Un homme voit rouge

This film came out just two years after "Skyjacked," the first movie made about skyjacking. Most hijacking of airplanes before this were for one of two reasons – to extort money from the airlines, or to flee somewhere for political asylum. "The Terrorists" is the first movie made about organized terrorists taking over a plane. And it surely wasn't the last.

What is very good about this film is that it shows how security personnel handle the situation. It's new to all the characters in this film. Sean Connery plays the head of Scandinavian security, Co. Nils Tahlvik. While the movie uses the general term Scandinavian for the region, the event takes place in Norway, most likely Oslo. All the actors play their roles very well. The plot is complicated, and the script and direction handle it very well, so the audience is never lost about what is taking place.

The scenery and aerial photography are excellent. The flight into Russia with the buzzing and then escort by the Soviet-looking jets is most impressive. Even though the details are clear to the audience, the story has wonderful suspense as we see Tahlvik and the other characters go through their actions to meet deadlines. Connery's character also exclaims that to surrender to terrorists is to open to door to more and more terrorism. His purpose is to try to thwart the terrorists.

This is a nice film, filled with drama and suspense. There isn't a lot of action until the end. But, it is a good look at how government and security forces try to deal with terrorists and skyjackings.

"The Terrorists" has one subtle "message" of sorts. It takes a cynical stab at British government that will not arrest some criminals because they can be of use to them. The message is, that because they do that, it comes back to hurt innocent people. Connery's character insists that the law be followed, or anarchy will rule.

Terrorists have seized the British ambassador (Robert Harris) to an unnamed Scandinavian country, and are counting on an associate named Petrie (Ian McShane), who's commandeered a jet, to get them to safety. The main character standing in their way is no-nonsense security chief Colonel Nils Tahlvik (Sean Connery). The passengers on the jet have cause to be concerned, as Tahlvik is not willing to play the terrorists' game. He's going to try to foil them, no matter what it takes.

Although a somewhat forgotten thriller 43 years later, it's certainly still topical enough to have some resonance. It's not particularly *exciting*, or exceptional in any way, but it tells an okay story in capable fashion. Its main asset is its forward momentum, as it races towards the finish line with no filler to speak of, and wraps up in just under an hour and a half. The excellent soundtrack by the always reliable Jerry Goldsmith is a big help in keeping it watchable. It gets off to a grand start with a couple of satisfying explosions, and delivers some twists along the way. It was largely filmed on location in Norway (the wintry atmosphere is most enjoyable), with interiors done at Britains' famed Shepperton Studios.

This viewer wouldn't necessarily consider the performances of Connery and McShane to be "indifferent". Yes, they've been better before and since, but the scenario does benefit from their presence and professionalism. The cast is mostly (and obviously) British, even in some of the Scandinavian roles, and they get the job done adequately.

Largely routine, and forgettable, but entertaining to watch.

Six out of 10.

In a Scandinavian country, -name given to the three countries of Norway, Denmark and Sweden- , there a national security chief Colonel called Tahlvik (Sean Connery) is tasked to rescue the passengers of a high-jacked British airliner , only to discover that all is not what it seems . The gang of hijackers is led by Ray Petrie (Ian McShane) who seize the British plane as it is landing in Scandinavia . Meanwhile , the British Ambassador is being held hostage at his Embassy by another terrorist team. Skyjack , kidnap : A time-bomb of suspense has started ticking. Two nations are being held for ransom and... Sean Connery is the agent who takes on The Terrorists . Connery Won't Pay Ransom .Hijackers. Kidnappers. Killers. Only one man can stop them.

The action is set in Scandinavia and it concerns two terrorist events : the hijack of a passenger plane on the tarmac of a nearby airport and the kidnap of the British Ambassador whose Embassy residence has been seized by a second group of terrorists . A simple and modest thriller in the same mould as ¨The Intercine Project¨ by Ken Hughes and others at the time , which seems similarly intent on dealing with issues of contemporary relevance as grisly ¨Terrorism¨ during the violent 70s ; however all roles and events in this film are fictitious and any similarity to actual events or persons living or dead is purely coincidental . Generic title betrays its poor as well as sloppy execution . Some stock roles and formula dialogue don't help either . It turns into a straightforward , pretty enjoyable , but slow-moving and complex thriller . It results in a twisted kidnapping movie , being a decent story but middlingly adapted , if somewhat implausible terrorism tale . The movie gains in weight thanks to its typical implications and plot twists . All in all , a neat and unpretentious intrigue movie that offers more food for thought than most such unshamedly commercial movies . Although director Wrede and his cameraman Sven Nykvist are more than compelling , the film nevertheless has a distinct air of triviality due mainly to the made-for-TV ethos that seems to surround the whole production . Sean Connery gives an a decent acting as tough , law and order , Military Police Chief Colonel Tahlvik assigned to rescue the plane and its passengers but he must also deal with several problems . Just like he was a Scottish Lithuanian subcommander in ¨The hunt for Red October¨ (1990) , here Sean is a Scottish Norwegian Securirity Chief . He is very well accompanied by Ian McShane , a veteran actor still working . And a good but unknown support cast , such as : Isabel Dean , John Quentin , Robert Harris , James Maxwell , John Cording, Christopher Ellison , and other Norwegian local actors dubbed with familiar sounding British voice-over players credited at the closing credits , among others.

Good photography by Sven Nykvist , Woody Allen and Ingmar Bergman's ordinary cameraman , being shot on location in Norway , and breathtaking musical score by Jerry Goldsmith are wasted . The motion picture was professional but regularly directed by Caspar Wrede . He was a director , writer , and producer, usually for TV , known for One Day in the Life of Ivan Denisovich , The Barber of Stamford Hill , The New Inferno , No No ,No ¡ , Private Potter (1962), ITV Play of the Week (1955) and BBC Sunday-Night Theatre (1950) . Wrede was married to actress Dilys Hamlett and he had short but prestigious career . Rating : 5.5/10 . Acceptable and passable .

Sean Connery plays Scandanavian military police chief Nils Tahlvik, assigned to deal with a high jacked British plane that has landed at their airport. The terrorists make various demands that Tahlvik must meet if he wants to save the plane filled with passengers...

Undistinguished yarn has little going for it other than Sean Connery's commanding performance, and a surprise twist at the end that perhaps doesn't bear close scrutiny.... Regardless, though not at all bad, it contains little to make it memorable.

With all respect to Mr. Connery, were films like this and "Zardoz" worth giving up playing James Bond?

I cannot believe the negative comments I am reading here. This is a complex, atmospheric and well-acted thriller, which fully captures the 1970s atmosphere of European terrorism, fashion and mannerisms.

The photography is stunning of the Norwegian snowbound landscapes, and Sean Connery gives one of his best performances.

And to cap it all there is a great - and I mean GREAT score by Jerry Goldsmith, one of this best.

Check the scene of the plane chase through the mountains, also the stylish montage of scenes involving London being struck by terrorism in the opening credits and the way the photofit of the terrorist leader gradually appears.

Goldsmith's score is so good, it is worth watching for that alone!