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6.9/10
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A hard-drinking but hard-working gun shearer leads a group of Outback sheep herders into striking after wealthy landowners attempt to drive them from their territory.A hard-drinking but hard-working gun shearer leads a group of Outback sheep herders into striking after wealthy landowners attempt to drive them from their territory.A hard-drinking but hard-working gun shearer leads a group of Outback sheep herders into striking after wealthy landowners attempt to drive them from their territory.
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Tony Clay
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9Nua
A delightful Australian film produced in the 1970's that captures the true essence of the Australian character and Australian bush in the 1950's. This is an unashamedly "male" film that results in the cry "Ducks on the Pond" when female's venture into their domain.
Sunday Too Far Away is almost a documentary of one 1955 shearing run in outback South Australia. Minor events like the coming and going of the first Chef become immensely interesting when viewed through the lives of these characters.
If you are interested in Australian film, this one is not to be missed.
Sunday Too Far Away is almost a documentary of one 1955 shearing run in outback South Australia. Minor events like the coming and going of the first Chef become immensely interesting when viewed through the lives of these characters.
If you are interested in Australian film, this one is not to be missed.
Sunday Too Far Away (STFA) is one of those movies that all but disappeared on its initial release in the UK during the late 70s in spite of the late resurgence of Aussie films at that time which included Picnic At Hanging Rock.
STFA is hard, tough & grim movie, set on a sheep shearing farming community in the Australian Outback. The little town is dependant on sheep to keep their bleak economy ticking over but when for the men who have to spend 9 or 10 hours a day in back-breaking conditions shearing the sheep life is tough and the money relatively poor.
So when the leader of the shearing gang, Foley (a truly brilliant performance by the much underrated Jack Thomson) demands a pay increase for his team the owners try to bring in scab labour from out of town, which only causes friction amongst the shearing crews, the owners and the townspeople.
So that's the story, but what is so marvellous about the film is the conditions the men have to work in; that they have to compete with each other with scoreboards kept on display so that rivals can see who has shorn how many sheep per day. Foley is the Sheep King but he has to fight to retain the crown with up & coming farmers ready to take it from him.
And then once their work is finished there's very little left for them to do apart from drinking beer in the bar or sitting out in the shade swatting flies and talking about women or a better life.
It truly is a bleak suffocating film, especially with the hot sun & the stifling heat the men work under. Just watching the movie made me feel clammy & tense. And yet the movie is excellent on all levels, not only with the routine storyline, but also with the characters and the cinematography.
Director, Ken Hannam, does a superb job moving the film the along at either a very lethargic pace (to suit the mood & feel at the time) or he steps up a gear when the men are at their work shearing the bemused sheep.
With this kind of simple storyline you'd be forgiven for thinking it could ever be interesting. But think again because this is the old Australia where life was tough in the Outback.
I recommend it highly.
****/*****
STFA is hard, tough & grim movie, set on a sheep shearing farming community in the Australian Outback. The little town is dependant on sheep to keep their bleak economy ticking over but when for the men who have to spend 9 or 10 hours a day in back-breaking conditions shearing the sheep life is tough and the money relatively poor.
So when the leader of the shearing gang, Foley (a truly brilliant performance by the much underrated Jack Thomson) demands a pay increase for his team the owners try to bring in scab labour from out of town, which only causes friction amongst the shearing crews, the owners and the townspeople.
So that's the story, but what is so marvellous about the film is the conditions the men have to work in; that they have to compete with each other with scoreboards kept on display so that rivals can see who has shorn how many sheep per day. Foley is the Sheep King but he has to fight to retain the crown with up & coming farmers ready to take it from him.
And then once their work is finished there's very little left for them to do apart from drinking beer in the bar or sitting out in the shade swatting flies and talking about women or a better life.
It truly is a bleak suffocating film, especially with the hot sun & the stifling heat the men work under. Just watching the movie made me feel clammy & tense. And yet the movie is excellent on all levels, not only with the routine storyline, but also with the characters and the cinematography.
Director, Ken Hannam, does a superb job moving the film the along at either a very lethargic pace (to suit the mood & feel at the time) or he steps up a gear when the men are at their work shearing the bemused sheep.
With this kind of simple storyline you'd be forgiven for thinking it could ever be interesting. But think again because this is the old Australia where life was tough in the Outback.
I recommend it highly.
****/*****
This movie would definitely make my personal top ten. Along with "The Odd Angry Shot", "The Club", and "Newsfront" this is one of the highlights of that golden age of Aussie movies made in the mid 70s to the mid 80's.
Jack Thompson is magnificent as the chief shearer (I think the technical term is "Ringer") of an itinerant gang of shearers who arrive at sheep station to work. The wonderful photography captures the heat and dust of the landscape as well as the harsh living and working conditions.
The main dramatic event in the movie centres around a strike by the shearers and the owners attempts to break it using scab labour. In this aspect it gives a nod to the political agenda portrayed in "Newsfront". There are some great character roles by minor players, the sub plot involving the awful cook is a little gem. Which pretty much sums up the film, not a major epic or Hollywood rubbish, just a good honest well made movie that bears repeated viewing.
Jack Thompson is magnificent as the chief shearer (I think the technical term is "Ringer") of an itinerant gang of shearers who arrive at sheep station to work. The wonderful photography captures the heat and dust of the landscape as well as the harsh living and working conditions.
The main dramatic event in the movie centres around a strike by the shearers and the owners attempts to break it using scab labour. In this aspect it gives a nod to the political agenda portrayed in "Newsfront". There are some great character roles by minor players, the sub plot involving the awful cook is a little gem. Which pretty much sums up the film, not a major epic or Hollywood rubbish, just a good honest well made movie that bears repeated viewing.
I am glad that I can sometimes revisit Australia as it once was through films like "Sunday Too Far Away" and "Newsfront". At the time of their making, we still had the faces and voices that rang true to the 50's - 60's prior to the influence of television that forever changed the way we talk and even the way we walk. Jack Thompson and the rest of the male cast moved in the way Australian men and, in particular, shearers moved. Compare this with the cast of "Kokoda". As my mother commented, Australian men of the 1940's just didn't look so muscular or move with such rigidity. They were a Depression generation - wiry with a casual slouch born of being raised on lean rabbits and fish and hardships that knocked pretentiousness sideways.
However, "Sunday Too Far Away" is far more than a sentimental journey. It is a view of life that is at once tragic and humorous. It also has genuinely touching moments when seemingly hard and practical men display their concern for each other in an understated manner that is indicative of their rejection of overt displays of sentimentality. They all know that they are probably going to end up like old Garth if they remain shearers. "That's shearing for you, Foley" says Garth as he muses about the fact that he has hardly seen his wife and son for over 30 years. Garth's death is symbolic for all the shearers and their indignation at the undertaker not providing "the proper vehicle" to bear his body on his final journey reflects their insistence upon their dignity as shearers. As in the strike action, "it wasn't so much about the money as the bloody insult."
But I intellectualize too much. I love this film for many reasons but most of all because it could have been made for people like me in mind. It is about yarns that my uncles told and characters who were like my father who had been a "rousie" on a shearing floor after leaving school at the end of year eight even though he had been the dux! Times were such that work was valued above all else - life was work.
In the 1980's, I once rented a farmhouse when I taught in rural Australia. One of the conditions of my tenancy was that shearers would share the house in the shearing season. These shearers were tough, smelled of lanolin no matter how they washed and ate mountains of food all cooked up in a giant iron skillet. And they argued about everything - who was a gun and who was not, which cocky had treated them the worst, which type of sheep were the easiest to shear. However, when I asked them about the authenticity of "Sunday Too Far Away", they always agreed that it was the best evocation of the life of a shearer they had ever seen - praise indeed for the film.(Not that they would have used the word "evocation")
However, "Sunday Too Far Away" is far more than a sentimental journey. It is a view of life that is at once tragic and humorous. It also has genuinely touching moments when seemingly hard and practical men display their concern for each other in an understated manner that is indicative of their rejection of overt displays of sentimentality. They all know that they are probably going to end up like old Garth if they remain shearers. "That's shearing for you, Foley" says Garth as he muses about the fact that he has hardly seen his wife and son for over 30 years. Garth's death is symbolic for all the shearers and their indignation at the undertaker not providing "the proper vehicle" to bear his body on his final journey reflects their insistence upon their dignity as shearers. As in the strike action, "it wasn't so much about the money as the bloody insult."
But I intellectualize too much. I love this film for many reasons but most of all because it could have been made for people like me in mind. It is about yarns that my uncles told and characters who were like my father who had been a "rousie" on a shearing floor after leaving school at the end of year eight even though he had been the dux! Times were such that work was valued above all else - life was work.
In the 1980's, I once rented a farmhouse when I taught in rural Australia. One of the conditions of my tenancy was that shearers would share the house in the shearing season. These shearers were tough, smelled of lanolin no matter how they washed and ate mountains of food all cooked up in a giant iron skillet. And they argued about everything - who was a gun and who was not, which cocky had treated them the worst, which type of sheep were the easiest to shear. However, when I asked them about the authenticity of "Sunday Too Far Away", they always agreed that it was the best evocation of the life of a shearer they had ever seen - praise indeed for the film.(Not that they would have used the word "evocation")
A great movie reflecting the the lead up to the Shearer's strike of 1955.
Jack Thompson leads a group of shearers ( not sheep hearders) and shows life on an outback station just before the 9 month long strike when the "prosperity bonus" was cancelled and shearers pay was cut.
A great movie, made for Australians, showing how Australia was once. Highly recommended
A great movie, made for Australians, showing how Australia was once. Highly recommended
Did you know
- TriviaA two-and-a-half (approximately 150 minute) version existed before its Sydney Film Festival Premiere. A two hour director's cut played at this Sydney Film Festival on 1 June 1975. The final release cut runs just over an hour and a half (94 minutes). Australian film historian, critic and curator Paul Brynes has said: "Thirty minutes of the original film were cut by producers, and some critics suggest the removal of important subplots might have diminished the story. The 'director's cut' has never been made available to the public."
- Alternate versionsA two hour director's cut played at the Sydney Film Festival, 1 June 1975.
- ConnectionsFeatured in The Making of 'Sunday' (1975)
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- Sunday Too Far Away
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- Budget
- A$271,000 (estimated)
- Runtime1 hour 34 minutes
- Sound mix
- Aspect ratio
- 1.78 : 1
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By what name was Dimanche, si loin de moi (1975) officially released in Canada in English?
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