Autant en emporte mon nunchaku

Sonny Chiba was mostly a cult star for years until he appeared in Quentin Tarantino's "Kill Bill" as a sword-maker (I'd never heard of him until then). Of course, fans of martial arts movies knew Chiba for movies like "Gekitotsu! Satsujin Ken" (called "The Streetfighter" in English).

Without a doubt, the 1970s were known for martial arts movies -- along with disco -- and this movie is a prime example. Chiba plays Takuma Tsurugi (called Terry in the English dubbing), a martial arts master who has to come to the rescue of a kidnapped heiress. That's the official plot, but there can be no doubt that the flick's main purpose is to show off every imaginable move, with some scenes slowed up just so that you can see the action. I wouldn't put the movie in the same class as "Enter the Dragon", but even so, it's some of the most fun that you can have watching a movie. I hope that Sonny Chiba gets to appear in more movies!

The Streetfighter remains one of the defining films of the Japanese martial arts, "grindhouse", "chop-socky" era from the 1970s. It's one of the titles that made Sonny Chiba famous and features really impressive high-level karate.

But the film isn't light-hearted, nor is it made humorous by its dub (as is the case with the contemporary Shaw Bros. films of the time). It is violent, gritty, misogynistic, and a bit racist. It explores gritty underworld elements: drug trafficking, sex slavery, contract killing, etc.

The plot revolves around Terry, an underground mercenary in modern Japan, who is forced into a life of crime (presumably) for being half-Chinese in a racist, conservative society. He is offered a job to rescue a wealthy oil baron's daughter-heiress after she is kidnapped by Yakuza. The way the events transpire and the plot develops is actually pretty solid for a "B" movie, and here Street Fighter stands far above its sequels or genre contemporaries.

Terry as a character is complex and depressing. He is angry and violent and completely unsympathetic to others, but he is the one we are supposed to connect with. Many people who cross his path are perhaps more upstanding people but are killed either because they are in the way of his contract jobs or because they are not as equally driven by hatred.

Sure, maybe it's a character study or a commentary on Japanese society in post-World War II. But that's only in hind-sight and even if so, it's just icing. The premise of the movie is to create a situation for Sonny Chiba to kill a bunch of violent criminals while on commission. But this is okay, because the acting is good, the martial arts are real good, the music is catchy funk-inspired rock and enka from the '70s, and the plot maintains your attention throughout.

God, this film is so cool. From the opening scene where Chiba tells his most recent adversary "You'll be unconscious soon through lack of oxygen- its an ancient technique", to the infamous final battle on a stormy night- this is a movie and a half. Classic 70s waow waow music, horribly wonderful dialogue and about 20 rewind moments, this deserves Tarantino's praise. A great time. Return Of The Street Fighter is less sucessful though, so only for the hardcore fans.

Streetfighter is a show case for the karate talents of Sonny Chiba. Chiba plays Terry Tsurugi, a man who was orphaned when his Japanese father was executed in China during World War II. Terry is now back in Japan and kicking ass for a living. He's the best of the best in Japan and is hired to help get a criminal on death row out of prison. He manages to do this using an ancient technique (yeah, I know, they all use some ancient technique). Sonny then ends up killing the guy's brother due to an argument over payment and getting his sister sold into prostitution.

After this Sonny is propositioned by the Yakuza to kidnap a girl who is an oil heiress. Sonny jumps sides and starts working for her protectors after a show down with her uncle, the leader of a karate school. This flick is packed with violence galore. Sonny does some pretty cool stuff, and amazingly, the whole plot manages to come together at the end. There are also a few one liners that are pretty cool.

This is the flick that made me a Sonny Chiba fan.

It's not the best martial arts film ever made, (that title, in my opinion, belongs to Enter The Dragon) but it definitely holds its own, especially when you compare it to the millions of crappy, overdubbed Kung Fu movies out there. What I liked best about the film was Tsurugi's in-it-for-the-money attitude. Aside from maybe Ratnose (did anyone else detect the slightest hint of sexual tension between Rat & Terry, or am I crazy?), Tsurugi cares about no one. He is, after all, "a number one man!" I know this bad anti-hero thing has been done to death, but Sonny Chiba is the best at what he does: whuppin' ass & lookin' cool.

The thing I didn't care too much for was Tsurugi's seeming ability to teleport wherever he needed to go. (Hong Kong! Tokyo! Jupiter!) Other than that minor inconsistency (remember, inconsistency is what makes a movie good, sometimes) I enjoyed this movie.