Le Bal

A movie without any word, no dialogue, but you don't feel that something is missing. The music, the dance and choreography, replace any missing dialogue. You get a history of France as seen and heard from a dance-hall stage at certain points in time : 1936,1940,1944,1946,1956, 1968, & 1983. Special remarks for Marc Berman & Jean-Francois Perrier and for the man behind writing and acting Jean-Claude Penchenat - La "croix de feu". Real nice movie - a 9 mark.

A movie that carves its own niche in film history in the most delicate, ephemeral way imaginable. The cast is among the finest ensemble gatherings I have ever seen, and the combined efforts of all concerned seems to add up to far more than seems possible for what is basically a silent film. It reminds me a bit of the magical transformation Altman managed to create on the set of McCabe and Mrs. Miller, as if all the actors were put under the same spell, and responded to the challenge with a uniform brilliance.

The camera work in Le Bal is just as nuanced and evolved as the work of the actors, but it never feels forced or artificial. All of the actors I have seen in many other films, and they seem so much more self-aware than many of the actors you see in the states. There is a feeling from this film as if the actors themselves created it, for which the director deserves my highest praise. And the subtle way the film morphs from black and white to a hand tinted look to modern color throughout is also so masterful that you almost don't notice it.

This is NOT A FILM FOR PEOPLE WHO DON'T LIKE DANCING!!! It is a film for people who like to watch an exquisite evolutionary process. I liken it to an orchid, in that you learn a special kind of patience from waiting for it to bloom, but the blooms are always worth the wait, and last in the mind forever. I pray that a behind the scenes DVD will be released soon, as do many others, and recommend this highly.

This movie without any verbal dialogue enchants you from the very first moment. About twenty people meet one night at a dance-party... As they begin to dance, they (and the audience with them) live through the modern history of their country. The music naturally plays the central role in this film. The film is grotesque, funny, and moving at the same time, full of nice quotations from the cultural history of the 20th century. Absolutely great performances from the actors (all of them are more than good, but I would give Marc Berman the loudest applause)- they surely had fun doing this movie. This is a film to be purchased on video and watched again and again, with reasonable intervals - you can't really get fed up with it.

J'ai été enchanté.

Ironically this film was nominated for the Oscar as the best foreign language film. It is not a foreign language film, it is a film without language, no spoken word. Everything that is worth to be told is told with music and dance. We see the history of the 20th century France as the history of a dancing. Times change and the dance changes with time. So the problems that people face change. Decay of the aristocracy, German occupation, youth revolution of 68, racial conflicts, everything can be seen on this dancing as well as the love, aspirations, despair, hatred.

The film is one of my personal best 25.

This piece is brilliant and it's tragic it's not more widely available. I just saw it for the first time in several years and was blown away at how perfect it was. Any dialogue would have ruined it, actually, because it was the finest example of European physical theatre I've ever seen. The casting was inspired. I am not in the habit of raving about films without qualifiers, but this one deserves it. The characters develop in such subtle ways, that it reminds me that this is not only a history of a ball room but of a person's life itself and the persistence of memory. It lends itself to so many layers of meaning, but still, it can be enjoyed just for itself...