Reilly: Ace of Spies

Fabulous work by Neill, as usual, in this early work. This series, for the most part historically accurate, covers the almost unbelievable espionage/covert ops careers in history by a man virtually unknown until this series ran. Fascinating perspectives on the political machinations going on in Europe & Asia at the time, most of which Sidney Reilly was involved in at one time or another. This is almost never seen since its initial few runs on PBS, but if it comes back, do NOT miss it. I wish I had taped it now....

Sam Neil is "Reilly, Ace of Spies" in this excellent miniseries from 1983. And let me add, he's much better looking than the real master spy Sidney Reilly.

This miniseries covers Reilly'a antics in the early part of the century, and the stuff that made him the model for Ian Fleming's James Bond. Over time, he spied for something like four countries, working at various times for England as part of Scotland yard, the Secret Service Bureau, and the Secret Intelligence Service. In 1918, he was part of a plot to overthrow the Bolsheviks in Russia and apparently planned to hold position of leader over there! The series not only covers Reilly's spying exploits and his ruthlessness, but also his way with women. Sam Neill is fabulous as Reilly - attractive, charming, cold, calculating, and confident.

How much of Reilly's story is true is unknown, and perhaps it was expanded as dramatic license, but he is believed to be the first superspy, and there's no doubt that he was very successful at what he did.

There is a lot of history to be had in this miniseries, supported with great production values. Though the series was filmed in England, France, and Malta, one really believes one is in various Russian locales as well as other places. And the detail in the sets and costumes is fantastic.

The various stories can be somewhat confusing, but that's one of the things that makes it so engrossing. Real life can be messy. Sometimes your friends are, in reality, your enemies in the spy game. Sometimes going into a situation, goals change. Reilly stayed sharp throughout, ferreting out enemies and finding advantageous situations. A real master spy. An excellent, often exciting, often suspenseful, always interesting miniseries.

When the series first came out it captivated me and to this day I have not been able to find the complete series on either VHS or DVD. It is one of those TV mini-series that the Brits do so well and Sam Neill is just superb in the lead role. The VHS listed is the first episode and in case you are wondering it gets better. I do wish that now they are bringing out series like "Friends" and "Cheers" on DVD that they (whoever they are) would look into bringing out the complete series of this great piece of work. I'm afraid the quality of the picture might be poor (as I found out when I got "Piece of Cake") but it would be still worth it. Rating 876 out of 880!!!!

I would think that anyone who watches this series and then compares it to the last 10 years or so of James Bond films will easily be able to discern serious story telling from CGI cluttered inanity.

I was mesmerized by this series and IMMEDIATELY became a fan of Sam Neil.

The sets, the wardrobe, all first rate. The supporting cast, as is so often the case with these British entries, is superb.

The direction is better than on most big budget action films and really The best espionage story ever told.

While I did enjoy Sean Connery and the earliest of Bond films this is the real deal, and Sam Neil is, forever, the man who Ian Fleming called the real James Bond.

Leave it to the Brits to get it right.

I fortuitously got turned onto Reilly courtesy of a television review in the Toronto Star, to which I am eternally grateful. I might have missed it otherwise. Reilly was a terrific series. Heavily romanticized and perhaps not quite factually accurate to be sure, but an absolute, rewarding joy nonetheless. The original PBS broadcast of "Mystery" was embellished by the intros and epilogues rendered eloquently by the late great Vincent Price, whose narrative provides a valuable context. Shostakovitch's score sets the tone---romantic, redolent of a bygone era. The series was my introduction to Sam Neill, whose facial image---hard-eyed, with that ruthless slash of a mouth---prefaces the credits. Wonderful set and costume design. Good supporting cast, particularly the wonderful Leo McKern. Terrific script by Troy Kennedy Martin. This inspired me to see out paperbacks on Reilly. A worthwhile addition to anyone's television collection, to stand alongside Patrick McGoohan's The Prisoner.