La chasse est ouverte

I saw this one on a bootleg off a Norwegian (?!) prerecord that was partially letterboxed (about 1.80:1), with subtitles in the lower matte. I ended up fast-forwarding through large portions of it because it was THAT BORING. It reminded me in a lot of ways of "Funny Games", another pretentious piece of s**t movie. They're both sadistic, anti-humanist exploitation pics and shouldn't pretend to be anything else. Don't get me wrong: I like movies that wallow in violence for the sake of violence - as long as they have the courtesy to be at least entertaining. This movie is not entertaining. It made me feel personally abused, much like the victims of the hunters, which maybe is the point, but then why in the f--k would I want to spend 100 minutes of my life enduring that (though, obviously, I did...).

This film is a revelation in terms of editing technique, the use of stills right in the middle of the action (this is 1974, a long time pre-John Woo)and several passages of pretty associative editing. The photography is stunning with spectacularly framed images. There is a very thought-out way of using sound, with a change of perspective (from clos up to a wide shot and vice versa) that is counteracted by the sound - a lot of close-up conversation takes place on wide shots. and finally, because some folks think this is boring - the way the topic of the movie - the use of humans as living targets - is introduced is pretty compelling - the audience is not given a clue, or a well-worded plan - we are kept just as informed as the victims, and when seeing the movie for the first time, stuff like putting the chain on the woman in the kitchen really comes as an awful surprise - yet Fonda delivers this as if it was routine as usual (which it obviously is for his character) - thrilling stuff. They did a lot of experimenting with editing and imaging in the 70s which should not be lost. this movie should be put on dvd!

Three buddies (Fonda, Law, Lynch) kidnap a couple (Sharpe, Mendoza) up in the mountain. Forced Mendoza to be a cook and housekeeper, and the Sharpe to be a sex slave to them. And after the weekend is over, they turn them loose in the wood to hunt them, not knowing the father (william Holden)of a girl that that they raped in High School that had their retarded kid is waiting and watching to pick off Fonda and the gang one by one. I can't understand why Fonda who was getting leads in action films and drama, and Holden who is a respectable actor to be involved in a distasteful film like this. The film looks like it was shot in Spain for the supporting actors looked dubbed. Spanish Actor Simon Andreau is billed as special guest star, but is not in the US or UK print. Annoying title song sounds like Oliver Onions from Italian pop band Guido singing it. TV print loses some of the nudity, but the violence is intact. See it if you like this sort of film, others beware.

I often like to read the comments from the back pages first and those here at IMDb are very, very disparaging of this film - much like the original critical reviews (and the still rather dismissive all-movie-guide blurb). The common reason is that these viewers were much offended by this movie. I can relate because I was offended as well when I saw it in 1974. And that horrified, sickened sensation stayed with me all the next day - so much so that I had to tell a co-worker about it, not in an enthusiastic way, but in an almost confessional way - as if I'd done something very wrong myself in having watched it. The comments at the back, I believe, are written from that emotional viewpoint. It's visceral hatred of what they've been unwillingly exposed to and I believe that may hinder appreciation for the actual quality of the film-making. They can't bring themselves to praise in any way something by which they feel so affronted.

This is testament to just how good this movie is. And by good, I mean effective. It's been three decades and counting since this nasty was sprung upon the viewing public, and though many far nastier (in graphic content and visuals) have avalanched down upon us since, few, if any, have been more gripping. You see, this is the type of movie that makes you ponder the 'nature of evil'. It's this seemingly bland, irredeemable, sociopathic evil that seems to disturb the most. No mental illness explanations ala 'Psycho' to take comfort in; no painfully, disfiguring past that has caused sadistic, homicidal madness as with 'The Hypnotic Eye' and it's ilk; no over-the-top camp sadism as with 'Blood And Black Lace' that can be watched and instantly dismissed, so ludicrously cinematic is the horror there.

No, at the risk of plagiarizing another commenter, the violence here feels too real. The acting is too good. The slowly unfolding scenarios too disturbingly believable. The final twenty minutes of the film are immeasurably welcomed by the viewer, as the film takes on an eerie but strangely satisfying turn. It provides much-needed catharsis, a relief from the tension and sadness of the first hour.

The ending ties up some loose ends nicely, leaving one with a kind of 'understanding' of what it was about. A message about what inhumane attitudes can be developed in those who have been a little too privileged, perhaps. I recently became aware that the film has an alternate ending (included in the version known as 'The Recon Game') that serves to undermine our sense of justice when compared to the version that was shown here in Canada. Perhaps tacked on as a sop to the protestations of liberal critics, it is nowhere near as satisfying a conclusion as that of 'Open Season'.

Not that this movie is available other than as a very pricey European import (some with non-removable foreign-language subtitles yet), but the North American version of 'Open Season' is the one to see first.

What can we say about Ken, Greg and Arty? Fine upstanding citizens, respectable family men, hard workers who enjoy blowing off steam with a little bit of adultery, kidnapping and murder!

Once a year these wonderful human beings leave their families behind for a few days and head into the arms of Mother Nature. Fast flowing rivers and endless empty forests are just what the doctor ordered, the perfect place to unwind and more importantly, the perfect place to muffle the screams of their latest victims.

This year they stumble across a couple with car trouble and take them to their isolated cabin in the woods. It's a crime that is committed with such ease and bravado there's no doubt these men have done this before. In the cabin the man is handcuffed and humiliated, forced to cook and clean. His girlfriend, on the other hand, is subjected to horrors of a different kind. When the fun is over the next day the couple are told they will be set free, however, this is no cause for celebration, as they soon realize the true nightmare has only just begun.

The three men are played by Peter Fonda, Richard Lynch and John Philip Law. Apart from being war vets, little is known about the characters they play, but judging by their pastime of kidnap and murder we can guess they are struggling somewhat to settle into normal life.

Released in 1974, smack-bang in the middle of the exploitation era, Open Season is both low budget and violence heavy. Think of it as cross between a spaghetti westerns and Deliverance. It is certainly not a movie for everyone but Peter Fonda calmed it was one of his favorite. "I had a good time on that one. That was my first chance to play a really evil guy. "