One out of dozens and dozens of tightly constructed TV movies of the 1970's (some hilariously bad, some unforgettably distinctive, most - sadly - missing in action!) Hincks is a clinging mistress, desperate to hang on to her married lover (Luckinbill) despite her own good-looking, but hard-drinking husband (Nolte.) When she pushes too far, Luckinbill does her in, but lets Nolte take the rap. Leachman plays a sincere and naive jurist at the trial who begins to doubt Nolte's guilt despite everyone else's sense that he killed her. When she begins to put the pieces together, she finds that she may have imposed a death sentence on herself! Made when Leachman was still knocking them dead on "The Mary Tyler Moore Show" and about to embark on "Phyllis", she clearly tries to downplay her glamor and attractiveness for this "serious" role. The result is high comedy almost as funny as what she did in her sitcoms! With mousy hair parted in the center, no make-up and some really ugly glasses, she spends the entire movie with the same pinched, unappealing expression on her face. Her character is dippy to begin with, but she adds extra hilarity through her wooden reactions to the events around her until she is forced to confront the killer personally, at which point the film soars into the comic stratosphere. Sopping wet, wearing ugly cream-colored heels and with her glasses all smeared, she creates the most abhorrent expressions paired with the zaniest physical manifestations. She flails around at the end like someone who's being zapped with a cattle prod! All this work and her name isn't even printed on the DVD case! Luckinbill gives a decent double-edged performance. Nolte, at the very start of his career, has almost nothing to do (and his case is never properly resolved.) Various familiar TV actors dot the cast such as Oppenheimer and Schallert as lawyers and Lang (famous for her hysterical turn in "The Birds") as the victim's devastated and opinionated mother. As loony as it is (and there is one twist to the tale not divulged here), it's great to see some of these old films turning up as they are too enjoyable (for either the right or the wrong reasons) to stay buried in a vault somewhere.
