Gay ex-monk and school teacher meets a man at a bar in Manhattan. They connect and start living together, but face conflicts due to differing views on monogamy.Gay ex-monk and school teacher meets a man at a bar in Manhattan. They connect and start living together, but face conflicts due to differing views on monogamy.Gay ex-monk and school teacher meets a man at a bar in Manhattan. They connect and start living together, but face conflicts due to differing views on monogamy.
- David
- (as Robert Joel)
- Charles
- (as Kurt Brandt)
Featured reviews
Despite the sometimes raging amateurism in acting, photography, and especially sound, this film is well worth seeing. Those who lived through the era will experience an affectionate nostalgia for what I cannot help but call "the good old days." For those born after, say, 1985, you'll get an accurate look at what gay life was like as it was beginning to coalesce post-Stonewall. The production of the film also reflects the times. Some scenes have a cinema verite feel, some are clearly documentary. The last scene's unflinching male "frontal" nudity is another relic of the 70s. Like I said, the good old days.
I would classify this as a "must-see" for any gay cinema buff. To my knowledge it is the first to grapple with the relationship problems unique to post-Stonewall gay life.
The film is also an incredible historical archive. Some of my favorite sequences were interviews made with people on the street during the 1973 "Christopher Street Pride Parade," probably among the first Pride festivals ever. Many of the comments made could have been said today. This film shows a slice of life at the beginning of the gay sexual revolution, and at the same time deals with all the complicated issues of falling in love that remain timeless. That it shows life before AIDS also adds a layer of poignancy that the filmmakers could never have planned for.
I was sad to see that the principal figures in the movie, the actors and director, didn't do much more cinema work beyond this film. I hope they know they created a very special film that still can touch one's heart.
I just finished watching a special about the history of Fire Island on Logo, then I rented this movie. Must be my 70's day. It's hard to believe I lived through that era and that thirty years have passed.
I wonder what has happened to each of the three leads? I don't recall seeing them in anything else.
Did you know
- TriviaChristopher Larkin responded to the critics by saying, "I wanted to say that same-sex relationships are no more problematic but no easier than any other human relationships. They are in many ways the same and in several ways different from heterosexual relationships but in themselves are no less possible or worthwhile". (as quoted The Celluloid Closet pg. 208, 1987).
- Quotes
Jason's Ex-Wife: Say, since we're extending invitations to each other, I was wondering if maybe you'd like to spend Labor Day weekend with us in the Hamptons. It would be great for P.J. And, well, it was my folks' idea. They'd really like to see you.
Jason: Look, I've made other plans. I'm going to the Cape.
Jason's Ex-Wife: Can't you change your plans?
Jason: I'm going with somebody. You'd like him. He's got eyes like you. Well, not exactly like yours. You know, I can really talk to him. He likes Emily Dickinson.
Jason's Ex-Wife: I'm happy for you, Jason.
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Details
Box office
- Gross US & Canada
- $65,000
- Runtime1 hour 20 minutes
- Sound mix