Le démon aux tripes

Of all the "Exorcist" rip-offs made right after the box-office success of the original, "Beyond The Door" is the most blatant. All of the sensationalistic happenings of the first movie occur here (head spinning, levitation, green pea vomit, foul language spoken in a demonic voice), but in "Beyond The Door" they occur not so much as a manifestation of demonic possession as they do because they occurred in "The Exorcist". This tale of a woman becoming possessed by her demonic fetus (they even threw some "Rosemary's Baby" into the mix) certainly didn't help the careers of its stars Juliet Mills and Richard Johnson, despite its box office success (indeed, Shakespearean trained Johnson saw his career degenerate into more and even schlockier films than this). Still, one has to admire the film for its chutzpah: it's such an OBVIOUS rip-off that one can't help giving it credit for having the nerve to be such.

You know you're in trouble when you're watching a movie where Satan is the narrator. This is an early effort by Olvidio Assonitis, who was considered a rip-off artist even in a country famous for its rip-off artists (Italy). But where some later Assonitis films like "Tentacles" are sporadically entertaining, this movie falls flat largely because Assonitis is trying to rip-off two big Hollywood movies simultaneously --"Rosemary's Baby" AND "The Exorcist". Assonitis obviously doesn't have the budget to rip off the latter or the directorial skill to rip-off the former, but the best director with all the money in the world couldn't successfully combine these two films because "The Exorcist" is sheer outrageous spectacle (including among other things a possessed 12-year-old girl masturbating with a crucifix) while "Rosemary's Baby" is a very subtle exercise in creeping paranoia that never even shows the titular baby. Sure, they're both about Satan, but they are completely different kinds of movies and combining them is a fool's errand. But of course, only a fool would start out a movie with Satan as a narrator.

Juliet(sister of Haley) Mills plays a housewife whose third child is apparently Satan's spawn. The unborn infant has possessed her, somehow turning her into a low-rent Linda Blair. How did she get pregnant with the devil's child? Who knows (guess I missed that part), but her creepy ex-boyfriend has been pulled by Satan from a fatal car accident and given ten more years of life so he can make sure the baby is born (seems like there should be an easier way). Meanwhile, her husband and two older children are completely befuddled (although probably not as much as the audience). Obviously, this movie makes no sense, but its one saving grace is that it is pretty funny at times (mostly unintentionally). At one point it copies a creepy scene in "Rosemary's Baby" where the pregnant heroine eats a barely-cooked piece of meat by having Mills pick a rotting banana peel off the street and eat it. I don't know if it's supposed to be serious or a parody but its hilarious. Then there's the 10-year-old daughter who talks in the dubbed voice of a 70's hippie chick ("You're a stone drag, man," she tells her little brother at one point). I'll give Assonitis some credit and assume that that is SUPPOSED to be funny. Unfortunately, most of the movie is not so funny and it is certainly not very scary. Not the worst Italian horror movie I've ever seen, but I wouldn't waste your time.

If "The Exorcist" is a big taco, "Beyond the Door" is a taco burp: vaguely reminiscent of the real thing, but with no substance or nutritional value. I don't like tacos anyway, and I don't like this movie. It tells the tedious, glacier-paced story of a dull woman who is pregnant with some sort of demonic baby and starts vomiting pea soup and spinning her head around. She and her family are plagued by a Mr. Beale-esque gentleman who tries to exorcise the demons, but may have his own nefarious reasons for helping- like we care. The only good parts in this crappy, boring movie are the foul-mouthed little kids who cuss like sailors and read cheap romance novels. Also appearing is the guy from "Deep Red", "Zeder", and "Inferno", but this performance is much different from his previous roles because this time he has a mustache.

Not recommended, although I do heartily recommend Mario Bava's "Shock", which was released as "Beyond the Door II" despite the fact that it has nothing to do with "Beyond the Door" and actually has things happen in it.

Oy vey, what a doozy we have here. "Beyond the Door" (also known as "Chi sei" and "The Devil Within Her") has Juliet Mills as a San Francisco housewife who becomes pregnant with a Devil child, which puts a hamper on her otherwise bourgeois West Coast existence. She also becomes apparently possessed, and does a lot of really wacky and scary stuff.

A low-budget, unabashed riff on "The Exorcist" and "Rosemary's Baby," "Beyond the Door" is one of the weirdest offerings in the possession horror sub-genre of the 1970s, and despite its unashamed ripping-off of about every possession film up to that point, there are still moments of technical flair and genuine creepiness here. An Italian production, the film was directed by Ovidio G. Assonitis, who at times seems to be tapping into surrealism with the moody and disorienting camerawork; as some other reviewers have noted, there are things about this film that are very much dreamlike. Take for example, the first five minutes: We have a sea of candles appear on screen, with overhead narration by none other than Satan himself; the camera pans to the right, as Juliet Mills inexplicably stands amidst the candles in a white nightgown, wearing a brainwave monitor. Three minutes later, we have a random montage of Mills grocery shopping in the Bay Area set to a hokey funk track by Sid Wayne. Surrealist horror, or funk rock music video? I don't even know, nor do I want to attempt an answer.

The film suffers tremendously from godawful dubbing, and Mills' foul-mouthed children who look about ten but talk like nineteen-year-olds bring some terribly laughable lines, while the bulk of the dialogue between the family is utterly brainless chatter. Despite all silliness, the real treat of this film lies in the execution of its possession scenes which, despite their derivative nature, are really well-done and at times genuinely scary. Mills does a commendable job with the script and is convincingly frightening as she transforms into a complete monster. There are some surprisingly out-there twists in the script that will leave you scratching your head, but also work in favor of the "surrealist horror" wave the film seems to be riding (funk rock music video is still a solid choice though, just for the opening credits alone).

Overall, "Beyond the Door" is a divisive film because it has moments of acute technical success and truly spooky moments, but it's also horribly dubbed, generally badly acted, and the plot is a rehash of the decade's earlier possession films with some absurd twists thrown in for good measure. As I said before, it is worth a watch for Mills' possession alone, and for the borderline surrealist visuals on display, but the undertone of utter silliness rarely escapes the screen. 6/10.

I won't waste time summarizing the plot for this film since the other users have done quite a good job themselves. Basically, you've got just one more in a stream of films that cashed in on the success of William Friedkin's 1973 classic "The Exorcist". I can only recommend "Beyond the Door" to those who enjoy these types of movies. Director Ovidio G. seems to be the Italian version of William Girdler, who directed his own "exorcist" knock-off that same year with "Abby", a blaxsploitation version that was actually taken out of theaters after two weeks due to a lawsuit filed by Warner Brothers for plagiarism. If I'm correct, "Beyond the Door" was also attacked by Warner Brothers but I'm not sure what the outcome of that one was. It did manage to stay in the theaters though and actually did good at the box office. "Beyond the Door" copies "The Exorcist" in almost every way and you will either hate it or love it. This time, instead of a young girl, we have Juliet Mills (Nanny and the Professor, Passions) who levitates, vomits, spins her head around, and curses like a sailor, saying things like "lick the whore's vomit" in a demonic voice. Sound pretty familiar? "Beyond the Door" was marketed during it's theatrical release as being filmed in Possess-O-Sound, which was basically the same thing used for the Sensurround effect in the film "Earthquake"; huge speakers with the bass turned way up. To sum things up, this is not a well-made movie at all. I was especially turned off by the devil himself doing a little narration at the beginning of the film. You will, however, have a good time watching it and be entertained if you like this kind of thing. There's a few lines of dialogue from the girl playing the daughter that are a hoot and have to be heard to be believed. I'm pretty sure that whoever wrote this script was smoking some of the wacky tobbacy. I voted 7/10 for entertainment value and being one of those movies that are bad in a good/fun way. Otherwise, I give it only a 3.