After a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find t... Read allAfter a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find the killer before the body count increases.After a jet plane leaves New York en route to London, a note is found in the lounge with a message threatening to kill passengers. Soon, two passengers are killed. Captain Larkin must find the killer before the body count increases.
- Karen White
- (as Farrah Fawcett-Majors)
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This film is not about a "terrorist" as we think of them today. It was about one man, planning to kill another man, just a vendetta thing. The acting was awful, for the most part, but like I said, if you don't mind that-- the movie was worth $2.00. Obviously made for TV-- every twenty minutes there was a blackout for commercial insertion. And it was strange that the plane was carrying hundreds of passengers (according to the pilot), but we only saw about a dozen. From scene to scene, the number of extras would change. The cabin would be almost empty in one scene, then the next scene, there would be someone in every seat. Oh, well. It was fun. Not funny--- just fun.
But don't hate this movie because it's, well, bad; praise it for its badness. This is one of those movies that is good to watch because it's horribly done. The acting is horrible, the script is horrible, the story is horrible. The only thing that was done right was the casting, but, as we're seeing so much these days, a good cast can't save a movie. But a good sense of humor can. Which is why I give this movie a fairly high grade: if you enjoy pretending to be a sillouette in front of a giant movie screen, you'll like this movie.
As the film tepidly moves along, begging you to find the murderer among the passengers before anyone is actually murdered, you'll be treated to outrageous mid-70's fashion (brown is IN!), bizarre character backgrounds, and the hottest burgeoning romance this side of Harold and Maude, an elderly Jewish woman and an elderly Methodist known only as Uncle Charlie. "Ah...I know half the story already!" says the elderly woman slyly after Uncle Charlie introduces himself, and believe me, you will know every sundry detail of Uncle Charlie's hard knock life, even though it's probably better that you didn't.
You will see Sonny Bono sing, and you will realize why Cher was much better on her own. Robert Stack will make Bruce Willis in Die Hard look bad with his endless barrage of hard-boiled, sarcastic one-liners. But most of all, you will figure out who the murderer is, and you will be satisfied when they get their comeuppance.
No, there is no singing stewardess, no jive-talkers, no inflatable auto-pilot, no Leslie Neilsen. But unless you are unable to mock the earnest, but futile work of many to make a taut murder mystery shot almost entirely on a plane full of large, orange seats, you will like Murder on Flight 502. I promise.
This is probably most notable for a pre-Charlie's Angels performance from a very lovely Farrah Fawcett as a stewardess on a flight from New York to London that has a murderer on board. In some ways it's rather preposterous. There are far too many coincidences - far too many people in the First Class section who just happened to know each other and have grievances with each other. The intent was obviously to give a large stable of possible suspects to keep the viewer guessing. In some ways it didn't work. I had the murderer figured out pretty early, and if you didn't figure it out well before it was revealed then you missed something pretty obvious. Mind you, the same could be said for the plot twist involving Fawcett's character at the end, and that took me off guard. I also couldn't figure out why the man who tried to kill singer Jack Marshall (played by Sonny Bono) is never restrained, but ends up back in First Class with his wife as if nothing had happened - he just tried to kill a guy with a knife!
This was clearly made by Aaron Spelling as lightly entertaining TV mystery to keep people occupied for a couple of hours in front of their TV screens. With folks like Robert Stack, Walter Pidgeon, Danny Bonaduce, etc., it's pretty good fun. 6/10
The upstairs lounge of the plane is decorated in what appears to be outdoor patio furniture and during the course of the film, the scariest looking cheese and crackers fester along the back of the wall uneaten by these high-falutin' jet-setters who spout inane dialogue as the viewer tries to wade through the red herrings and Farrah's cocktail service.
The whodunnit wraps up quickly, of course. Suprises? No. Laughs? Yes!
The $5.00 DVD I got of this in the Best Buy junk pile is covered in Farrah's photos and the DVD even includes a "Farrah Quiz" at the end that even your mother could not flunk. Thanks to Barry Diller and Spelling/Goldberg for making these tacky ABC "Movies of the Week" in the 70's and for someone actually mastering these DVD coasters that provide some of us with a hilarious flashback to our youth.
Did you know
- TriviaThe uniforms worn by the airlines female crew members are actual TWA Stewardess uniforms worn during the winter months from 1968-1971. The same uniforms can be seen at the end of Steven Spielberg's "Catch Me If You Can".
- GoofsDanny Bonaduce's character, Millard Kensington, disappears from the first class cabin about halfway through the movie, never to be seen again.
- Quotes
Paul Barons: [to his drunken seat-mate] Can't you get it through that pickled brain of yours that there's a homicidal maniac on board?
- ConnectionsReferenced in Y a-t-il un pilote dans l'avion ? (1980)
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