Otages

I remember when I watched this movie in the late 80's in my country on TV, many years after it got released, I was around 6 or 7, and I remembered some scenes that totally freaked me out. After that, my mother didn't let me watch the rest, and then I could not find it anywhere because I didn't remember the name. I finally found it a couple of days ago, and I stared remembering the scenes that frighten me when I was a kid. Right now that we have movies like A Serbian Movie, Hostel, The Human Centipede, and on and on, where everything is super explicit, and hardly ever any survivors, same as perfect makeup effects, so watching a vintage movie where there is no blood at all, where you see always a way to escape (I tend to do that in all the movies where someone is trapped), perhaps you won't find it really thrilling, but if you consider the time period where it was made, with the effects that were available at that time, and the time when the action happens, 1980, with no cellphones, no internet, no DNA tests, and many other details, it is scary, and still believable.

I had recently get this on inter-loan from the library.

I I'll have to say, out of all the Mary Higgins Clark movie adaptations which my mom and I enjoy, this one feels the most serious and feels R-rated.

Since this is directed by guy who made the original Friday the 13th, this film has a little bite to it.

Rip Torn plays the mysterious kidnapper who adducts an 11 year old girl played by cute Shawn Von Schreiber and a reporter played by sexy Kate Mulgrew.

A large some of money must be met by the kidnapper or he will kill both Kate and the girl.

I love the dark claustrophobic atmosphere and the thickness of the high tension.

Rip Torn is excellent as the sleazy manic mad man, I had never seen him be a villain in anything before. I had only seen him in very little, but enjoyed him in the Men in Black movies.

Kate Mulgrew is another actress I had seen in very little, the only movie we own with her is Throw Momma from the Train, and I gained a crush on her since I was little. I do remember seeing her in the tv series Star Trek: Voyager, when I was little and loved her in that as well.

These movies in the Mary Higgins Clark films are a little corny but I really like them, guilty pleasures if you will, this movie keeps you on the edge of your seat from stat to finish.

I don't want to say more because I'll give away the twists but you will be entertained.

I give it a 6/10. Give it a look and enjoy.

As a Connoisseur of all things Kate Mulgrew, I'm somewhat biased in this one. She portrays Sharon Martin with ease, although horror has never been her fortay. She has a flare for the dramatic which is played out well in this film, aiding in the sympathizing of her character's plight. As for an actual review, this movie rates in effect up there with the Shining. You know when the bend in the corner is, and every point is virtually expected... it's a true "Here's Johnny" moment. However, if you enjoy the smaller budget horror films of the early 80s this one is well worth it. I LOVED it. Again, a biased opinion, but if you like Kate Mulgrew and Rip Torn, you're set.

Greetings And Salutations, and welcome to my review of A Stranger Is Watching. Before we get into it, here are my ratings:

Story - 1.25 Direction - 1.25 Pace - 1.25 Acting - 1.25 Enjoyment - 1.25

TOTAL - 6.25

Based on a Mary Higgins Clark novel, A Stranger Is Watching is an insidious dark thriller. The one thing that stayed with me was how cold-hearted and viciously cruel the killer was. Granted, that's par for the course in this style of story. Though, what makes Artie Taggart stand out is the gritty realism of his character. Artie wouldn't stand out in a crowd as a man to worry about. In fact, most of the time it's Artie who is marked as a target by other criminals. Usually to their detriment. Even if he loses the fight he wears his scars and bloodstains with an apathetic pride. It takes the writers, the director, and the actor to construct Artie into the human monster that he is. And they all do it superbly.

The one good thing Stranger has going for it, and what caught my attention, was the director, Sean Cunningham. He of Friday 13th fame. This guy knows how to use his locations to the max. The murder at the beginning takes place in a large sitting room by a roaring open fire. Though, when he shows Julie, the daughter, witnessing her mother's abuse and murder, you can't help but feel trapped and claustrophobic. He shoots Julie behind the bannister of the stairs. It looks as though she's imprisoned with nowhere to run. And, of course, her fear has done just that. Then when we get down under Central Station, he shows the audience a darker and dirtier side to the city. Discarded rubbish is left to rot in the enclosed tunnels, where the lost, homeless, and rats roam. It's an ideal place for a villain's lair. Who in their right mind would venture down there?

As for the performances, as I said before, Artie Taggart is the foremost character. And boy, was I surprised by this because he is played by Rip Torn. He is one actor who never made it onto my radar because he's never been so good. If I had watched stranger when I started watching movies seriously, I would have hunted out Rip Torn movies. Only to be let down. Rip Torn in this film is like Ted Levine as Gumb in Silence Of The Lambs.

However, the rest of the cast is a tad hit and miss. The worst is James Naughton as the kidnapped girls' father. He is so laid back it's unforgivable. His wife was murdered, and then the last of his family was abducted, surely, he would be out of his mind and pulling his hair out. But this dad is so cool, you can call him SMEG.

Nevertheless, A Stranger Is Watching is an above-average and enjoyable dark-thriller. If you like your bad guys dark and deadly then this film is for you.

Feel free to check out my Killer Thriller Chillers lists to see where I have ranked A Stranger Is Watching.

Take Care & Stay Well.

This film is sleazy and exploitive in the extreme. That's not much of a surprise, since it was directed by the man responsible for the (inept) first "Friday the 13th" film. What I DID find mildly surprising was the director's ability to shoot some reasonably suspenseful scenes in the middle of all the sleaze, proving that, when he doesn't overuse gore, he is competent enough. For a low-budget exploitation film, this isn't too bad.