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IMDbPro
Xala (1975)

Metacritic reviews

Xala

80

Metascore

11 reviews · Provided by Metacritic.com
  • 100
    Slant MagazineEd Gonzalez
    Slant MagazineEd Gonzalez
    Widely regarded as Ousmane Sembène’s finest achievement, Xala is a cutting morality tale that equally blames the corruption of Senegal’s sociopolitical environment on Euro-centricity and African auto-destruction.
  • 100
    EmpireDavid Parkinson
    EmpireDavid Parkinson
    This is not just a treatise on post-colonialism and class. Sembène boldly uses his female characters to comment on Senegal's chauvinist patriarchy.
  • 90
    The New York Times
    The New York Times
    It is part fable and part satire, but it is much more: with the greatest fineness and delicacy, Mr. Sembene, the Senegalese writer and director who made this picture, has set out a portrait of the complex and conflicting mesh of traditions, aspirations and frustrations of a culture knocked askew by colonialism and distorting itself anew while climbing out.
  • 90
    NewsweekJack Kroll
    NewsweekJack Kroll
    The actors are wonderful, especially the women who play El Hadji's first two wives - ladies of magisterial personality, social shrewdness and sexual pride. The wedding sequence in Xala makes the one in "Godfather I" look like a wedding party at McDonald's. This allegory of impotence in the body politic shows Sembene on his way to becoming an African Moliere. [13 Oct 1975]
  • 80
    The New YorkerRichard Brody
    The New YorkerRichard Brody
    Sembène depicts a corrupt system that replaced white dictators and profiteers with black ones; the symbolic ending, a glimmer of revolutionary hope, is as gratifying as it is implausible.
  • 80
    Time Out
    Time Out
    The jokes and details are delightful, yet there's real anger behind them, and it bursts spectacularly into view in the concluding frames.
  • 80
    The Guardian
    The Guardian
    Xala means sexual impotence, and the film, culled from his own novel, is a brilliantly funny, ironic satire about post-colonial Senegal. [21 Dec 2000, p.13]
  • 75
    Chicago Sun-TimesRoger Ebert
    Chicago Sun-TimesRoger Ebert
    Despite the rather washed-out color photography it's very much worth seeing.
  • 70
    Los Angeles TimesKenneth Turan
    Los Angeles TimesKenneth Turan
    Another indictment of pervasive corruption and perhaps Sembene's most celebrated film, it was heavily censored in Senegal on its release in 1974 and it is not difficult to see why. [01 Jan 1995, p.30]
  • 63
    Washington PostGary Arnold
    Washington PostGary Arnold
    The major problem with the film is that the exposition is not nearly as clever as the premise. After warming to the idea behind the movie, one tends to cool off as it trudges toward a resolution.
  • See all 11 reviews on Metacritic.com
  • See all external reviews for Xala

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