Le flic se rebiffe

Former cop Lancaster is just out of jail on parole after catching his wife in bed with her lover, and killing him. He is now a college nightwatchman and no sooner he arrives on the scene than the daughter of a senator is murdered. That is not all, either: he actually gave the girl a lift home so he was one of the last persons to see her alive.

Thankfully, he has a good friend in Cameron Mitchell, who receives him in his house despite having broken a leg; and an even more wonderful parole officer in the stunningly beautiful Susan Clark. And so begins a rollercoaster of events and all is definitely not what it seems in this flick.

Joint direction by Kibbee and Lancaster is effective; script is credible, peeling away each layer of the mystery at a leisurely pace; photography is competent, standard 1970s fare; and acting by Lancaster and Clark is exceptionally good. Mitchell, Yulin, Splawn and Lauter prove more than adequate in the supporting roles.

I ended up enjoying MIDNIGHT MAN a darned sight more than I had expected. 8/10

****SPOILERS**** Burt Lancaster,Jim Slade, both stared and directed this crime drama set in a southern college about an ex-cop who did time for killing his wife's lover who he found in bed with her.

Having his friend and fellow retired cop, Quartz, Cameron Mitchell, get him a job at the college as a night watchman as part of Jim's parole obligation Jim uses his skills as a big city homicide investigator to crack a murder case that the local police thought they already solved.

Besides Burt Lancaster the movie "The Midnight Man" has a fine cast from old pros like Cameron Mitchall to up and coming stars like the stunningly beautiful Catherine Bach, Natalie Clayborne, and even has Burt's handsome 27 year-old son William in a major role in the movie as Natalie's boyfriend and fellow student Arthur King.

On his first night on the job as night watchman Jim finds that there was a break in at Dr. Prichette, Robert Quarry, office were a number of audio tapes were stolen of students who recorded them for him to help them in their personal problems. One of the tape that were stolen was that of Natalie Clayborne. The next day when Jim asks Natalie about the stolen tape she at first doesn't seem too worried about it. Later that night he sees her outside in the street very despondent as well as both drunk and high on pot where Jim drives Natalie back to her dorm-room at the college.

The next day Natalie is found murdered and the college janitor Ewin, Charles Tyner, who turned out to be a combination religious fanatic and sexual pervert, is arrested and charged with her murder. Police Chief Casey, Harris Yulin, feels that the case has been solved but Jim thinks otherwise. All at once Jim becomes a marked man by those really responsible for Natalie's murder.

It turns out that the stolen tape is being used to blackmail State Senator Clayborne,Morgan Woodworth, who's Natalie's father and who's also in line to be the next state governor. Clayborne molested Natalie when she was a teenager and that's what was recorded on the stolen tape by Natalie but there was more to her death then that. Natalie wrote an unfinished poem to who she was having an affair with who's clues were the Greek mythological personalities Janus & Mylilene that if closely examined identified who was behind her murder.

"The Midnight Man" is a suspense filled murder drama with Burt Lancaster giving one of the best and most underrated performances of his long film career. Complicated but never confusing the movie really comes together in the very last fifteen minutes with all the pieces of the puzzle coming into place. It was then when Jim realized that he was being used by people very close to him that he trusted to get the very incriminating audio tape and then, when he served their aims, make him disappear for good. There are at least three attempts on Jim's life in the movie culminating with an exciting kidnapping breakout and escape from his captors that ended in a slam-bang barn smashing finish.

The ending of "The Midnight Man" is very unconventional for a crime movie but thats what makes the film both unique and at the same time very real and believable where nothing in real life, just like in the movie, is absolute.

"The Midnight Man" refers to Burt Lancaster's new job as a college security guard, working the midnight to 8:00am shift. The murder of a pretty coed immediately draws Lancaster into the investigation by way of his ex cop instincts. He buts heads with the police chief over an obvious suspect, and then the picture begins to spiral out of control. A multitude of suspects, each with a rather obscure motive begins to cloud the water. Although the cast is very good, character development is sacrificed in favor of rapidly moving from one person of interest to the next. By the conclusion, the viewer is unable to keep up with the story line. In fact, Lancaster in the end gives a long summary of who did what to whom, too little effect, since the names he throws out really don't help. The movie is very watchable, but second, or even third viewings might be required to bring clarity. - MERK

Burt Lancaster's last attempt at directing was in this sadly neglected film, The Midnight Man. I was lucky enough to catch it theaters back in the day and a few times on television. Why it was panned by so many critics is as big a mystery as the one Burt Lancaster has to solve.

In The Midnight Man Lancaster plays a former police detective who did a stretch for homicide himself, he killed his wife's lover. Now released from prison and on parole, he gets a job courtesy of an old police buddy Cameron Mitchell as a campus security guard at a small southern college. No sooner does he arrive there than the murder of a pretty and popular coed occur and an incriminating diary she kept goes missing.

Of course this is the job of the local sheriff Harris Yulin, but Lancaster's instincts just take over and before long three other murders occur. Of course they all arise out of the initial incident.

The Midnight Man is a good and complex tale of murder and blackmail and was shot on Clemson College campus on location for a good ring of authenticity. Lancaster and co-director/writer Roland Kibbee put together a very good cast. Note the following roles besides those I've already mentioned: Morgan Woodward as a southern senator and father of the first victim, Susan Clark as a faculty member who takes a romantic interest in Lancaster, and Ed Lauter and Mills Watson as a pair of Deliverance type inbreds who are working for someone who really wants Burt out of the way. Burt's son Bill Lancaster is in the cast as another college student who also winds up a murder victim.

Some of the results will surprise you and what I like about the film is that Lancaster probably could have covered for a couple of the perpetrators, but his own sense of integrity wouldn't let him do that. Best scene in the film for action fans is his escape from those Deliverance types who capture him and are awaiting instructions. At least we know they're no good. Who else winds up on the wrong side of the law will surprise you and you will keep guessing until the end.

Along with Roland Kibbee (writer of such things as "The Crimson Pirate" and "Valdez is Coming"), veteran star Burt Lancaster directed this somewhat forgotten thriller, and adapted it from a novel by David Anthony. Burt stars as Jim Slade, a former police detective who'd done time for shooting his wife's lover. Now out of prison and on parole, he gets a job as midnight to eight AM night watchman at Jordon College. His cop instincts kicking in, he's determined to solve the murder of a very troubled coed, Natalie Clayborne (Catherine "Daisy Duke" Bach, in her film debut).

Slade will find that this is one VERY complex case with no shortage of suspects or morally compromised individuals. Some viewers may well find holes in the story if they examine it closely, but if it's viewed from a pure entertainment perspective, it's quite absorbing. What makes it work so well is the commanding and typically engaging performance by Burt; commendably, he is portrayed as a flawed, not squeaky-clean kind of guy, but still a basically good lawman with a talent for deduction. And although the local sheriff (Harris Yulin, "Night Moves") thinks that the creepy janitor (Charles Tyner, "Harold and Maude") makes the perfect culprit, Slade becomes quickly convinced that this dude is simply too obvious. And our protagonist is faced with danger along the way, especially from a trio of rednecks (among them, Ed Lauter of "The Longest Yard" and Mills Watson of "Cujo"), and manages to keep his cool.

The cast is phenomenal in this thing, and full of familiar faces. In addition to those mentioned, we get Susan Clark ("Porky's") as Slades' parole officer, Cameron Mitchell ("Blood and Black Lace") as his good friend, Morgan Woodward ("Cool Hand Luke") as a senator, Robert "Count Yorga" Quarry as a psychiatrist, Joan Lorring ("Three Strangers"), in her final feature film, Lawrence Dobkin ("The Ten Commandments") as a professor, and Quinn K. Redeker ("Spider Baby"). Burt's son Bill (future screenwriter of "The Bad News Bears" and "The Thing") has a supporting role as a hippie student. And Burt's longtime friend and co-star Nick Cravat ("The Flame and the Arrow") plays a gardener.

Excellent location shooting in South Carolina and a flavourful score by Dave Grusin ("The Goodbye Girl", "The Firm") further assist in making this pretty enjoyable to watch, if not all that memorable in the end.

Seven out of 10.