[go: up one dir, main page]

    Release CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie Spotlight
    What's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV News
    What to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily Entertainment GuideIMDb Podcasts
    OscarsPride MonthAmerican Black Film FestivalSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll Events
    Born TodayMost Popular CelebsCelebrity News
    Help CenterContributor ZonePolls
For Industry Professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign In
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro

Notre agent de Harlem

Original title: The Spook Who Sat by the Door
  • 1973
  • Tous publics
  • 1h 42m
IMDb RATING
7.2/10
1.7K
YOUR RATING
Lawrence Cook in Notre agent de Harlem (1973)
A black man plays Uncle Tom in order to gain access to CIA training, then uses that knowledge to plot a new American Revolution.
Play trailer2:27
1 Video
35 Photos
ActionCrimeDrama

A black man plays 'uncle Tom' in order to gain access to CIA training, then uses that knowledge to plot a new American revolt.A black man plays 'uncle Tom' in order to gain access to CIA training, then uses that knowledge to plot a new American revolt.A black man plays 'uncle Tom' in order to gain access to CIA training, then uses that knowledge to plot a new American revolt.

  • Director
    • Ivan Dixon
  • Writers
    • Sam Greenlee
    • Melvin Clay
  • Stars
    • Lawrence Cook
    • Janet League
    • Paula Kelly
  • See production info at IMDbPro
  • IMDb RATING
    7.2/10
    1.7K
    YOUR RATING
    • Director
      • Ivan Dixon
    • Writers
      • Sam Greenlee
      • Melvin Clay
    • Stars
      • Lawrence Cook
      • Janet League
      • Paula Kelly
    • 23User reviews
    • 20Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win & 2 nominations total

    Videos1

    Trailer
    Trailer 2:27
    Trailer

    Photos35

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 30
    View Poster

    Top cast52

    Edit
    Lawrence Cook
    • Dan Freeman
    Janet League
    • Joy
    Paula Kelly
    Paula Kelly
    • Dahomey Queen
    J.A. Preston
    J.A. Preston
    • Dawson
    Paul Butler
    • Do-Daddy Dean
    Don Blakely
    Don Blakely
    • Stud Davis
    David Lemieux
    David Lemieux
    • Pretty Willie
    Byron Morrow
    Byron Morrow
    • General
    Jack Aaron
    • Carstairs
    Joseph Mascolo
    Joseph Mascolo
    • Senator Hennington
    Elaine Aiken
    Elaine Aiken
    • Mrs. Hennington
    Beverly Gill
    • Willa
    Bob Hill
    • Calhoun
    Martin Golar
    • Perkins
    Jeff Hamilton
    • Policeman
    Margaret Kromgols
    • Old Woman
    Tom Alderman
    • Security Officer
    Stephen Ferry
    • Colonel
    • Director
      • Ivan Dixon
    • Writers
      • Sam Greenlee
      • Melvin Clay
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews23

    7.21.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    10Baroque

    Too powerful to be dismissed

    Dan Freeman (played by Lawrence Cook) is a token black CIA operative. Trained in all sorts of espionage, he is relegated to working in the copying department as a "showcase" employee of integration. As the title suggests, he's placed by the door of the office so he's the first person everyone sees. Incensed by his mistreatment (and the racial stereotyping of his superiors), he resigns to his native Chicago as a social services worker.

    Secretly, he is training a street gang into a guerrilla army to be the vanguard in a race war, using all of his training by "the man" against "the man".

    The details are impressive. Freeman explains how to establish a hierarchy in an underground movement, how to recruit new members, living on the street, and forming new cells. He also details how racial stereotypes can be used to one's advantage, citing how no one ever notices a smiling black man in an office carrying a mop.

    The film is a faithful adaptation of Sam Greenlee's controversial novel of the same title, and a haunting look at what MIGHT have (and maybe damned near) happened in the USA during that turbulent period of history. The film was quickly followed by a long line of "blaxploitation" films, often made with little regard for content and style. But "Spook", shot on a small budget, has a powerful message: Never underestimate anyone! Not even "the spook who sat by the door"!

    As a motion picture, it does have technical weaknesses, but the drama is well-played, the plot is very tight and the characters are believable. The language, however, is very harsh. A white man (like myself) may find the diatribes against "whitey" shocking, but this film was made during a time of great racial strife, and it echos those times.

    Made in 1973, it still packs a punch, and is worth tracking down and buying (Do a web-search! That's how I got my copy!).

    A ground-breaking film! (Does anyone but me catch the irony of the main character's name? "Free Man"?)
    8bean-d

    Though Dated, Still Fantastic

    I can't remember how this ended up on my Netflix (I must have read about it in a book or magazine), but I was incredibly surprised. In my mind this rivals "Do the Right Thing"--without the polish. I've seen numerous "blaxploitation" films (not my favorite term), but this 1) doesn't pull any punches and 2) doesn't degenerate into demeaning sex and violence. Unlike films like "Shaft" that just made a white hero black, "The Spook Who Sat by the Door" probably gave the establishment a severe case of heartburn--I mean, can you consider this with white characters?! No. It's a black film through and through. The establishment can tolerate a "Superfly" or a "Shaft," but a film like this (more akin to "The Battle of Algiers") is borderline dangerous. I used to teach a film class, and if I still did, I may very well have considered showing this. An important film.
    8christopher-underwood

    A big surprise!

    A big surprise! I wasn't expecting anything as intelligent or exciting as this. More craft than one would expect of a low budget outing from largely first timers and it barely puts a foot wrong. None of the glam of the more obvious candidates for best black film, this just gets on and does it's job. This being the film's theme in many ways - just do it! There are many, like the writer on the DVD interview, who wonder why so little has been achieved in the US by this community and this marvellous movie is certainly food for thought for many around the world whether they be the oppressed or the oppressor who cannot figure out how the balance of power never seems to change. A really must see film.
    10fox_orvngs

    Greatest guerrilla movie ever made

    This is one of the undiscovered treasures of cinema people, if you haven't seen it you need to. They never paid for one permit and they did this movie for about $90,000USD, but they don't skip a beat. Same editor as Schindler's List; if you watch the movie you can tell why Spielberg uses this guy, he is a master.

    Even if you don't agree with the films message you have to agree that this is one of thee finest made independent films in existence, and considering the subject matter it is a surprise this film was ever shot, because the book had a pretty hard time getting published too.

    I think this film is everything Melvin Van Peebles wanted SweetBack to be.
    10BookerII

    The greatest of all African-American movies.

    I viewed this film in a Pan African Studies class at California State University, Northridge in 1993. Professor James Dennis who was a Civil Rights activist who made the Mississippi Freedom Rides told us this was the best film about and by African-Americans, and I agree with him wholeheartedly! I would like to get this video and show it in the classes I teach in history. This film was ahead of its time. Sam Greenelee is a very good writer and captures the essence of the struggle for African-Americans.

    More like this

    Fureur noire
    6.7
    Fureur noire
    Vengeance d'outre-tombe
    6.0
    Vengeance d'outre-tombe
    Super Fly
    6.4
    Super Fly
    Cornbread, Earl and Me
    6.9
    Cornbread, Earl and Me
    Truck Turner & Cie.
    6.9
    Truck Turner & Cie.
    Point noir
    7.3
    Point noir
    Bucktown
    6.2
    Bucktown
    Cool
    7.1
    Cool
    The Spook Who Sat by the Door
    The Spook Who Sat by the Door
    Trick Baby
    6.7
    Trick Baby
    Infiltrating Hollywood: The Rise and Fall of the Spook Who Sat by the Door
    7.5
    Infiltrating Hollywood: The Rise and Fall of the Spook Who Sat by the Door
    Willie Dynamite
    6.4
    Willie Dynamite

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The actor who played Pretty Willie (David Lemieux) was a member of the Black Panthers and later became a Chicago police detective.
    • Quotes

      [after being told he and the other light-skinned gang members are to rob a bank]

      Pretty Willie: All the yellow nigga's, right?

      [His anger coming to a slow boil]

      Pretty Willie: Look, man, I am TIRED of that! I am not passing! I am BLACK! Do you hear me, man? Do you understand? I am BLACK! I am a NIGGA', you understand me? I was BORN Black, I -LIVE- Black, and I'm gonna die, prob'ly -BECAUSE- I'm Black, because some Cracker that -KNOWS- I'm Black, better than -YOU-, Nigga', is prob'ly gonna put a BULLET in the back of my head!

    • Connections
      Featured in Trailer Trauma Part 4: Television Trauma (2017)

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    FAQ17

    • How long is The Spook Who Sat by the Door?Powered by Alexa
    • Where can I stream this?

    Details

    Edit
    • Release date
      • December 23, 1981 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • The Spook Who Sat by the Door
    • Filming locations
      • 63rd Street & Cottage Grove Avenue, Woodlawn, Chicago, Illinois, USA
    • Production company
      • Bokari
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $998,351
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 42 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

    Related news

    Contribute to this page

    Suggest an edit or add missing content
    Lawrence Cook in Notre agent de Harlem (1973)
    Top Gap
    By what name was Notre agent de Harlem (1973) officially released in India in English?
    Answer
    • See more gaps
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb app
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb app
    For Android and iOS
    Get the IMDb app
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.