George & Mildred

British television sitcoms of the '70s have acquired a reputation for being shallow and purile, and 'George and Mildred' is often cited as a supreme example of this.

Nothing could be further from the truth, this sitcom really worked. There was real chemistry between the characters, and while the plots were shallow there was a great deal of comedy present.

Developed as a spin-off from 'Man About The House', it centres around a working class couple (George and Mildred) who move into a middle class neighbourhood. Mildred (Yootha Joyce) is determined to overcome her lowly roots, whilst George (Brian Murphy) is working class and proud of it!!

Their new neighbours are the Fourmiles, Geoffrey is a out-and-out snob, but his wife, Ann, is down to Earth. They have a young son, Tristram.

Most of the comedy revolves around the antics of George antagonising Geoffrey, whilst their respective wives try desperately to maintain tranquility.

The concept of neighbour / class conflict is the mainstay of many a sitcom, but seldom works as well as this. The chemistry between the characters is perfect, especially George and Mildred, I think that the sitcom would probably have failed with anyone else playing these parts.

The success of this sitcom lead to a film version in 1980, but the film never really captured the vital spark that made the television series such a hit.

'George & Mildred' was the first - and best - of the spin-offs from Johnnie Mortimer and Brian Cooke's 'Man About The House'. Using the proceedings from the sale of their home in Myddleton Terrace, the Ropers' move into a posh residential area ( 'all B.B.C.-2 and musical toilet rolls', according to George ), and find themselves living next door to snobbish estate agent Jeffrey Fourmile, his wife Ann and their son Tristram. George is like the proverbial fish out of water. Somewhat unbelievably, he gets a job as a traffic warden.

The relationship between him and Mildred was much the same; she craves physical affection, and poor George isn't able to provide it. Much of the humour came from George constantly embarrassing his wife in public, such as the time he took a bath in the lounge just as Mildred brought home friends for tea. Like 'Terry & June', it was cosy, predictable stuff, but highly amusing. Mortimer and Cooke wrote every episode, meaning that there was no dip in quality ( as was the case with 'Robin's Nest' ) when new writers came aboard. The first season had a cracking theme by John Hawksworth but when it returned, Roger Webb supplied a bland tune which didn't suit the show at all. In much the same way that Yootha Joyce stole the show in 'House', little Nicholas Bond-Owen upstaged the adult performers as 'Tristram'. Enormously popular, the show racked up huge ratings even on its repeats. Sadly, Yootha Joyce died before a final series could be recorded.

This series was a huge success in Spain in the early 80s, following the equal success of Man About The House. Then it was screened again on Saturday nights in 1989, and at my family home we all loved it. I have been able now to see it again last month, and I laughed my head off. I managed to get also the first four episodes of Man About The House, but sadly I didn't find it half as funny as G&M. The lovable Yoota Joyce was a formidable comedian, the way she scolds George, flirts with Fourmile and sends Jerry off (a wonderful role by the great bumbling idiot Roy Kinnear). The kid steals every scene he is in with his direct and uncomfortable questions to his parents about where babies come from, the Tories, the working class... Boy, I laughed so much with him. He is too smart for his years. And Norman Eshley as the snobbish ass Fourmile -no wonder, with a name like that- always hating the sight of George: "Good lord! He is vulgar, dirty, scratches himself, picks his nose, belches and can't speak properly!" And the kid says with a smirk "He is working-class, and bloody proud of it". That line was pure gold. And my other favourite character and another great scene stealer is Mildred's posh sister Ethel. "We were just passing by in our brand new XJ6... our brand new MG... look at my brand new vicuna coat, dear... my brand new diamond ring..." and on and on and on, always showing off. It is a pity that Yoota Joyce died after the fifth season, because G&M could have enjoyed a few more years of brilliant success.

Very good comedy actors that do their job very well. Many of the individual scenes are funny.

However, the story lines are very predictable. You can normally guess how the story will develop or end in, about 5 or 10 minutes into episode, which was typical of ITV sitcoms churned out during this time, which were normally second division to those produced by the BBC. I feel sorry for the actors having to act out such weak storylines.

Surprised this went as far as a 5th Series, and probably more if Yootha Joyce had not died in 1980. Nevertheless decent enough period 70s comedy to watch.

One of the best British sitcoms of the 70 s and I still enjoy watching it now as I did back then