Barney Miller

If there was a great TV show that emphasize the decade of the 1970's,the situation comedy series "Barney Miller",was just that. This was a quality series that became one of television's greats. In perspectives,"Barney Miller" was a show that changed dramatically during the course of its seven year run,despite the fact that its plot,setting and basic cast remained the same. This was a show that quickly became one of the biggest hits for the ABC-TV network,producing 170 episodes during its seven year run on the network from the premiere episode on January 23,1975 until the final episode of the series on May 20,1982. The series was created by Danny Arnold,who served as the executive producer along with Theodore J. Flicker. Arnold also served as one of the writers of the show along with Chris Hayward. The series was produced by Arnold's production company Four D Productions in association with the ABC Television Network(the series was filmed in front of a studio audience at ABC Television Center in Hollywood).

The show was about a detective squad at a precinct house in New York City's Greenwich Village,and often the strange people from the community went in and out their door each week. At the beginning of the series,the pace of the police department was fast and the comedy a bit loud.,and the emphasis was one-on-one liners and quirkiness rather than on real characters. Captain Barney Miller(Hal Linden)was head of the precinct,very put-upon and overworked,but nevertheless always wise and friendly. Wojo(Max Gail)was the well meaning detective who was a bit lacking in smarts. Harris(Ron Glass)was funny,fashion-conscious,and cool,while Yemana(Jack Soo)was much more introverted,though he also would provide the occasional witty commentary. Fish(Abe Vigoda,who was on the show for two seasons before being spun off into their own show "Fish")was the elder statesmen,the old man on the verge of retirement who had more ailments than you could imagine. Chano(Gregory Sierra)was the normal of the bunch after Barney,and always tried to have a positive outlook despite being constantly exposed to the less inspiring side of life. Other characters that appeared were Barney's wife Liz(Barbara Barrie),Barney's supervisor Chief Inspector Frank Luger(James Gregory),and Officer Carl Levitt(Ron Carey),and Detective Arthur Dietrich(Steve Landesberg).

The detectives were racially mixed,which,at the show's inception,would occasionally provide for some comedy. Other detectives came and went after an episode or two,especially during the very early years of the series. Its amazing that "Barney Miller" survived,but it laid the groundwork for what was great comedy and the awards that this show received: It won the DGA Award from the Directors Guild of America in 1981,and it won back-to-back Emmys for Outstanding Comedy Series and Outstanding Actor in a Comedy Series(Hal Linden)in 1979,1980,and 1982. Not to mention winning the Peabody Award in 1979,and the Golden Globe for Best Television Comedy or Musical Series twice in 1976 and 1977.

Almost all of the action took place in the squad room and Barney's adjoining office,despite the fact that the station seemed very small considering its location. "Barney Miller" during the seven seasons that it ran on ABC,became a literate,well-written show with interesting characters and story lines mixed in with some grand comedy. In its later years it unfortunately suffered from "social-cause-of-the-week",syndrome by way of a'la' Lou Grant and every other socially conscious show that exploded onto TV screens in the mid-1970's and early 1980's. This was a series that is highly recommended as one of the best to come out of the 1970's and survived until its demise in the early 1980's.

This is one of the absolute greatest shows on television - never fails to entertain. Too bad the "suits" didn't catch on and try to copy what so obviously worked. It ranks right there with M*A*S*H, Frasier, Cheers, and Married...With Children as examples of how good comedy can be...

Of the thousands of American TV sitcoms ever produced, only a small portion of them are genuinely enjoyable and funny 40 years after their production. Barney Miller is one of those shows. More interesting than this fact, however, is that this show has many features atypical of its genre and time period:

1. Virtually all of the action (excepting a handful of scenes and the strange and mostly unenjoyable 'Wojo's Girl' 2-parter) takes place at a single location, the police station. In this way, the show is like a stage play, and of course, stunningly similar to the classic Kirk Douglas play & film 'Detective Story.'

2. There is almost no slapstick, no catchphrases, and no toilet humor.

3. Unlike the most popular sitcoms of the mid-1970's, such as 'All In the Family', 'Good Times', etc. none of the recurring cast play their characters broadly. None of them are shouting tyrants, cartoonish buffoons, dingy housewives, etc. Most of the regular cast played their characters toward the deadpan end of the comedic spectrum. (The recurring Inspector Luger, played by the great James Gregory, is gently buffoonish, but nothing like Ted Baxter or George Jefferson.) One episode is an exception to this rule, 'The Brownies,' which is one of the 10 funniest sitcom episodes ever produced. If you have seen this episode, you know why the characters were played differently this time around, and you know that the essence of the story is seeing the characters behaving different than usual.

4. With the exception of Barbara Barrie as the intermittent presence of the titular character's wife in the early episodes, there are no recurring female characters. (Just an observation, not saying this is a good thing for every sitcom.)

These facts argue in favor of the theory that artists who seek to create something of quality and durability should not always try to imitate. Doing something different can be good.

The writing and the performances are the essence of why this show is good. But also there is the faded paint and rumpled clothes, and the varying degrees of world-weariness in faces of Yamana, Fish, Capt. Miller, and Inspector Luger, which evoke the gritty, working class realities of old New York before a series of quasi-fascist mayors tried to reboot the city as a kind of fantasyland for rich people and tourists.

A final point of interest to which I will draw your attention is gentle and matter-of-fact way in which the cops interact with both 'criminals' and 'victims.' You won't see them trying to intimidate or torture criminals into confessions. There is an implicit message of compassion in this, along with the related notion that when the total circumstances of life are taken into account, the moral differences between people don't seem all that huge.

"Barney Miller" was a show that changed dramatically during the course of its run, despite the fact that its plot, setting, and basic cast remained the same.

The show dealt with a detective squad at a precinct house in New York City and the often strange people from the community who went in and out their door. At the beginning of the series, the pace was fast and the comedy a bit "loud," and the emphasis was on one-liners and quirkiness rather than on real characters. Barney was the captain of the precinct, very put-upon and overworked, but nevertheless always wise and friendly. Wojo was the well-meaning detective who was a bit lacking in smarts. Harris was funny, fashion-conscious, and cool, while Yemana was much more introverted, though he would also provide the occasional witty commentary. Fish was the old man on the verge of retirement who had more ailments than you could imagine. Chano was perhaps the most "normal" of the bunch after Barney, and always tried to have a positive outlook despite being constantly exposed to the less inspiring side of life.

The detectives were racially mixed, which, at the show's inception, would occasionally provide for some comedy, though ethnic humor was largely dispensed with after the first season. Other detectives came and went after an episode or two, especially during the very early years.

By the end of the run, the pace of the show had slowed down somewhat. The precinct house was now very leisurely for a police station in Manhattan. Conversations became more relaxed as well, and you got the idea that the directors were trying to show human interaction as it often was, with people thinking before they spoke. The dialog became wittier and the characterization much more subtle. Barney was now more of a real person, the pressures of life seemingly affecting him more, and he would even get a bit frustrated with his immediate underlings. Harris, with whom Barney now clashed from time to time, had become successful financially and was becoming more attuned to the cultural side of things. He had developed into something of a snob, and was also less and less interested in police work as the series went on. Chano had moved on early, Fish retired (and had briefly had his own show), and the actor who played Yemana died, inspiring a half-hour tribute to actor Jack Soo by the rest of the cast. Dietrich was Fish's replacement, and was the intellectual of the group (one Monday morning he chit-chatted about how he had gone to the Goethe Festival over the weekend). His (often in-depth) knowledge on every conceivable subject was an extreme nuisance to Harris, but proved helpful to Barney in official matters. Wojo, by the end of the run, was no longer the loud, sex-driven brute he had been before, but rather a soulful and sensitive person, prompting Harris, in one of the show's great inside jokes, to proclaim in the final episode: "He is so MUCH improved!"

Popping in occasionally was Inspector Luger, Barney's immediate superior, a man who yearned for the old days of police work, when men were men (and died like men) and there wasn't all this "concern" for the suspect. Though Luger never changed, Barney's reaction to him did: where he once considered him as an amusing relic from the past of the city's police force, he later saw him as dangerously out of touch and a potential threat to police-civilian relations. And he turned out to be just that: at a protest by Hasidic Jews at the station house, Luger suggested that they all disperse, go home and "take a shave." The protest immediately turned into a riot.

The obsequious Officer Carl Levitt became a regular after a few seasons, always trying to become a detective, but continually rejected, apparently because of his height. And every once in a while there was a visit from Lt. Scanlon of Internal Affairs, who delighted in the hunt and, especially, the smell of blood.

Almost all the action during the run of the show took place in the squad room (which contained a single jail cell) and Barney's adjoining office. Despite the fact that the squad seemed very small considering its location (not to mention not very busy!), the viewer got the feeling that he was really in a run-down precinct house. The office was cramped, and the furniture old and in dire need of replacement. Papers and files lay around for so long that you actually got used to them being where they were, and the advertisement for boxing posted on the wall next to the stairs seems never to have been updated in seven years.

"Barney Miller," during its run, became a literate, well-written show with interesting characters and story lines. In its later years it unfortunately suffered from "social-cause-of-the-week" syndrome, à la Lou Grant, but it also knew when it was taking itself just a little too seriously, and the episode would often allow a well-timed and witty remark by Dietrich to lighten the atmosphere a bit.

"Barney Miller" is highly recommended, especially in daily reruns, where you can see its steady development into a fine television series.

"Barney Miller" showed the gritty realism of police work in New York City in the 1970s, albeit with humor. Skits about the impending bankruptcy of the city, some of the futile criminal behavior (man stuck inside ductwork trying to burglarize a store), the mundane day in, day out existence of police officers with the occasional heart-pounding, adrenalin rush of excitement, and of course, what we in the profession called "the hairbags" - the old cops, forever full of stories, content to live in the past as Inspector Lugar exemplifies. To those who say "Barney Miller" is dated, I say the show is a timeless slice of life, and can be set in almost any locale and time period. The cast could not have been picked with any more brilliance, and the production was seamless. I say "Barney Miller" is a classic for the generations.