No, Honestly

STARTING WITH A simple enough premise this series manages to elevate its comic delight to a level that bigger budgets and guest stars couldn't accomplish. And just what is this mystery element? If one only knew, we could bottle it and sell it to Producers in London, Paris, New York, Hollywood and Bombay.

THE "TOP SECRET" central tenet of NO, HONESTLY is a weekly half hour of a now older couple; who reminisce about their days as a stupid, young newlywed couple. That's it and it is skillfully brought off by the co-mingling of good writing, fine acting and masterful characterization.

HOW THIS IS accomplished is certainly due, at least in part, to the fact that the married Couple on screen, "C.D. and Clara" were then and are now in fact Man & Wife. The very talented folks are John Alderton and Pauline Collins. Their chemistry, energy and charisma make the characters jump off the screen and into real life.

ANOTHER ASPECT OF the episodes is the similarity to the old act performed and perfected by George Burns & Gracie Allen. From the Vaudeville Houses, Radio Program, Movies and Television, it was Straight Man George's deadpan and the Naiveté of Gracie that served as the engine in driving their act to the top.

THE SIMILARITY BECOMES obvious in many of the sequences. We do well recall a particularly relevant example. In one episode, when C.D. mentions the word, "collateral", Clara asks; "Isn't that the stuff that Americans get in their blood from eating too much butter?"

My wife and I watched this faithfully in the late 1970's when it was shown on PBS and we were just married. We laughed throughout the entire 13 episodes. And we watched almost as faithfully when they were run again, because the show was so hilarious.

I can still vividly remember a number of the episodes, and like another reviewer, one that stays etched is the one where CD and his 'parents' are invited to Clara's for dinner, only he is basically an orphan but is ashamed to admit it, so he asks his current stage 'parents' to stand in. At the same time, Clara's family's cook and server are gone for the night and they have to hire temporary help. And then the stage parents don't show up. It is a laugh out loud show from beginning right up to the surprising end with mistaken identities played for all its worth.

The others I remember are their first meeting at a cocktail party where Clara was trying to read War and Peace, I believe, so she wouldn't have to meet people, and CD persisted to their shared enrichment.

And the one where CD tried to update Clara's wardrobe with a hilarious ending. And their honeymoon, where Clara was insistent that they appear as an 'old married couple'. (and the one where she faithfully ironed his shoelaces before he went on an interview)

John Alderton was good, but Pauline constantly stole the show with her appealing good humor, her smile regardless of what was happening, and her acceptance of most things at face value. You couldn't help but laugh at her, with her, and feel sorry for her at the same time, and just marvel in her continuing innocence and trusting nature.

Much of the humor is British and it may take repeated playbacks to catch the rapid-fire deliveries, but for fans of Pauline, and those who like silly innocent humor, it's worth every penny. No, honestly!

I vaguely remembered this show from the early 70's when I saw it on sale at a bargain price expecting mild amusement, however I'm very happy to say that it is a superbly scripted and acted show and is very funny. Pauline Collins plays the delightfully dippy Clara to John Alderton's CD (Charlie) who is much more sensible, and the two of them play superbly off of each other in the various situations that they get themselves into. I seem to vaguely remember that John Alderton didn't want to do another series, which is why they resurrected the same format as Yes Honestly with Liza Goddard and a new male lead the following year. It's a shame there wasn't more of these as I've seen much worse programmes have many series. Well worth a look, I got my copy from Network DVD's online.

You couldn't turn on a television in the '70's without seeing John Alderton. He was everywhere; 'Please Sir!', 'The Fenn Street Gang', 'Upstairs, Downstairs', 'My Wife Next Door', 'Wodehouse Playhouse', 'Thomas & Sarah' and, of course this, in which he co-starred with wife Pauline Collins. They say opposites attract and it was true in the case of C.D. and Clara. He was a struggling actor, she a dizzy deb. This was not a kids' sitcom. I cherish the scene where Clara made C.D. breakfast in bed and she put a button from her cardigan on his grapefruit because she'd run out of cherries! Terence Brady and Charlotte Bingham had written for the pair before so knew what they were capable of. The resulting show was a sheer delight, a massive hit with the public and critics alike. Lindsay De Paul's catchy theme was the icing on the cake. Sadly, Alderton and Collins were not up for a second series, so Lisa Goddard and Donal Donnelly were brought in and the title changed to 'Yes, Honestly'.

This is one of those TV gems you doubt will ever appear on video as it is so obscure, especially to the American audience. Thankfully, it is now available in the US and it is a pleasure to see this wonderful TV series again after 26 years.

Husband and wife John Alderton and Pauline Collins play husband and wife Charles (CD) and Clara Danby who have been married some ten years. CD and Clara tell (a studio audience) of their early days together (which are shown in flashback) when he was a struggling actor, and she was (and still is) a rather ditzy debutante, the product of even ditzier parents. With nothing much in common but love for one another, the hilarity results from their very differences.

Alderton and Collins had appeared together earlier in Upstairs Downstairs, and she of course was Oscar-nominated much later for Shirley Valentine. This TV series has been overlooked for too long, and is an absolute delight. The chemistry between CD and Clara is remarkable, because of the chemistry between Alderton and Collins.

The theme tune was a huge hit in Britain for composer and performer Lynsey De Paul. The show has aged well (apart from the fashions) and looks and sounds great thanks to Acorn Media which has provided us with this belated video edition. The picture and sound quality is stunning, and hats off to Acorn for not tampering with the show as it was originally presented. The London Weekend Television seventies logo is still there, much to the delight of us Brits in America. There is no self promotion on the part of Acorn, a company with which I am NOT associated.

Treat yourself to No, Honestly. You will not be disappointed. No, honestly.