L'exécuteur noir

Here's another another golden oldie, a well made feature film, blaxploitation tale, with some thrilling action, especially the start, with the fake orange and reddy gore. We too, have hot broads, as well as the big black dude you don't mess with, as referenced by other black dudes: The one and only Jim Brown (Fireball in The Running Man) who makes most men look small. We have great villains, of course of being the eternal Don Stroud, plus a surprising well acted, and genuinely authentic performance by Ed Mcmahon. Some people want Slaughter dead, where he must of crossed some really bad guys, half the fun in the story, that has us, wondering if he'll survive, which we probably know he will. Recognize a voice and face right at the start. Sounds and looks like a very familiar Police Academy regular. How Slaughter survives a drowning, with his car catapulting off a towering cliff into the seas, had me flummoxed where his girl wasn't so lucky. If you like the attributes of what I've just mentioned, and you're a serious 70's action fan, this will make your night.

The movie itself is pretty good - but only the ORIGINAL version with the awesome soundtrack by James Brown. For the dvd release, the studio was too cheap to buy the rights to original music, so they replaced it with new, generic sounding funk music! And they didn't even change the credits or the packaging to reflect that! That's a pretty big slap in the face to the father of funk himself, so that's why I say avoid this DVD at all costs.

Somehow, this film burrowed it's way into the soft spot of my heart. Don't ask me how it happened, but I suppose having the film feature Ed "I'll Sponsor Anything" McMahon as a tail-chasing crack hustler had a bit to do with it.

Frankly, I was disappointed with Slaughter's first outing in 1972. Nothing more than a quick throw-together to follow Shaft-mania. How does the sequel get away from this? Big Jim Brown seems stronger as Slaughter here than in the first. Perhaps this is due to the fact that one year later he had something to work from, instead of his simple "Be like Shaft" motivation before.

The most outstanding part about the film is the soundtrack provided by pimp-daddy number one, James Brown. Almost every scene is graced with a touch of funk by the Godfather. An excellent period film, for the music, wardrobe, vehicles, lingo, and hair. I should also point out this film is also an excellent period film to represent a time in motion picture history when Jim Brown and Ed McMahon could actually GROW hair.

Double the chicks, double the blow, triple the body count, and factor in Ed McMahon and James Brown. You'll be in for one hell of a 70s action flick, and one that outshines it's predecessor no less. For my money, Slaughter's Big Rip-Off can play ball with any Blaxploitation film ever made. Even Shaft. Chances are you'll disagree, but Slaughter's Big Rip-Off has it's own distinct feel. Something the original was lacking.

Of the two Slaughter movies, this is the better and even though its hardly a Schindlers list in complexity it is bloody funny. All the men are the goodies or the baddies and the women are all just Hos and emotionally needy, eg Slaughters Girl. It is also bloody funny and The Pro has got to be the funniest movie pimp of all time, you just can't get enough of those hats, purple suits, gold chains and jive patois forever. The best bit is where he has the Harem around him going "DO YOU BITCHES UNNASTAN". Everything about him is larger than life and it is reminescent of Morris Day in Purple Rain. Jim Brown also proves hes a private dick for all the chicks and again he kicks whitey ass in every direction. The car scene is very unrealistic that they survive it unscathed, but hey this is the movies. Definitely the finest blax flick and it surpasses Shaft (1971). Even the first movie is pretty good.

This meandering tale of mob revenge is simply not very interesting, even with Ed McMahon in a ripe role as the chief heavy. Jim Brown kicks ass effectively, Gloria Hendry proves again that she can bring life to even the poorest roles, and Brock Peters is decent as The Cop Who Plays By the Book. It's still dull and badly constructed, and even the print shown on cable is now emasculated of its original James Brown score.