Blood

BLOOD is yet another epic from Director Andy Milligan. It is the tale of Dr. Lawrence Orlovsky and his wife, Regina (Hope Stansbury). Lawrence is a stern, rude man, perhaps due to his hat being six sizes too small.

Enter Regina, a vampire brought in during daylight. This explains why she resembles a molten pizza with fangs. Regina needs injections to keep her from disintegrating altogether. Thus injected, she whines incessantly. This helps to offset Lawrence's turd-on-a-rope personality.

Meanwhile, their servants, including the leg-deprived Orlando (Michael Fischetti), the brain-destroyed Carlotta (Pichulina Hempi), and the soon-to-be-one-legged Carrie (Patti Gaul), take care of the Orlovsky's man-eating plant collection (aka: plastic hotel lobby foliage). Horror ensues.

While this movie is full of Milligan's signature cardboard characters spouting absurd dialogue, there is a bit of a story here somewhere. In spite of the Director's trademark meandering, there's even a modicum of tension. In fact, this could be the best Andy Milligan movie ever made!

Of course, it's still a sub-sludge production, featuring horrid camera work, lantern-like lighting, etc., but at least the damned thing makes some sort of sense! With BLOOD, Milligan reached the pinnacle of his... "talent".

THE BEST SCENE IN THIS MOVIE: When Petra (Eve Crosby), who looks as though she sleeps in a coal bin, is attacked by Halloween-novelty-teeth-wearing Regina! After witnessing this, one will never look at mannequin arms in the same way again! Ever!...

Well, here's my first Andy Milligan film, and I'm feeling fairly indifferent about it, even though I fully knew what to expect. A strange family move into a new home. The husband is some sort of doctor working on various serums from carnivorous plants. His wife has an aversion to sunlight and needs constant injections. One of their servants is used as a blood bank to feed the plants and is all messed up due to this, and of the other two servants, one has no legs and the other is well on the way to having no legs due to some horrible disease.

The doctor meets his solicitor who's up to something dodgy with his dead father's estate, and also he falls in love with the solicitor's secretary. All this leads to, mainly, is people standing around in period costumes, talking endlessly. This film was under an hour long and I still had to watch it over two nights just to keep my attention.

There's werewolves, vampires, man-eating plants, people getting axed through the head, but everything to me seemed a bit flat and boring. Also, it looked like someone killed a mouse for real at one point – that's no good, is it? I'm not writing Milligan off yet – I've got Guru the Mad Monk to watch too – I'll give that a chance soon.

Blood - 1972 ( This Films Rates a D+ ) The year is 1883. Strange characters travel from Europe to America and are engaged in human experimentation. A werewolf doctor is married to a vampire who have assistants growing flesh eating plants. These plants are growing stronger and can devour a whole human body. Eventually everything is in chaos. Poor scripting with even worse acting. It is as if I am watching a high school play. Some of the camera angles and sequences are out of focus with poor sound transitions between scenes. At 57:44 and for about 1+ minute, the whole sequence is nothing but a black screen. The film is intentionally funny, from the make up to the costumes to lines like this "Not so fast my pretty, I aint finished yet", But often times its not intentional. Minimal gore though not absent of it. There is not enough action going on for me to love this film (and I love cheese). It has fun moments but overall it falters in to many places.

This is one of Milligan's better Gothic style horror dramas. It's a lot in the style of THE RATS ARE COMING!THE WEREWOLVES ARE HERE! But not as dull. The acting is much better than in most of his films and the camera work is not bad.

The film does have two strikes against it. 1)When the wolf man turns into a werewolf he is wearing a silly looking werewolf mask and 2)The action scenes seem to being missing something as if something was cut out. This is how most of Milligan's films seem to be edited though so I can't tell if I was watching a censored print or if it was edited that way.

How can someone call themselves a fan of cult horror movies like "The Blob" and the various "Godzilla" flicks, and call this movie "cheap trash. "Blood" is basically a low budget love letter to other low budget cheapies, which are also considered classics today, movies like "The Wolfman" and "Satan's Cheerleaders," are cult favorites. Maverick director Andy Milligan has taken his love for Dracula and The Wolf man, and perhaps the cult tv show "Dark Shadows," which this movie has a lot of similarities to, and created this stylish horror opus. . A cursed family arrives from an obscure part of Eastern Europe, and holes up in a large, gothic home in Staten Island, New York. They harbor a hideous secret, as the lady of the house has a rare disease in which she needs a constant supply of blood to keep her alive. Without her "medicine," she turns into a monstrous creature. The gore is brief, but when it's on screen it can be quite nasty, Fortunately Milligan doesn't let his camera linger on those gore shots for more than a couple seconds. Being a period piece, we get some lovely, albeit cheap 1930's era costumes and hairstyles. Before Milligan turned to horror, he directed a collection of erotic, sometimes even pornographic films, which he was surprisingly good at making. His films are dialog-heavy, but the fact that the dialog is so zany and bizarre, becomes a good thing. If you have patience, "Blood" is considered one of the director's more ambitious works, with it's costumes and music score. It also scores high marks on weirdness, and most importantly, "Blood" is one of the more atmospheric horror movies to come out of the 70's. But it's not recommended for cinema snobs, self-proclaimed critics who are going to rip something apart because of some imperfection. With films like this, the flaws sometimes become their greatest asset. Presently I am working through Milligan's body of work, at least the films that weren't lost due to the neglect of his careless family, and admittedly, there are some bad titles. There are also some real gems among them, the absolute best being "Fleshpot On 42nd Street," which was one of the director's non-horror efforts. I recommend "Blood" to fans of true cult horror movies.