look of the devil witch herself and the surprisingly numerous explosions were especially impressive. On the acting front, Lipscomb plays slimy as if it were second nature to him. Boyd is strong in the role of foil, while Kathleen Crockett steals the show as Leah, a character that could have fallen into camp if not played correctly.

"Eyes of Fire" is right up there with "Black Rainbow" as one of the unsung genre classics of the 80's. It's a one-of-a-kind experience in desperate need of a proper release, one which preferably restores the original "Cry Blue Sky" cut, an ultimate holy grail for me, and allows the film's brilliant photography to shine through to it's fullest extent. The work of a true visionary, gems like this one shouldn't be forgotten.

Don't you just love coming across films that you've never heard of before and to your surprise it turns out better than it expected. The independent low-budget horror drama "Eyes of Fire" would be one of those films you'll either become attach to or simply can't fathom the fuss. It's easy to see why it's a sleeper though --- just look when it came out (just think of the horror of this period) and there's no-one in the cast that would really stand-out on paper. However the story alone had me intrigued. From beginning to end, it projects up as nothing more than a bizarre, hallucinating mood piece. While not completely satisfying (due to its experimental tailoring consisting of some convoluted writing in the latter acts with a weak ending and cheap tacked on final frame), its unconventional style holds you there despite its purposely slow-grinding pace. The mysteriously spooky nature of it had me thinking of the similar in vein western / horror variation "The Shadow of Chikara (1977)".

A creepy folklore / witchcraft horror with absorbing atmospherics (the rich Missouri locations are alienating and suitably eerie) and a mystical layer is formed by it inspired narrative (where its told through narrated flashback) and distinctively lyrical script as we follow some western pioneers led by a reverend on the American frontier in the search of the promised land, but they stumble upon a valley that's inhabited by a devil witch and her captured souls.

What really came out of left field was the dazzling direction of writer / director Avery Crounse. While methodical and low-scale, he managed some visually breath-taking imagery of edgy horror and haunting beauty caught by the elegantly earthy and unhinged cinematography. Even during the daylight sequences, it remains just as unsettling and also the authentic, fidgety sound effects of the forest simply unnerve. Brad Fiedel's music score is slight, but skin-crawling and the variable special effects feature plenty of tripped-out colour schemes, tree decorations (you'll see) and loud explosions. It's serviceable, and the make-up FX is decently projected with a spooky looking phantom witch. It's those eyes! There are modest performances by the likes of Dennis Lipscomb, Guy Boyd, Rebecca Stanley and Kathleen Crockett in a very contemplative turn.

Fascinatingly offbeat, if meandering and jaded mystical spook flick.

This is a very low-budget movie about demons in the American countryside two hundred years ago. It has a lot of the feel of a genuine folk tale: for instance the demons steal into farmers' barns by night and suck milk from cows' teats. The shadowy unpredictability of their comings and goings is well caught and strangely unnerving. The movie is too academic, as if it had been made to partially fulfill the requirements of a Master's in American Folklore, and most of the performances would fit right into a small-town little-theatre production, but those qualities help to set the movie apart from others. It's rather like "The Blair Witch Project" set in period, but with real spirits and a real story. It doesn't always escape absurdity but it seems to be communicating somebody's real and unusual vision. That's no mean achievement.

This singularly distinct horror film concerns a colonial minister, his married mistress, and a group of their friends and supporters who flee the wrath of the people in their village and travel via raft up the Hudson river to what will eventually be upstate New York, staying one step ahead of savage indians to settle in a strange valley. Strange, because it has already been settled by French settlers, all of whom have vanished, and because the bloodthirsty indians in the area won't set foot in it. Because of the lack of a scalping epidemic(not to mention a ready-made village all set to go), the party settles down to life in the valley, unaware that a decidedly evil entity is moving among them, embodied in a strange, dark-haired little girl found in the village alone . ..

The choice of setting(Colonial-era America)is unique in itself, but the strange concept, of a village that is home to an entity made up of the lifeforces of many beings who have died violently and that entity's seduction of most of the group, is unusual. There's a weird dis-ease in the atmosphere of this place, one that sets it apart from most films like this. Recommended for those who savor atmosphere.