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The pejorative insult to someone a bit gay at school in my day was calling them Quentin. I suppose that was a sign that Quentin Crisp had made it big into the national consciousness.

I actually have vague memories of watching some of The Naked Civil Servant when it was first broadcast. I was far too young to understand what it was all about.

There was so much ballyhoo about the show. That my parents must have switched it on to watch and were presumably appalled at what was being broadcast.

Quentin Crisp himself appears in the introduction and the end to this television movie made for ITV. It features a tour de force performance from John Hurt as Quentin Crisp. It is a brave bravura acting performance, totally unflinching. If the film was released for the cinema he would had got an Oscar nomination.

It is the story of Quentin Crisp from his time as an effeminate young man in the 1930s right until he enters middle age after World War 2. A flamboyant gay man who had to frequent the underground gay scene in London. On his tail were queer bashers and the police.

Quentin Crisp was open about the beatings he regularly received and the harassment he got from the police.

There is something Oscar Wilde about Crisp, his open pomp and glitz. The film has despite its serious undercurrents a lot of humour and cheekiness.

Almost life affirming, a man who knows he is different and will not shy away from his real self. Despite the criticisms and the violence he encountered.

Directed by Jack Gold it was moves along at a quick pace with plenty of quirky characters that Crisp encounters in his life. There is an element of fantasy about the production as well as brutal realism. Crisp recalls a happy moment on his life when he meets a group of sailors in Portsmouth. It is done in dazzling manner in a sound stage.

I had a copy of this film back in the early 80s, it's long gone, but I'll never forget its power. I'm not a homosexual, nor had I ever heard of Quentin Crisp before, but watching the film, I was very impressed by his determination to stand up for his God-given right to be himself, whatever that "self" might be. I didn't see it so much as a proclamation of his homosexuality, but rather, an individual determined to live life on his own terms, rather than kowtow to the wants of society. To this fact I strongly relate. Crisp was a man who faced the ostracism of society head-on, and soldiered on through in spite of it. And for that I admire him strongly. After watching the film, I quietly said "Thank You" to Crisp for his forthrightness and honesty.

John Hurt's portrayal of Crisp was absolutely magnificent, and I've been a fan of his ever since. He's the most versatile actor of his generation, having played everyone from Jesus Christ in "History of the World part 1" to the guy in "Alien" who has the little monster jump out of his body to the inimitable Quentin Crisp in this film! However, some of his films are hard to find, given that he's not a household word name as an actor. Too Bad, He's among the best!

This was broadcast on American TV (with absolutely no fanfare) on one summer night in the late 1970s. I was just idly switching channels and started watching by accident. It's a movie about Quentin Crisp--a gay man who came out in the 1920s. He introduces the film and then it starts--done in documentary style it traces his life. The first image is of him as a young boy dressed in woman's clothes admiring himself in the mirror. I've never had a desire to wear women's clothes, but being a closeted high school kid when I saw this it had QUITE an effect on me.

The film follows his life, how he found others like him and his fame and fortune. It doesn't sugarcoat things--he comes across as vain and pompous sometimes and he is very brutally threatened in one scene. Still it shows how he survived and lived life on his terms. It was liberating--for me at least. Remember--this was the era when "Boys in the Band" was considered an accurate representation of gay life!

This was WAY ahead of its time--for TV. I'm shocked that it was even SHOWN on American TV (albeit VERY quietly--and late at night). John Hurt is superb in the title role--he sounds, looks and acts like Crisp did! An excellent TV movie--still relevant today and beautifully done. A 10 all the way.

"Do you intend to spend your entire life admiring yourself?" "If I possibly can." Oh Quentin, you came and you gave without taking. Unless he was taking the michael, which he did, you know, from time to time, in the most wonderfully poised and self-effacing manner. It's not hard to see why this was voted number 4 in the BFI's TV 100 poll: in two words, John Hurt - giving the Bafta-winning performance of his career as the "stately homo of England", enduring the catcalls, pratfalls and furtive dalliances which were the staples of gay life during the pre-and-and-post War years - virtually another planet compared with today's (allegedly) more tolerant society. The legal alien is terribly missed.

In 1976, at 24 I thought I knew enough about gay men, but I was not aware of flamboyant male homosexuality. It can be difficult to watch the beginning of the film if you're like I was and never saw such behavior, but if you stay with it, it pays off big in very touching ways--and not only with regard to homosexuality but to living life in general. This film teaches you about yourself as good art always does. Note: Quentin Crisp (the main character) plays the part of Queen Elizabeth I in a film called "Orlando." And another movie that might be good to introduce someone to male homosexuality is "The Sum of Us" with Russell Crowe, though that film is more lighthearted and sweet than "The Naked Civil Servant."

The Naked Civil Servant is a TV film based on famous gay wit Quentin Crisp's autobiography. John Hurt gives a characteristically committed, outstanding performance. His Crisp is both a bon vivant and a serious, determined man who, underneath his outrageously camp exterior, is anything but frivolous, flamboyantly using his wit and dress like weapons as a defence to the repressive, smug and specious attacks from the mainstream English establishment and society, which regards his sexuality as criminal and deviant.

Hurt's Quentin Crisp is an unlikely crusader, made appealing not only by his inspiring moral force in facing prejudice, abuse and rejection with honesty, courage and an uproarious sense of humour, but by the fact that he never loses his belief in humanity, living his life undaunted and surrounded by friends who he treats with warmth and compassion.

Jack Gold's direction is wonderfully theatrical and so suited to Crisp's eccentric world, and the dialogue is incandescent. Nevertheless, the film's narrative, as it ranges over Crisp's long life, is episodic and at times sketchy. Also unnecessarily, Quentin Crisp himself appears in a sort of preface at the beginning of the film.

Long before it was fashionable to come out of the closet, Englishman Quentin Crisp did so. He was rather effeminate, also wearing make up which made him stand out even more.

This is his fascinating story, marvelously portrayed by John Hurt.

(P.S. The queenly Quentin plays the kingly Queen Elizabeth I in the movie "Orlando")

It is only since my journey of discovery, watching and reviewing films, that has recently begun that I have found out just how amazing John Hurt is as an actor. Of course I knew it to be true, because I had been told it was so, but the only real experience I can think I'd had was his appearance in Doctor Who, so having now watched The Elephant Man and this absolute beaut of a story I can now say for my self that the man is outstanding. It helped of course that he was surrounded by other fantastic actors including John Rhys-Davies, who I actually quite fancied in this one. He'd never interested me that way as Gimli the Dwarf to be sure.

It is a tale of Quentin Crisp's life up until about 1975 and I think it was probably the forerunner for all other LGBTQRSTUVWXYZ films that followed and I think all of us from that community can probably recognise something of ourselves in his determination not to be pushed down and incorrectly classed as having a psychological sexual perversion. Although some of us, don't do the make up and hair dye thing, his spirit was that of mine as a younger man. Thank God for the likes of him leading the way to make it easier for me, although there is still a way to go, for me and the world.

A great tale and very well put together. It is paced well and packed with interest. I wish I'd watched it sooner and look forward to getting hold of the sequel.

As someone who has recently entered early middle age there has been no doubt in my mind who has been the most consistent actor in my lifetime - John Hurt . He's not an actor who'd probably qualify as "Film Star" but has appeared in film , theatre and television and had always given a great performance where he steals every scene . When an actor dies I'm not the sort of person who seeks out the departed's resume by in the case of Hurt I have made an exception and watched his breakthrough role in THE NAKED CIVIL SERVANT as way of tribute

This is based on Quentin Crisp's autobiography . Now no matter your opinion of Crisp or homosexuality the ethos of the narrative is how a cruel , conformist society treats the outsider . As someone who was born in to an Edinburgh housing estate I grew up on a small Scottish Island . An urban lower working class prole growing up in a class conscious crushing environment . Society scorns "You're not one of us" and you're supposed to put up with that until your autopsy . Anyone who considers themselves to be an outsider can either sit there and take it or stick two fingers up at the world and declare "I am who I am" . It says a lot about Hurt that he elicits so much empathy or even sympathy from the audience

It should be remembered that THE NAKED CIVIL SERVANT was produced in 1975 . In those days THE BLACK AND WHY MINSTREL SHOW and LOVE THY NEIGHBOUR were massive television hits so homosexuality was treated as a subject of insensitive humour in much the same way as race relations were . In other words the homosexuality portrayed in 70s television is one of grotesque black comedy and one can see an Islington dinner party in 2017 being outraged by the portrayal of homosexuality seen here . There is nothing to be offended about and the only possible sin seen here is one of self parody , but it's done with such a sense of tongue in cheek fun it's impossible not to be carried along by it . This is mainly down to the lead actor , an actor whose greatest tour de force as an outsider would be in THE ELEPHANT MAN in 1980 and a role that was predated five years earlier by the one seen here . .

RIP John Hurt and thanks for all the great performances down the decades

Whilst every conceivable stereotype is played to the full in Thames T. V's The Naked Civil Servant one cannot but admire the sheer quality of the acting and production. It still looks great half a century later!

My major issue with it is because it was the first really BIG drama shown on a major network about gay men in 1975 all those stereotypes stuck.

After it aired my name became Quentin at senior school and it haunted me! My If you forgive the pun this drama is a fairytale. Crisp loving the attention feeding his own self loathing is not realistic. He's one dimensional. He's what heterosexual people think gay men are like, even to this day.

When I came out at Fifteen I was stunned to learn gay men didn't flounce around in full makeup and didn't have female hairstyles dyed bright red.

I think the Naked Civil Servant belongs in a museum.

I had the good fortune to meet the late Quentin Crisp several times. This film is a delightful and moving story of his evolution as a human being.

Like Oscar Wilde, he was the brunt of jokes and nasty stories because he dared to be himself -- and, to use his own word, a very "autre" self indeed. John Hurt does a wonderful job showing us the spirit of a man who didn't grovel to the conventions of society and dared to give the world a free spirit.

The ironic conclusion of the film is an observation by Crisp himself that the "autre" which was once his alone became the commonplace of the late 1960s and early 1970s.

This is an unusual film worth seeing for the performances as well as for its lessons in living. We are who we let ourselves be. We can be who we desire to be, or we can surrender to the drab molds of the society around us.

Certainly you've all heard how great this movie is, how it's ahead of its time and that it's one of John Hurt's greatest performances. I wholeheartedly agree, and I don't think I can say anything that hasn't been said already. This movie came to me as a kind of surprise, and I'm glad it did. I'd just discovered who John Hurt was (Oh my God, he was the chestburster guy in Alien!) and was doing research into his work. When I stumbled upon this film, after reading the synopsis, I was fairly certain I would at least like it a little. A movie about a real homosexual man's life, trying to make his way through it, at the mercy of the world, sounded interesting to me. This movie gave me so much more than I'd anticipated, thank goodness. First of all what drew me in was that it was based on the life of a real figure, Quentin Crisp. "Oh, that's pretty cool." After that, the sight of Hurt in long red hair and walking with a feminine gait really grabbed hold of me. Sure I found it kind of funny, and of course great, but my major thought was, "How brave must an actor be to display himself in this way to thousands of people, and make them believe it's real!" And of course, the silent-film style text slides on the screen provided several laughs: "Some roughs are really queer, and some queers are really rough". Taken in fully now, I paid close attention to his performance through the rest of the film. It was a phenomenal performance! I am constantly recommending this movie to friends and I love going back and seeing it again. I am all for equality, and this movie deals with it in an amazing way, from the standpoint of a person who never knew that his was a widespread mental state. His directness and bravery reminded me of how I wish I was: willing to stand up for anything I believe in and "tell it like it is"! Highly recommend it; just don't be afraid to shed a few tears. ;)

John Hurt is one of England's finest actors, and in his long career there are two performances that stand out: "The Elephant Man" which earned him an Oscar nomination, and "The Naked Civil Servant", which as a TV dramatisation could not.

Hurt plays the enigmatic Quentin Crisp to a tee. Unlike the vast majority of today's Western homosexuals, Crisp knew what he was and made no attempt either to fit in or to embrace the so-called gay culture. He realised the futility of the effeminate homosexual's search for what he called his great dark man, and in the end abandoned it. He died at the age of 90 after being celibate for half a century.

He was also a natural exhibitionist, so his accidental choice of career was fitting.

It remains to be seen how much licence has been taken either by Crisp himself – whose autobiography is called "The Naked Civil Servant" - or by the film makers, but certainly being an out homosexual in London from the 1920s to the 1950s was a different proposition from today, and there is no doubt he would have been queer-bashed from time to time.

Something else that has changed is the public perception of the police, a perception that on occasion finds its way to the bench. That being said, the court scene was the high point of this dramatisation.

This is my first movie review ever. But I felt I had to, after seeing the 8.0 score, which I felt was surprisingly low. (Oh, I do so hope that that comment does not conflict with the guidelines.)

I'm almost 70 years old and have been a long time ally of the LGBTQ+ community. Yet I only recently discovered Quentin Crisp...it was via a TV talk show interview with Tilda Swinton that led me to the movie Orlando, which led to Quentin and, of course, The Naked Civil Servant.

What a moving story of this brave man. Occasionally he comes across as pompous, but more importantly he was true to who he was at time when that was very difficult and even dangerous.

I gave it a 9 (rather then a 10) only because I don't know that any film can be perfect. Having said that, if I were to score just John Hurt's performance I'd be tempted to call it "Perfection". I must look into more of Hurt's work.

This has been a.favourite go-to LGBTQ movie of mine for many years now. I watched it again yesterday. Quentin Crisp had a very pessimistic approach to gay life and life in general, although he managed to couch this in humour, much of it self-deprecating. It's not surprising, since he dared to be different in a society that wasn't quite ready for him. Even in the LGBT hostile 1980s we would not have been labelled an invert or pervert or whatever if we used hair-dye! The movie adequately depicts how gay/gender-fluid people were up against it from all sides of society. It must've been a very lonely existence for him, even in the "more tolerant" 70s and beyond. He just learned to make a living out of those who would chuck him a peanut to dress up and say something queer. John Hurt's portrayal of him is OK, a little overdone perhaps. It seems that even offering a one night stand a cup of tea required an Olivier-esque dose of overacting. So in all, it's important for everyone, gay, straight, trans, whatever, to understand this period from the point of view of an LGBTQ person. This movie scrapes the surface of that experience in an entertaining way. Watch out for Phil Daniels aged 16, and Anna Wing, later Lou Beale of Eastenders.

This film is the autobiography of Quentin Crisp, a gay man living in the conservative times of 1920's to 1970's.

The story is simple but deep. It portrays It also portrays how people lived in fear and loneliness during those days. A particularly remarkable moment is that, after Quentin's friend is released from he mental institution, his friend pronounced his love for him. Quentin says something to the effect of "This is how lonely he is, and how low I can get". This little sentence means so much. Acting by John Hurt is excellent. This film is really quite remarkable, as homosexuality was still considered as a mental illness back in 1975.