Les voleurs de trains

The Train Robbers is written and directed by Burt Kennedy. It stars John Wayne, Ann-Margret, Rod Taylor, Ben Johnson, Christopher George, Bobby Vinton, Jerry Gatlin and Ricardo Montalban. Music is by Dominic Frontiere and cinematography by William H. Clothier.

Mrs. Lowe (Margret) hires Lane (Wayne) and his assembled crew to retrieve half a million U.S. dollars that her late husband stole during a train robbery. If they can find it and return it to the railroad, Mrs. Lowe will clear the family name and the Lane crew will pocket the $50,000 reward. However, there's also a considerably large posse out searching for the gold, and who is the strange man travelling alone observing things from afar?

A Technicolor/Panavision production filmed out of Durango in Mexico, The Train Robbers is small in plot but huge of entertainment heart. Gorgeously photographed by the highly skilled Clothier, director and writer Kennedy blends action, suspense and comedy as he straight out focuses on characterisations being expanded among the landscape beauty. With under ten speaking parts in the piece, and man made property kept to a minimum, it's very much a pared down production. This in no way hurts the film, in fact it's refreshing to see such an airy Oater, one that is made in the 70s but feels very much like a throwback to the 50s production line of Westerns.

The town of Liberty, Texas, forms the starting point for the movie, a near ghost town of a place, the arrival of the train bringing Mrs. Lowe and Lane feels like an intruder and accentuates the sparseness that will dictate the tone of the movie. Once the group head out into the wilderness it becomes about conversations and characters reacting to revelations born out by those conversations. In the distance is the heavy numbered posse out for the gold as well, but we only glimpse them like they are shifting ghosts of the terrain, they themselves intruding on the Lane group who as the journey unfolds start to bond and learn about life and each other.

Once the group locate the site of the stolen gold, it allows Kennedy and Clothier the chance to showcase some more striking imagery. Here out in the sand swept desert is what ultimately looks like a locomotive graveyard , the image is strong and it also signals the point where the film goes up a gear and the action enters the fray. All dusty paths then lead to an explosive finale and even as the dust settles we get a narrative twist that's very very cheeky. The cast are having fun, and hats off to Margret who manages to let her Mrs. Lowe character be more than just a honey-pot in the middle of mucho machismo.

I love The Train Robbers, I really do, it's beautiful to look at and features cast and characters that are so easy to warm to. Sure there's flaws and it's routine and hardly treads new ground at a time when the Western was on its knees and struggling to stand up. But it's made with love and respect for those genre fans willing to whisk themselves back to the heady days of the Western. While those moaning about The Duke's girth are very much missing the whole point of it all, both thematically and as a hat tipper to genre tropes. 8/10

I know this film since I was a kid. Nothing new here. I watched it yesterday, once more. It could have been made by Andrew Mac Laglen. All these westerns made in the late 60's and early 70's, starring John Wayne and his pals, have nothing to do with the same period Sam Peckinpah's or Monty Hellman's ones, the new western, another kind. But I like the both. The new generation was more downbeat, the counter culture, the death of the old west. Wayne was thousand miles away from this. On the contrary, he was still in the old western, from the fifties and forties.

So, what could I say more about TRAIN ROBBERS?

I like this kind of westerns, and always will do.

Period.

Whilst the Western genre for movies has died out since the sixties, most, if not all, John Wayne films are good and enjoyable today. However, with that said, this film (to the seasoned Western viewer) feels like nothing new and exciting. And again, with that said, it is not a bad film by any means. John Wayne puts up, yet again, a stellar performance with the backdrop being a decent adventure film with enough action to entice you for its duration.

Whilst nothing brilliant, The Train Robbers is just an easy film to watch and make time fly. If you are not a Western fan, then give this one a miss because it will not promote you to watch another one, but for the more fans of the genre, this will not be so hit and miss for you.

The picture talks about a widow (Anne Margret , though Wayne felt she had stolen too many scenes) who contracts as employer to a motley group of cowboys (Jon Wayne , Rod Taylor , Ben Johnson, Christopher George , Vinton and Jerry Gatlin replacing Jack Elam) to help her retrieve the robbed gold of the Well Fargo in order to delete her late husband's bad name who had previously stolen it . The gold is located on a far desert and they'll have to cross various places until achieve their objective and being pursued by some cutthroats and a detective of Pinkerton agency (Ricardo Montalban) .

The highlights of the film are the imposing attack by the bunch of baddies on the train remains where the protagonists are sheltered and , of course , the final confrontation results to be pretty exciting . In the motion picture there is western action , continuous riding , emotion , tension , adventures , relaxed acting and results to be quite entertaining as well as fun . John Wayne's and Ann-Margret's character names , "Lane" and "Mrs. Lowe," are the same as Wayne's and Geraldine Page's characters' names in ¨Hondo¨ by John Farrow . The storyline is simple and plain but the final plot line has an astounding surprise that turns out to be the best part of the movie . Good support cast , such as : Ricardo Montalban , Ben Johnson , Jerry Gatlin , and Christopher George who played along with Wayne in "El Dorado" (1967) and "Chisum" (1970) . Excellent musical score by Dominic Frontiere , author of various enjoyable western soundtracks , thus : ''Barquero'', ''Chisum'' and ''Hang high'' . Glittering and impressive cinematography by William H. Clothier at his last film , habitual photographer of John Wayne films , it is colourfully shown on the numerous outdoors that are stunning location shots . This low-key pic was produced by John Wayne and his son Michael G. Wayne , proprietaries of the Batjac Productions . The movie was professionally directed by Burt Kennedy , author and screenwriter of a few classic Western mostly performed by Randolph Scott and directed by Budd Boetticher . The flick will appeal to John Wayne fans and western moviegoers . Rating: Nice and good . It's worthwhile seeing.

I have never seen a John Wayne movie that I didn't enjoy, although some of the very early stuff was a little hammy.

The Duke always gave his best in all his films. Who cares about little little blips here and there. The Good guy always wins, and usually gets the girl.

This film excels because of the way it leads the viewer down a dirty dusty path, with a wonderful twist just where you don't expect it.

As always - Excellent Scenery, even the animals have their own little cameos.

There is plenty of drama, and enough suspense to keep up concentration levels

There are the usual little two way quips, and enough dialogue to paint a clear enough background to the key characters.

Ben Johnson is his usual dry character, Rod Taylor plays a likable delayed adolescent, Ann Margret fills her part amply!

Good Fun - Plenty of Bangs - Well Cast - Memorable Quips.

Nobody minds a bit of repetition if it works, and contributes to the storyline which it does well.