Eddie and the Cruisers

The film deals a rockers band in the 1960s,the successful group is constituted by the leader Eddie(Michael Pare) and the rest band (Tom Berenguer,Joe Pantoliano,Matthew Laurance among others),but the lead singer dies in a car accident without appear mysteriously the body.Nowadays a reporter named Maggie(Ellen Barkin) is interviewing the surviving but another member has deceased by a stroke heart.Memories group are being relived by Frank (Tom Berenguer).The journalist and members of band are looking for the last unpublished tapes what turn out to be the band's final recording.The tapes have the title : ¨time in the inferno¨ like as a Rimbaud poem(written in 1873) .Maggie thinks what Eddie following the Rimbaud life(he had a tempestuous existence and was Paul Verlaine lover and disappearing early, his biography was brought to the life in a film with Leonardo DiCaprio)committed a suicide simulated and she doesn't believes to be dead.

It's an interesting film with excellent music and nowadays is deemed a cult movie.Casting is frankly enjoyable,the film results to be the best Michael Pare performance.The magnificent music is by John Chafferty and Beaver Brown Band.The motion picture is well directed by Martin Davidson,he's a director at his beginning realized good movies with known actors : Lord's of Flatbush,Hero at large and of course Eddie of the Cruisers; however today he makes solely for television episodes. The picture got a sequel with the same actors (exception of Tom Berenguer) in which Eddie emerges under a new identity in the city of Montreal and he forms a new musical group and are answered the questions of the previous film .The film will like to rockers and musical cinema devotees. Rating : Above average

Released in 1983 and directed by Jon Amiel, "Eddie and the Cruisers" is a rock drama about a TV reporter (Ellen Barkin) who picks up the story of a legendary early 60's rock band that prematurely ended when their charismatic leader, Eddie Wilson (Michael Paré), died when his Chevy went off a bridge, although his body was never recovered. The newswoman interviews the living band members 18 years after their heyday and tries to track down the missing tapes to their never-released avant-garde second album. The band members are Frank (Tom Berenger), Joann (Helen Schneider), Sal (Matthew Laurance), Kenny (David Wilson) and Wendell (Michael "Tunes" Antunes), while their bullcrappin' manager is Doc (Joe Pantoliano).

This was the inspiration for 2009's "The Perfect Age of Rock 'n' Roll" but both movies have their distinctions, as well as pros and cons. "Eddie" is about a band from the early 60s whereas "The Perfect Age" is about a Guns N' Roses-type band whose heyday was in the 80s. Each film starts out shaky as the story is set-up, but they progressively get better. Both films feature charismatic frontmen with diametrically opposed styles, but also very similar when you think about it. Each feature revealing chats amongst the characters with "Eddie" shining in the final act when it unveils Eddie's youthful place of solitude, Palace of Depression (which is an actual place in southern New Jersey, Vineland; a building made of junk built by the eccentric George Daynor, a former Alaskan gold miner who lost his fortune in the Crash of '29). Growing-up, my gang had several hidden spots where we'd meet, each with a name known only to us; I even had a personal "My Place" in the woods behind my parents house on a lake where I'd often go for private reflection. When I was 15 I planned to commit suicide there, but thankfully didn't go through with it. The movie gets points for including such an existential element.

Was Eddie still alive or did he die in 1964? The ending reveals the truth and the way it's done is superlative.

So which movie is better, "Eddie" or "The Perfect Age"? They both shoot for greatness and in some small ways attain it. Disregarding the rockin' performances, "Eddie" is more location-bound and therefore dramatically sedentary whereas "The Perfect Age" is a road movie in disguise and therefore seemingly more eventful. In my opinion the music's better in the latter, but then I prefer the heavier side of rock/metal over the Bruce-Springsteen-in-the-early 60s style of "Eddie" (which is good for what it is, don't get me wrong). "Eddie" stands out for including the Palace of Depression angle and contains superb lines in the final act, but "The Perfect Age" soars in its own way, like Spyder & Eric's brouhaha in the rain and the blues bar sequence (featuring cameos by legends Sugar Blue, Pinetop Perkins, Hubert Sumlin, Willie "Big Eyes" Smith and Bob Stroger). Then there's the powerful climatic scene in "Perfect Age" at Spyder's ritzy mansion with Jane's Addiction's "Three Days" playing in the background, which just so happens to rank with the all-time best cinematic scenes utilizing rock songs, like the close of 1998's "Buffalo '66" with Yes' incredible "Heart of the Sunrise."

The songs by the fictitious Eddie and the Cruisers were composed/performed by John Cafferty and the Beaver Brown Band. The main song, "On the Dark Side," became a #1 hit for the band and "Tender Years" was a minor one. Most of the cast weren't musicians, although Matthew Laurance (Sal) learned how to play bass for the movie. Only Michael "Tunes" Antunes, the sax player for the Beaver Brown Band, and Helen Schneider (Joann) were professional musicians.

Speaking of whom, I can't close without mentioning how Helen really shines here. No, she's no Meryl Streep, but she's great for her role in "Eddie." You could say she's The Perfect Rage of Rock 'n' Roll (sorry, that was just DUMB). I should also add that it's interesting to see Berenger, Barkin and Paré when they were so young.

The film runs 95 minutes and was shot entirely in New Jersey with the exception of the college sequence, which was filmed just across the Pennsylvania border at Haverford College.

GRADE: B+

The Michael Pare films are flawed. The John Cafferty music is too much Springsteen and not enough 50's. The sequel was a bad joke. None of this matters. "Eddie and the Cruisers" by P.F. Kluge is probably the best novel ever written about rock'n'roll, and even though it lost a lot in translation to the big screen, the magic is still there. If you like the movie, you simply owe it to yourself to read the book. Then you'll really understand.

One creepy mystery: aside from a couple of minor TV appearances many years later, Helen Schneider ("Joanne Carlino") never made another film after this one. Whatever happened to her? Did she also "pull a Rimbaud"?

Disregard what the big time movie reviewers may say! Despite a poor sound track, there is much more to this film than is obvious within one viewing. It took me awhile to get into it, but once I did, I loved it more with each viewing. The underlying premise of the film, that there was, indeed, a definitive crossover point between the innocent early rock and roll music of the 1950's and the deeper coming of age sounds of the mid to late sixties is quite real. And the charismatic title character "Eddie" has sensed this change in the wind, but is unable to convey his vision to those around him. Yes, there are a little too many flashback scenes for my taste, but all in all the film had something to say that deserves to be heard.

I saw this movie when my family first got cable television. I watched it once, then twice, then the next thing I know I had watched it about 30 times. The story is well told through flashbacks and current events. the casting is good. Michael Pare is Eddie Wilson. Every time I have seen him since, that's the first thing I think about. Tom Berenger is also very good. His character starts out as naive and innocent and then begins to grow as we grow with him. This movie is totally addictive.