La malédiction de la sorcière

What at first feels like a creatively impaired Amityville Horror rip off quickly spirals into a balls-out, splatter fest that's a lot more fun than you'd think. The story is that a house has been cured ever since a witch was executed in the lake that surrounds the property and anyone who enters has come to a bad end. A priest and his family move in and begin to experience creepy things until the vengeful witch returns to kill them all one by one.

Superstition doesn't waste any time in getting to the good stuff. The opening of the film alone features a body being torn in half by a shattered window and a teenager's head exploding in a microwave. Once the main victims move in, the witch doesn't spend her time making chairs move or opening doors - she just goes right for the jugular and starts killing people in creatively bloody ways.

In some ways, Superstition feels more like a slasher movie than a ghost story, but it's not a bad thing. It certainly makes the film stand out from similar films from the time and it mixes subgenres quite well. If you're looking for a spooky good time, Superstition will hook you up.

This movie has all of the elements that you expect from a horror film--and I mean that in the best way! All right, it's admittedly low budget, but the frequent deaths, presented with almost metronomic spacing, are inventive and entertaining. Plus, it is a delight to see a film that really does have a supernatural grounding, instead of the so-tired slasher bit.

You should definitely watch this movie when you are alone at night--watching it with friends or in the daytime gives you too much chance to let the low budget distract you from the flow...

A 17th century executed witch kills anybody who enters a house that was built on the site of her execution. Supernatural horror that plays out like a slasher movie with many inventive deaths every 10 minutes or so. This is well paced and there is plenty of good gore, including an exploding head in a microwave, death by an escaped circular saw, spike through forehead, and so on. This was made during the Golden Age of the slasher movie and certainly gives good value for money. Give me 1980's effects and vibe any day over 21st century CGI and remakes! Original title in 1982 was Superstition. It did appear on the seizure list during the Video Nasties farce but was given a rerelease as The Witch in 1985. Sadly this film appears to be something of a forgotten one, I can't even reference in it in my collection of horror movie books. It really does deserve a DVD/BR release so that a new audience can see it.

I was surprised by this low budget horror movie. It isn't a masterpiece, but overall it's well done - certainly better than THE AMITYVILLE HORROR. Things happen in this movie that take you by surprise - both genuine shocks, and seeing stuff you usually never see in horror movies! And there are some splatter scenes that will really take your attention. You probably won't see this on TV, (and if you do, it'll be severely cut), so do some detective work in the video stores in your area. You won't be disappointed.

An unusual, but rather enjoyable no-nonsense and wicked low-budget cursed haunted house/witch feature. A Reverend and his family move into a strange, remote house with a horrific past. Mysterious occurrences begin to happen and people within the property start dying or disappearing to only end up dead.

The plot is quite slight, with a premise relatively basic... revenge from beyond the grave; A drowned witch who reappears in demon form hidden under a cloak with glimpses of her long green hands and evil laughter to go with it. Its set-pieces are there for nothing more than atmospheric shock effects (gory, but creative and insane deaths), but director James W. Roberson effectively handles them and suitably paces the narrative with a dark, nervy energy.

It plays out like a haunted house ride... false jumps to only pump out the real one within its predictable superstitious framework (like the all mighty cross; the torment of all evil and good for exploding doors). Also there's a real nasty streak, which doesn't hold back for anyone and this makes the downbeat ending even more fulfilling. There's a real italian horror vibe to it all. The imagery is well-photographed (especially of the witch) and the score does pack that an ominous sting that crackles with intensity. Characters are one-dimensional, but the cast are committed with James Houghton, Larry Pennell, Lynn Carlin and Albert Salmi as a stubborn, hard-pressed detective.

I thought it was silly, but lively and unpleasant 1980s horror pulp that doesn't outstay its welcome. Fans of 80s horror overabundance should love.