Autant en emporte mon nunchaku

Sonny Chiba was mostly a cult star for years until he appeared in Quentin Tarantino's "Kill Bill" as a sword-maker (I'd never heard of him until then). Of course, fans of martial arts movies knew Chiba for movies like "Gekitotsu! Satsujin Ken" (called "The Streetfighter" in English).

Without a doubt, the 1970s were known for martial arts movies -- along with disco -- and this movie is a prime example. Chiba plays Takuma Tsurugi (called Terry in the English dubbing), a martial arts master who has to come to the rescue of a kidnapped heiress. That's the official plot, but there can be no doubt that the flick's main purpose is to show off every imaginable move, with some scenes slowed up just so that you can see the action. I wouldn't put the movie in the same class as "Enter the Dragon", but even so, it's some of the most fun that you can have watching a movie. I hope that Sonny Chiba gets to appear in more movies!

Streetfighter is a show case for the karate talents of Sonny Chiba. Chiba plays Terry Tsurugi, a man who was orphaned when his Japanese father was executed in China during World War II. Terry is now back in Japan and kicking ass for a living. He's the best of the best in Japan and is hired to help get a criminal on death row out of prison. He manages to do this using an ancient technique (yeah, I know, they all use some ancient technique). Sonny then ends up killing the guy's brother due to an argument over payment and getting his sister sold into prostitution.

After this Sonny is propositioned by the Yakuza to kidnap a girl who is an oil heiress. Sonny jumps sides and starts working for her protectors after a show down with her uncle, the leader of a karate school. This flick is packed with violence galore. Sonny does some pretty cool stuff, and amazingly, the whole plot manages to come together at the end. There are also a few one liners that are pretty cool.

This is the flick that made me a Sonny Chiba fan.

It's not the best martial arts film ever made, (that title, in my opinion, belongs to Enter The Dragon) but it definitely holds its own, especially when you compare it to the millions of crappy, overdubbed Kung Fu movies out there. What I liked best about the film was Tsurugi's in-it-for-the-money attitude. Aside from maybe Ratnose (did anyone else detect the slightest hint of sexual tension between Rat & Terry, or am I crazy?), Tsurugi cares about no one. He is, after all, "a number one man!" I know this bad anti-hero thing has been done to death, but Sonny Chiba is the best at what he does: whuppin' ass & lookin' cool.

The thing I didn't care too much for was Tsurugi's seeming ability to teleport wherever he needed to go. (Hong Kong! Tokyo! Jupiter!) Other than that minor inconsistency (remember, inconsistency is what makes a movie good, sometimes) I enjoyed this movie.

Remember during the height of the martial arts movie boom (roughly 1973-1976) the reputation that chopsocky films had for being replete with misery, violence, gore and degradation of the human spirit? Well, most films in the genre didn't live up to the hype at all. THE STREETFIGHTER, however, set the standard for onscreen insanity, was originally rated X for violence, and has yet to be equalled (well...maybe THE STORY OF RIKI) for sheer, nasty entertainment value.

Sonny Chiba stars as Terry Tsurugi, an utterly amoral b**tard who is absolutely the last guy you would ever want to face in combat. Bruce Lee's characters had the common decency to simply kill you and move on, whereas Tsurugi would make his punishment of an opponent extremely personal, down to the point of tearing off pieces of their bodies. His fighting style is graceless but effective, and a lot easier for any of us who strove to match the grace of Bruce to appreciate. If you want to see ass-whuppin' administered with balletic grace and artistry, do not see this film. If you want to see a guy mercilessly whip truckloads of ass, then this is the movie for you!

In a nutshell: Terry tsurugi is a badass-for-hire who will take on any job if his price is met. Plotline #1 has Terry rescuing convicted karate murderer Junjo from his date with the hangman. When Terry relocates Junjo to Hong Kong so the Japanese police won't find him, Junjo's brother and sister show up and tell Terry that they can't afford to pay him the rest of the money they owe for their brother's escape. Tragedy results that will make Junjo Terry's bitterest enemy and will eventually see them in a final showdown where only one will survive.Plotline #2 sees Terry volunteering to bodyguard the heiress to an oil fortune who is being pressured by the Yakuza. Her uncle happens to be a Karate master who is the only man alive that Tsurugi respects, and by working for him, Terry makes an attempt at redeeming himself as a human being (well, sort of...). Terry tries to stay one step ahead of the Yakuza, and his efforts culminate in a literal bloodbath where he takes on about thirty goons and puts much foot to ass.

The two plotlines overlap wildly and the ass-whuppin' set-pieces are loads of violent fun. Chiba's intense performance is unlike any other character in the history of the genre. Mean, violent and downright reprehensible, THE STREETFIGHTER is a unique milestone in the martial arts movie genre. HIGHEST RECOMMENDATION.

Synopsis: Terry Tsurugi (the great Sonny Chiba) is a martial arts master who uses his abundant talents as a mercenary gun-for-hire. Terry is brought in by the Yakuza to kidnap the daughter and sole heir of a recently deceased uber-rich oil tycoon. But when the mafia can't meet the monetary composition that Terry asks for they attempt to keep their plot secret by offing Terry. What a momentous mistake on their part.

Thoughts: Sonny Chiba's "The Street Fighter" is considered a classic in the martial arts genre. I certainly won't disagree with that since the film is a solid action flick with serious energy. The English dubbing is awful (as always) but does lend itself to the entertainment. The action scenes are shot and staged masterfully and Chiba kicks the baddies from one side of the screen to the next. There are a few tired clichés (the smart-alec sidekick who becomes more of a hindrance than anything) but the overall end result is very entertaining.