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Mandingo

  • 1975
  • 18
  • 2h 7m
IMDb RATING
6.5/10
4.5K
YOUR RATING
Mandingo (1975)
An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.
Play trailer3:17
1 Video
59 Photos
Period DramaTragic RomanceDramaHistoryRomance

An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.

  • Director
    • Richard Fleischer
  • Writers
    • Kyle Onstott
    • Jack Kirkland
    • Norman Wexler
  • Stars
    • James Mason
    • Susan George
    • Perry King
  • See production info at IMDbPro
  • IMDb RATING
    6.5/10
    4.5K
    YOUR RATING
    • Director
      • Richard Fleischer
    • Writers
      • Kyle Onstott
      • Jack Kirkland
      • Norman Wexler
    • Stars
      • James Mason
      • Susan George
      • Perry King
    • 83User reviews
    • 55Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Videos1

    Official Trailer
    Trailer 3:17
    Official Trailer

    Photos59

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    Top cast34

    Edit
    James Mason
    James Mason
    • Warren Maxwell
    Susan George
    Susan George
    • Blanche Maxwell
    Perry King
    Perry King
    • Hammond Maxwell
    Richard Ward
    Richard Ward
    • Agamemnon
    Brenda Sykes
    Brenda Sykes
    • Ellen
    Ken Norton
    Ken Norton
    • Mede
    Lillian Hayman
    • Lucrezia Borgia
    Roy Poole
    Roy Poole
    • Doc Redfield
    Ji-Tu Cumbuka
    Ji-Tu Cumbuka
    • Cicero
    Paul Benedict
    Paul Benedict
    • Brownlee
    Ben Masters
    Ben Masters
    • Charles
    Ray Spruell
    • Wallace
    Louis Turenne
    Louis Turenne
    • De Veve
    Duane Allen
    • Topaz
    Earl Maynard
    Earl Maynard
    • Babouin
    Beatrice Winde
    • Lucy
    Debbi Morgan
    Debbi Morgan
    • Dite
    • (as Debbie Morgan)
    Irene Tedrow
    Irene Tedrow
    • Mrs. Redfield
    • Director
      • Richard Fleischer
    • Writers
      • Kyle Onstott
      • Jack Kirkland
      • Norman Wexler
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews83

    6.54.4K
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    Featured reviews

    8gridoon

    Shamefully underrated film.

    This unflinching, hard-hitting look at slavery is a severely underrated and misjudged film. That's probably because it sheds light onto a tough, painful subject that many people would prefer to ignore or forget; if you're expecting a "slaves-and-masters-are-all-a-big-happy-family" depiction of the life in the mid-19th-century Southern plantations, then this simply isn't your movie.

    "Mandingo" was followed, one year later, by "Drum". They are both far better films than their reputations might make you believe, and they are also handsome, almost sumptuous productions with a far lower "sleaze" quotient than many reviews seem to indicate. They are both worth seeing - preferably as a double bill. (***)
    thomandybish

    major studio film looks like low-budget exploitation

    This film, despite some controversy about it's biracial sex scenes when it was initially released, seems to have faded from memory. Given the degree of sex, violence, and unadulterated exploitation of slavery in the antebellum South, that's a surprise, because I saw this flick nearly ten years ago and STILL can't forget it! Those whose image of the old South has forever been defined by GONE WITH THE WIND as romantic and chivalrous and pick up this movie in the video store(the cover art on the box resembles that famous pose with Gable and Leigh)thinking they're about to be trasported to Tara ought to run like Hell! James Mason and his lame son Perry King live on a plantation and own slaves body and soul. Well, at least the body part, as we see when Mason strings an errant slave upside down, strips him, and pattles his butt with a perforated paddle. Son King takes a more tender approach, as he sleeps with the female slaves, especially Brenda Sykes, whom he takes as his mistress. However, he marries Susan George to provide an heir, and presents her with a ruby choker. He also gives Sykes the matching earrings. When George learns of the relationship(Sykes wears the earrings while she serves dinner to George and King on their first night at the plantation), and Kings learns George has slept with her brother, the marriage hits the skids. George drowns her sorrows in lots of sherry and lots of Ken Norton, a slave Perry has purchased specifically for fighting other slaves for betting. George becomes pregnant, and when the baby comes, it hits the fan! It's hard to believe that anyone in 1975 could see this film as anything but exploitation of a very dark period in American history. Didn't anyone cringe at the sight of King going in to "take pleasure" from a female slave in a bed and the woman groans, "I too black for you", or Ken Norton standing stoically on the auction block of a slave sale while an old woman gropes around inside his loincloth? The video edition of this film I saw was from the early eighties, when movie studios did their transfers from the first worn-out prints the could grab, and may have had a muddy, faded look because of this, but it's hard to believe this thing came from a major studio. You'd certainly wouldn't know it from the production values, because the film looks as if the filmmakers didn't spend a penny more than they had to(we're treated to interior scenes inside a plantation house curiously devoid of furniture). With all these setbacks, it's hard to understand why this movie hasn't garnered even a semi-cult following. If you're in the mood to be offended on all levels and don't treasure some romanticized Hollywood image of the old South, grab MANDINGO.
    dorozco028-847-359337

    Prepare yourself for the full force of the truth!

    I just watched Mandingo and can't for the life of me figure out why this film would get any critical reviews. You can't criticize the truth unless you yourself are part of the lie or involved in hiding the truth or you just want to ignore the truth and live in a fantasy world. Like those freaks that refuse to acknowledge the holocaust really happened or say it wasn't that horrible. This film hits you with the truth about 1840ish slavery with a vengeance, shocking, sickening, and uncomfortable as it should be. It doesn't sugar coat the South and especially the Deep South with shades of romantic Gone with the Wind feel sorry for us we lost our culture nonsense, but shows in detail all the dehumanizing, sickening, savage racist attitudes that existed in the south at that time. The buying and selling of human beings should be as sickening and repulsive as it gets and left to me this film would be mandatory viewing by all high school students in this country to help them understand the barbarism of slavery and how it's residue still affects and infects this country to this day. If you get a chance to rent or view this film a note of advice, be prepared for the truth!
    7The_Void

    Unsurprisingly divides audiences, but Mandingo is at least a film worth seeing

    Mandingo seems to divide it's audience strongly between love and hate and that's not really surprising; the film features some real nasty elements and the way that it's all done with a highly quality 'period drama' sort of style means that it will likely miss it's supposed intended audience - although it seems to have found a good fan base among exploitation fans. The film is liable to shock modern audience for its racial themes and strong racial tone; it didn't bother me all that much to be honest as it suits the film within it's context and helps to enforce its exploitative nature, which in turn makes Mandingo more powerful. The film takes place in the south of America during the 1840's and the main focus of the plot is on slavery. White farm owner Hammond Maxwell one day discovers the fighting talent of one of his black slaves and soon decides to toughen him up for battle with other slaves. He's sympathetic with his slaves and soon becomes affectionate with one of the women, which doesn't sit well with his wife Blanche who, for revenge, forces the top fighter to sleep with her.

    Anyone going into this film expecting a serious look at slavery will be either disappointed or annoyed (maybe both), but if you go into it expecting some nasty exploitation, you might find a lot to like. The film gives an unflinching look at a more primitive society and it actually more shocking for its tone and implications than the events that take place in it (although the film does include plenty of racism, torture and rape scenes). The way that the film depicts the black slaves as animals makes for uncomfortable viewing and the way that society was segregated into 'white masters' and 'black slaves' is always enforced on the viewer. The performances sit better with the exploitation side of the film rather than the serious drama side as none of them are particularly brilliant; although the three leads do fit into their roles well. Overall, this is clearly not a film for everyone and I'm not in any way saying that the film's bad reputation is in any way undeserved; but Mandingo is certainly an interesting film and I would say it is at least worth seeing.
    femmecritique

    I've seen the movie AND read the book

    This movie is a disturbing look at the realities of the antebellum South. And yes, I do believe the depictions and events in this movie are realistic. Such atrocities are well-documented. Both the movie and the book contain graphic violence, sex, and rape. The movie is sometimes difficult to watch, but it's worth watching, for anyone who ponders the evils of humanity and especially the history of the U.S. during the 1800's. The acting and film quality aren't upper echelon. The dialogue is sometimes excessively histrionic. But that's not what's so good about this movie. It's gritty, realistic, and brutally honest.

    As I watched, I realized that maybe things haven't changed so much since those times. Racism and sexism are still very much alive. You can easily compare the attitudes and behaviors depicted in this film with things that go on in our society today. Some people have commented that Blanche was "oversexed". I find that a rather hilarious statement. They obviously don't get the feminist subplot of this movie. The way it depicts and breaks down racism and sexism and shows exactly why they're faulted ideologies is why I love this movie so much!

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      James Mason admitted in interviews that he only made the film to make his alimony payments.
    • Goofs
      During Mede's first fight in the city, he and his opponent are wrestling on the grass. When they roll over on the floor, the grass moves like a slipping carpet would, revealing it to be a sheet of artificial green, probably lying on the floor of a sound stage.
    • Quotes

      Cicero: I'd rather die than be a slave. You peckerwood! That's tight, you peckerwoods was in oppressed in your own land. We was free. Then you brought us here, in chains. But now we here, you just better know it's as much our land as it is yorn. And after you hang me, kiss my ass!

    • Alternate versions
      The international version of the film (released on PAL region 2 DVD) contains a different cut of the film that runs approx. 5 minutes shorter than the U.S. release but also has many scenes presented in alternate clothed takes. In all 12 scenes were either trimmed or re-edited with alternate shots/angles/takes:
      • Scene where slave is bent over and inspected for hemorrhoids is cut.
      • Scene where the wench is being prepared for her deflowering is presented in an alternate take where her breasts are not exposed.
      • Scene with pregnant wench is shot with alternate angles to obscure nudity. Perry King's full frontal nudity is cut and replaced with a closer shot that reveals he is wearing shorts when he kneels down to pray (It looks like a goof - only a bit of the waistband can be seen at the corner of the frame).
      • Alternate takes of the slave being strung up to be beaten are used to obscure nudity, and many shots of him being beat and left bloody are cut.
      • A few seconds where Perry King's cousin rips off a wench's dress and bends her over to begin beating her is cut to remove nudity. The beating is left intact.
      • The slave market scene is edited to remove the topless wenches on display, and the shot where the German widow sticks her hand into Ken Norton's shorts and "inspects" him is cut short. The second shot with her hand in and then removing it is left intact though.
      • An alternate take is used with a prostitute clothed rather than nude at the bawdy house.
      • A few seconds of a prostitute rubbing on Perry King's crotch is cut.
      • An alternate take is used during the fight at the bawdy house so that a prostitute is seen holding her dress up while she cheers whereas in the original she lets it fall and her breasts be exposed.
      • The entire scene between Perry King and Brenda Sykes in which she asks him if he'll let their child go free is presented in alternate clothed takes. In the original film they are both completely nude. Even the camera angles and setups are the same, only with clothes in the international version.
      • In the scene where Ken Norton fights a man to death one long shot where the other fighter claws his back is cut. Also cut is when Ken bites down on the other fighter's neck, is pulled off, and then bites into his neck again. All the close-ups are cut.
      • The Susan George/Ken Norton love scene is almost entirely missing. Ken Norton's nudity is cut, and then the scene ends in an alternate take when the two go out of frame onto the bed. The original scene went on for much longer and exposed Ken Norton's buttocks and Susan George's breasts. The German theatrical version does not feature any of these alterations and is identical to the U.S. release.
    • Connections
      Featured in Sooner or Later (1979)
    • Soundtracks
      Born in This Time
      Music by Maurice Jarre

      Lyrics by Hitide Harris (as Hi Tide Harris)

      Sung by Muddy Waters

      [Played during opening title and credits]

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    FAQ19

    • How long is Mandingo?Powered by Alexa
    • What are the differences between the International Version and the US DVD/BD by Legend Films/Paramount?

    Details

    Edit
    • Release date
      • September 17, 1975 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • French
    • Also known as
      • Bitmeyen Kavga
    • Filming locations
      • Houmas House Plantation - 40136 Highway 942, Burnside, Louisiana, USA
    • Production companies
      • Dino De Laurentiis Company
      • Paramount Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $2,433,010
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 7 minutes
    • Sound mix
      • Mono
      • 4-Track Stereo
    • Aspect ratio
      • 1.85 : 1

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