La Créature du marais

The American Alice Cable (Adrienne Barbeau) travels to a secret governmental bio laboratory of research in the swamp to replace a missing scientist. Soon she befriends the leader of the research Dr. Alec Holland (Ray Wise) and his sister Dr. Linda Holland (Nannette Brown) and she learns that Alec is developing a hybrid plant combined with animal with the intention to solve the world hunger. However, the ambitious and wealthy Arcane (Louis Jourdan) sends a paramilitary team to steal the research and kill all the team. But there is an accident and the formula spills on Dr. Alec Holland and set him on fire. He disappears in the swamp and Alice is the only survivor of the laboratory team. She hides the seventh notebook with the Alec´s formula and runs to the forest and soon she notes that something is protect her.

"Swamp Thing" is a different film by Wes Craven based on a D.C. Comics. The IMDb rating is unfair since the movie is highly entertaining. One of the greatest attractions is Mrs. "John Carpenter" Adrienne Barbeau, for whom the Swamp Thing falls in love. My vote is seven.

Title (Brazil): "O Monstro do Pântano" ("The Swamp Monster")

Wes Craven shows off his genius once again in the 1982 film Swamp Thing. The movie is based on the DC Comics character of the same name and is considered one of Craven's first big-budget films.

The movie tells the story of a scientist named Alec Holland who transforms into a mysterious creature in the swamp. After being poisoned in the swamp during an assassination attempt, Holland's body parts combine with nature to create a new being known as "Swamp Thing." This new entity fights to protect the swamp and its inhabitants.

Beyond being a typical horror movie, Swamp Thing offers a profound perspective on the relationship between nature and humanity. Craven skillfully uses the film's visual effects to draw the viewer into the mysterious and eerie atmosphere of the swamp.

One of the most striking aspects of the film is the depth of its characters. Swamp Thing is not just a monster, but also a being who experiences emotions like love, loss, and revenge. The film draws the viewer into this emotional turmoil, allowing them to empathize with Swamp Thing.

Swamp Thing is considered one of Wes Craven's most important films and continues to impress viewers despite its age. The film offers a thought-provoking experience by exploring themes like respect for nature and the dark side of humanity, alongside horror and suspense.

If only the first half of Wes Craven's Swamp Thing had been as incredibly craptastic as the second: the latter part of the film sees a henchmen transformed into a disfigured dwarf, the villain of the piece becoming a sword-wielding wolf/pig creature with a really hairy back, and Adrienne Barbeau stripping off to take a skinny dip in a swamp (mind the leeches, deary).

Sadly, in order to get to this cheezy but still very fun stuff, the viewer has to trawl through lots of bland comic-book tosh including a dreary introduction to the characters, repetitive poorly staged fight and chase scenes featuring David Hess and his team of stereotypically dumb henchmen, and clumsily handled attempts at tragedy and pathos. It doesn't help either that the central character, The Swamp Thing, is so crap to look at—a man in a rubbishy rubber suit that buckles unconvincingly at the joints.

Worth a look if you're a big fan of the comics, Craven or Barbeau, but casual viewers will probably switch off before they even get to the most enjoyable bits.

This reminded me of the 1950s science-fiction/horror films with its primitive dialog, hokey action scenes and laughable makeup for the monsters. Oh, man, does this look bad as time goes on and we have been treated to 25 years of great special-effects since this was made.

What makes this more attractive to watch than those '50s films, however, are great swamp photography, Adrienne Barbeau's body and a story that moves fast. Barbeau, as she was prone to do, appears to be only this is to show off her massive chest. However, it's pretty harmless fun, very tame compared to the horror movies of the past generation regarding gore and profanity. It's also pretty tame for a Wes Craven-directed film.

In the end, it's a good Class B film, usually fun to watch for a number of reasons.

I really have an affection for this truly campy, cheaply-made, cheesy film from the early 80's. Wes Craven, before he hits it real big, obviously has some directorial flair, but there is a lot here that is atypical of his work. The special effects are really cheap, I mean, aside from the Swamp Thing outfit, everything else is very badly done from the hideous, cowardly midget to the overblown, terrible outfit of another "fearsome" monster that personifies the very essence of evil - or so we are told. It would be very easy to dissect this film for all of its obvious faults, but what I do like is that it has that feel of an old sci-fi film from years gone by - good vs. evil. It has some decent acting and set locations. Louis Jourdan plays the suave villain as well as anybody and David Hess(Last House on the Left fame) plays a despicable henchman with few peers. And Adrienne Barbeau? She bares it and is beautiful in all forms of undress as her cleavage barely manages to stay on as she runs through swampland. She plays Alice Cable, a love interest for the Swamp Thing, a creation of serendipity and scientific experimentation. The story, loosely based on a comic book, is liberally dosed with action, inane dialog, and what you would expect for a film of this ilk, but all enjoyable. I enjoyed the character of Jude too, played with an innocence to acting(and perhaps talent) that few films would allow but comes off I think. Besides, Adrienne Barbeau is in it - this is one of the few times I really would like to have Cable!