Fais vite, monseigneur revient!
During the Middle Ages, a clumsy knight returns home where his wife awaits him. Sensuous and beautiful, she has attracted several male admirers during his absence, but her chastity belt has ... Read allDuring the Middle Ages, a clumsy knight returns home where his wife awaits him. Sensuous and beautiful, she has attracted several male admirers during his absence, but her chastity belt has maintained her faithfulness. Now is her chance to wrest the key from him and enjoy herself... Read allDuring the Middle Ages, a clumsy knight returns home where his wife awaits him. Sensuous and beautiful, she has attracted several male admirers during his absence, but her chastity belt has maintained her faithfulness. Now is her chance to wrest the key from him and enjoy herself. The knight's portly friend has a similar problem with his equally gorgeous wife. And to ... Read all
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- Filippa
- (as Annie Edel)
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Olimpio (Pippo Franco) is a bumbling fool who has a gorgeous wife Fiamma (Karin Schubert), who has been cheating with everyone in town while he was away, despite her chastity belt. Nature will find a way.
When he returns, he sees Ubalda (Edwige Fenech) and spends his time and energy trying to bed her, despite a lurking jealous husband (Umberto D'Orsi).
There is plenty of sex jokes along with the slapstick, and, as you might imagine, plenty of luscious flesh on display.
Surprise, surprise though, the film really does have a certain charm as well as lots of nakedness, perhaps a little too much male incompetence and tomfoolery but is actually very amusing and sometimes very funny.
Both the actions and dialogue are effective and because I knew that the central theme included wives in chastity belts I did fear there might be rather protracted unfunny bits alluding to this, but no.
Well worth a watch and now I want to see more of these Canterbury Tales spin-offs.
I am pretty much guessing that this is par for the course in this genre of film, probably at the top end of its category. The production values are fairly decent with all the period detail and all the rest of it. The women - Edwige Fenech, Karin Schubert and Gabriella Giorgelli - are absolutely beautiful and in a state of undress pretty regularly. The erotic element is clearly the main selling point here and not the comedy, as when you weigh up the scenes of Edwige, Karin and Gabriella against the groan-inducing slapstick...well, there's clearly only ever going to be one winner.
Did you know
- TriviaItalian censorship visa # 61091 delivered on 4 October 1972.
- ConnectionsReferenced in Pasila: Non, je ne regrette rien (2012)
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- Ubalda, All Naked and Warm
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- ITL 90,000,000 (estimated)