Le dernier pénitencier

Okay so this film is not Lord of the Flies caliber and it will never be included in the Criterion Collection, but I will give credit to female director Stephanie Rothman for her fortitude for completing this action/drama/thriller that includes a few female characters that are not total bimbos. Director Rothman does follow the action themed "good guys versus bad guys" and yes the women in this film are exploited both physically and mentally but the difference is sometimes in Ms. Rothman's film the girls get the better of the hardened criminal men and I did find myself rooting for the women.

The film starts off rather slow as we are introduced to a broadcast news crew who want to do a news story on this new law discipline that sends like-minded convicted murderers on to an island to fend for themselves, and to fend off one another mainly to survive. Thus the film title Terminal Island would indicate that as a convicted criminal murderer your days are numbered once you land on Terminal Island.

Yes it has that typical '70's era dull cinematography feel, a pretty redundant music score but it also has one known star for the time in Don Marshall (known for TV's Land of the Giants) as well as some up and comer TV actors such as Phyllis Davis, Roger E. Mosley, and the well known now geriatric actor Tom Selleck, who back in 1973 was a TV commercial male model hunk looking for his first big break. No doubt, Terminal Island gave Tom Selleck the break that he needed to become a bona fide television star in first Magnum P.I. for 8 seasons along side Roger E Mosley who played TC. More recently Tom Selleck has been starring in the highly rated prime time TV police series Blue Bloods for the past 7 seasons. So Terminal Island was recognized by the astute TV producers that there is some good talent coming out of Terminal Island that was well worth pursuing.

I liked Terminal Island because it deliberately stayed clear of overdoing any sex and gore and tried to execute a film with a pretty good plot that was both creative and not easy to execute on a small budget for a B movie at best. So yes, it is worth watching and I will say that I did enjoy it. Maybe you will too?

I give it a 7 out of 10 rating

The early 1970s B picture "Terminal Island" has an effective premise with which to work. In the "future", the Supreme Court has declared the death penalty unconstitutional. In its place, criminals are now dumped on an island 40 miles off the American coast. Here they're (mostly) left to fend for themselves. The latest arrival is a young woman, Carmen (Ena Hartman), who's just in time to witness an uprising. Some of the convicts are tired of the tyranny of their "leaders" Bobby (Sean Kenney, "The Corpse Grinders") and Monk (Roger E. Mosley, "The Mack"). So a small group splits off from the main group, and plots revolution.

Co-written by James Barnett, producer Charles S. Swartz, and director Stephanie Rothman ("The Velvet Vampire"), "Terminal Island" is pretty good for this kind of exploitation fare. It fulfils its requirements - violence, sex, nudity - adequately, and is simply beautifully shot (by Daniel Lacambre, "Humanoids from the Deep") on some pretty locations. While it naturally has its trashy moments, it never really wallows in unpleasantness, and it does have a sense of humour, to boot. (Watch how the horny character, Dylan (Clyde Ventura, "'Gator Bait") is dealt with.) The story is a little thin, but is also provocative on occasion. (Dr. Milford, played by a young Tom Selleck, was convicted of the mercy killing of a patient.)

The cast is full of then-stars, stars-to-be, and familiar character faces. Also appearing are Don Marshall ("The Thing with Two Heads"), Phyllis Davis ("Beyond the Valley of the Dolls"), Marta Kristen ('Lost in Space'), Barbara Leigh ("Junior Bonner"), Geoffrey Deuel ("Chisum"), James Whitworth (Papa Jupe in Wes Cravens' "The Hills Have Eyes"), Richard Stahl ("Nine to Five"), Sandy Ward ("Cujo"), and Albert Cole ("The Incredible 2-Headed Transplant"). The film gained newfound attention when Selleck and Mosley found later fame on 'Magnum P.I.'. Kenney and Mosley are particularly fun as the antagonists of the piece.

Full of solid squib action and some satisfying explosions, "Terminal Island" is worthy of discovery by devotees of the B pictures of decades past.

Seven out of 10.

After the Supreme Court outlaws the death penalty, California circumvents the ruling by sending murderers to a secluded island, where they are declared 'legally dead' and expected to kill each other off. Four intrepid ladies spend some miserable time in the hierarchical sexist work camp on one side of the island, then run off to join the liberated comrades on the other side. There's some pretty big statements waiting to happen in there, and they come through loud 'n' brassy, but they are made in the firm confines of a rockin' 70s drive-in action movie. This is a co-ed prison flick on a cheaper set, with a great bunch of weirdo characters floating around and future Magnum P. I. cast members sweetening the pot. Smart and well made too.

Remember Escape From New York? Eight years previously, in 1973, Terminal Island did the exact same idea. Not nearly as well, but hey - being first count for something, too! TI is an exploitation film when being an exploitation film was cool. As such, it has certain shortcoming inherent to the genre, such as street talking tough black guy, the psychotic white chauvinist pig, and the heroic woman, overcoming oppression with sagacity and perserverence. I can live with those stereotypes, but I can't bear the background music leftover from a 1970's porn movie!

Marta Kristen finally gets to play the part of an action hero - quite a leap from the laid back Judy Robinson role she is best known for. She fights and blows things up and knows how to create gunpowder from nature. Very cool.

Minor drive-in classic concerns the replacement of capitol punishment with exile to a guarded island. Men and women alike must fend for themselves in this rugged terrain(which looks like paradise to me).

TERMINAL ISLAND takes full advantage of it's many opportunities to present titties and sexual situations. If, for some strange reason, that doesn't manage to hold your attention, there's equal portions of violent action for good measure...it's a more professionally appointed example of it's type, and should manage to please many folks outside the trash-cinemaphile radius.

A sleazy, cheesy champion of drive-in splendor. 6/10.